The Fairies' Hallowe'en

Though the film is presumed lost, a synopsis survives in The Moving Picture World from October 29, 1910. It states: "Marie is the tiny daughter of a well to do farmer. On Halloween her father, to amuse her, picks a pumpkin that she selects, and fashions a jack-o-lantern out of it. Her new toy pleases the child immensely, and at once takes a place in her affections equal to that held by her dollie. So it is natural that she should be thinking about the two of them when she is tucked into bed and falls asleep. Perhaps that was why the queen of the fairies came to her and invited her to a Halloween party that her loyal subjects were giving in their woodland retreat. And so that Marie would be perfectly happy, not feel embarrassed among strangers, the queen asked Dollie and Pumpkin to be her guests also. And, as a further mark of favor, she waved her hand, and Dollie and Pumpkin could run around and talk as well as Marie could. It certainly made it more enjoyable for the little girl. A fairy Halloween party is one of the finest things going in the amusement line, and only very nice and very good little girls are invited to them. As Marie filled these requirements, she had a perfectly glorious time, but was inclined to weep when she woke up later in her own little bed, and found that her toys had lost their miraculous gift of life. But it consoled her somewhat to have them, for they served as reminders of her wonderful evening. And perhaps the fairies will ask her to attend another party later. If they do, she has decided that Pumpkin and Dollie must have their shares of the good times as before."[1]

The writer of the scenario is unknown, but it was most likely Lloyd Lonergan. He was an experienced newspaperman employed by The New York Evening World while writing scripts for the Thanhouser productions.[2] The film director is unknown, but it may have been Barry O'Neil or Lucius J. Henderson. Cameramen employed by the company during this era included Blair Smith, Carl Louis Gregory, and Alfred H. Moses, Jr. though none are specifically credited.[3] The role of the cameraman was uncredited in 1910 productions.[4] The only known credit is for Marie Eline in the role of Marie.[1] The other cast credits are unknown, but many 1910 Thanhouser productions are fragmentary.[3] In late 1910, the Thanhouser company released a list of the important personalities in their films. The list includes G.W. Abbe, Justus D. Barnes, Frank H. Crane, Irene Crane, Marie Eline, Violet Heming, Martin J. Faust, Thomas Fortune, George Middleton, Grace Moore, John W. Noble, Anna Rosemond, Mrs. George Walters.[5] The film was advertised as being a trick film, employing the use of clever camera techniques to create special effects.[1]

The single reel comedy, approximately 1,000 feet long was released on October 28, 1910.[1] The film had a wide national release, with theaters showing the film in Indiana,[6] North Carolina,[7] Arizona,[8] Maryland,[9] Kansas,[10] and Pennsylvania.[11] One advertisements shows the film still being promoted in 1913 and a possible showing in 1917.[12][13] The film was also shown in Vancouver, British Columbia, Canada by the Province Theatre.[14]

The Moving Picture World gave it minor praise and short summary of the film, but it does not evaluate or describe the special camera effects used to produce the film. The reviewer states: "To see the doll and the pumpkin suddenly assume life is interesting and naturally causes the little girl to whom they belong surprise. The good times they have with the fairy's help will long remain in her memory, even though it is only a dream."[1] The New York Dramatic Mirror was critical of the production, stating "This sounds as if it ought to be very clever, but aside from the work of the little heroine and the dance of the fairies it is entirely uninspired. It needs a drastic application of imagination. The broad idea is excellent, but the details of the management indicate impoverished resources. When the aid of fairies is invoked it opens up all sorts of avenues of fanciful treatment, but this film doesn't get away from stolid realities. For example, nobody could imagine anything more earthly than the outside of the house from which the little girl escaped with the fairy queen and her comrades. That should have been treated fancifully. The events pictured don't amount to anything; there is a sameness about them, nothing surprising happens, and not very much that is pretty. Worst of all is the poetry(?), which is interpolated to explain the narrative; that is beyond criticism. The Thanhouser Company has missed good opportunities in this film."[1] The strange inclusion of the question mark after poetry is not a note by Bowers, for it was actually written into the review itself in the edition. Though no other review mentions poetry.

• List of American films of 1910