The Fare
The Fare is a 2018 American mystery thriller film directed by D.C. Hamilton and starring Gino Anthony Pesi, Brinna Kelly, Jason Stuart, and Jon Jacobs.[1][2] The film was also released on Blu-ray on 19 November 2019.[3] The plot centers on a taxi driver and his passenger who find themselves locked in an endless time loop trap so they have to repeat their journey over and over again.
The Fare | |
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Theatrical release poster | |
Directed by | D.C. Hamilton |
Produced by | D.C. Hamilton, Brinna Kelly, Gino Anthony Pesi, Kristin Starns |
Written by | Brinna Kelly |
Starring | Gino Anthony Pesi, Brinna Kelly, Jason Stuart, and Jon Jacobs |
Music by | Torin Borrowdale |
Cinematography | Josh Harrison |
Edited by | D.C. Hamilton |
Production company | 501 Pictures Public Displays of Affection Grady Film |
Distributed by | Epic Pictures |
Release date |
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Running time | 82 min |
Country | United States |
Language | English |
Plot
A cab drives through the night road to pick up a passenger. The cab driver, Harris Caron, is listening to a radio show about time-traveling aliens who changed the nature of reality. A charming young passenger calling herself Penny climbs into a taxi cab and asks to go to the corner of River and Elm. The car moves along a deserted dark highway, and Harris and Penny have a mildly flirtatious conversation. Suddenly, she disappears from the back seat of the car, leaving no trace. Bewildered, Harris contacts dispatch. The Dispatcher says he doesn't know what to do about a vanishing passenger and that Harris should just reset his fare and return to the city. Harris resets the mileage counter, and the prior events occur again more or less as they had before, though without Penny giving her name. The car crashes, and the barrier between the seats breaks. Harris grabs Penny's hand and asks if she is all right, calling her Penny. Penny says he used her name this time though she hadn't given it and tells Harris to remember her this time before she disappears.
Harris again resets the meter, and the events occur again, this time with Harris having vague recollections of prior details. He realizes he has picked up Penny before. Penny, relieved, tells him the ride has occurred at least a hundred times, with Harris never remembering anything, suggesting they are trapped in a time loop that always ends with Penny disappearing and repeating the events. Through subsequent trips, their conversation grows more intimate. Penny, despite making up many humorous stories about her career during past rides, explains she is really in horticulture, which fits her floral attire and accessories. Harris explains he is a taxi driver because his father was, though he hates the job and felt his father wasted his life doing the task and he is doing the same. Penny is sympathetic but says she sees nobility in taking people to their destinations. She also feels trapped by her unhappy arranged marriage. Harris had a girlfriend once he met via a taxi ride, but the relationship had ended badly.
After yet another disappearance, Harris decides to look for Penny. He does not reset his meter and drives down a different road, despite voices whispering to him to turn back. He eventually reaches a bright light where a dark figure demands he turn around. Harris resets his meter. He is still visibly upset when he picks up Penny again, and she comforts him, leading to them becoming passionate. Afterward, Harris notices a scar on Penny's head from when she hit her head in the car crash. The scar is old and Harris realizes they are not in a time loop but that time is actually passing. Penny is unable to answer his questions, but tells him to not drink his water before she disappears again.
Harris does not drink his water and picks up a new passenger, an elderly man who asks to go to River and Elm. As he drives, Harris' memory of his old girlfriend return. The girl he had picked up in his taxi cab was in fact Penny, and they had spent a romantic summer together before she left suddenly. Harris subsequently died in a car crash. Harris takes the old man to River and Elm, a desolate place, and the old man pays him with a gold coin, like many other similar gold coins Harris finds in his cab. The Dispatcher calls to check in and tells Harris to get back to his job. Harris asks what is his job.
The Dispatcher explains that Harris is his ferryman, a punishment given to him after he and Penny's relationship. The Dispatcher is Death, and Penny, who is actually Persephone, is his wife. Death had taken away Harris' memory of Penny, and Penny had provided water to erase his memory of his job. Harris had been unaware of years passing, only aware of when he drove Penny, something that happened yearly as she returned to the underworld.
Harris returns to his job and drives many different souls to the afterlife. Eventually, it is again time to pick up Penny. She apologizes for everything and implores him to drink the water again for his own sake, but Harris says he has found nobility in his task and that he is grateful for their brief time each year to be together. He drops her off, and they express their feelings for each other before he drives away.
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Cast
- Gino Anthony Pesi as Harris
- Brinna Kelly as Penny
- Jason Stuart as The Dispatcher
- Jon Jacobs as Frail Man
- Matt Fontana as Dewey
Reception
The film was praised by critics—on review aggregator website Rotten Tomatoes, the film holds an approval rating of 100% based on seven reviews.[5]
Michaela Barton of VultureHound gave the film four stars out of five, stating "Like all great sci-fi mysteries, this feature has a classic twist, with a revelation that builds and is actually supported by small clues hidden within each repeating cycle. The construction of this plot is satisfying, intelligent and earned. As this month is Noir-vember, this indie-feature is a welcomed modern addition to the month."[6] Jeremy Dick of MovieWeb wrote "The pleasing visuals do a lot to enhance The Fare as well, blending black and white with color depending on the context of the scene. A lot of effort went into the cinematography, and aesthetically, this particularly made watching the movie a lot of fun. The noir look is also appropriate given the mystery elements of the thriller, and some twists along the way sort of call back to some of the greatest sci-fi classics from years past. It's an interesting way of paying homage to a style of filmmaking which seems to have gone by the wayside in recent years, giving The Fare a rather unique feel compared to other contemporary movies. Paired with a hooking storyline, the cinematography helps make the movie that much better."[7] Hayley Paskevich of Fleep Screen added "By taking its central premise out of the realm of pure sci-fi and infusing it with a dose of Greek mythology, The Fare skillfully manages to avoid the trappings of monotony, instead driving the plot in a surprising direction, giving it new depth. As simplistic as the film itself may be from a structural standpoint, Pesi and Kelly’s performances are genuinely compelling, making it easy to become invested in the relationship between their characters. Full of twists, turns, and lighthearted humour, The Fare is a mythos-steeped love story that’s ultimately worth the trip, proving that sometimes the journeys we’re destined to take together are more significant than the destination itself."[8]
See also
References
- "THE FARE Official Trailer (2019) Alien Horror". joblo.com. Retrieved 22 December 2019.
- Anderson, Mikayla (14 November 2019). "The Fare (Movie Review)". Cryptic Rock. Retrieved 22 December 2019.
- Harvey, Rupert (22 November 2019). "Movie Review: The Fare (2019)". The Critical Movie Critics. Retrieved 22 December 2019.
- "The Fare (2018)". Letterboxd. Retrieved 22 December 2019.
- "The Fare (2019)". Rotten Tomatoes. Retrieved 22 December 2019.
- Barton, Michaela (21 November 2019). ""Could be Hailed a Standout Indie" - The Fare (Film Review)". VultureHound. Retrieved 22 December 2019.
- Dick, Jeremy (23 November 2019). "'The Fare' Review: A Fun Homage to Classic Sci-Fi and Noir Stories". MovieWeb. Retrieved 22 December 2019.
- Paskevich, Hayley (18 November 2019). "REVIEW: In Trippy Sci-Fi Thriller 'The Fare', Destination Takes A Back Seat To Destiny". Flip Screen. Retrieved 22 December 2019.