The Literary Consultancy

The Literary Consultancy was established in 1996 by its founding Director Rebecca Swift (1964–2017),[5] together with Hannah Griffiths (who went on to become Publisher at Faber & Faber). While working as an editorial assistant at Virago Press, Swift realised the need for a professional editorial consultancy where writers could send manuscripts for assessment before they approached publishers and agents.[1] As she explains:

"I felt that ... many more people were writing, as new technology made it easier than ever for people to want to put their stories down, yet the publishing environment was becoming more difficult than ever.... Editors were shed from the industry in large numbers, and editing was in some companies considered a time-wasting exercise! This is a crude generalisation, and of course all good publishers still have excellent editors working for them, but the main shift from editorially led buying to sales team buying, changed the flavour of publishing radically. ...there were so many good editors on the freelance market, and so many people writing who needed an opinion on their work. TLC was the first to establish itself in Britain, and to remove the stigma of people paying for editorial opinion and advice. After all, editing is a real skill, knowing the markets is another skill, and in my view people writing should consider paying for these skills—rather than expecting serious feedback for free.[6]

According to TLC's new Director Aki Schilz, "We're lucky enough to be both well-connected and well-regarded, and can also refer writers onwards to various trusted services for things like copy-editing, proofreading, and publishing services. Where we see manuscripts of a particularly high quality, we are often able to help writers onwards towards publication, usually via agents."[7]

For its manuscript reading and assessment service, TLC draws on a team of more than 80 editors and readers to assess writing at all levels, across fiction, non-fiction, short stories, poetry, scripts and screenplays.[8] In addition, TLC offers the Chapter and Verse mentoring scheme, both commercially and with places available as bursaries enabled by Arts Council England funding, and also programmes and runs events, classes[9] and a "Literary Adventure" holiday overseas.[1][10][11]

In 2009, TLC became a resident founding member of the Free Word Centre — an international organisation for literature, literacy and freedom of expression – where events are hosted, including an annual literary conference.[12]

In 2015, with increased Arts Council England funding (TLC is an Arts Council National Portfolio Organisation) TLC expanded its Free Read Scheme to deliver the Quality Writing for All Campaign, in partnership with 17 regional literature development organisations, for high quality, low-income writers, with a special focus on supporting Black, Asian and Minority Ethnic (BAME) and disabled writers across the UK with manuscript assessment bursaries.[11][13][14]

TLC has worked and works in partnership with a number of organisations, including the Royal Society of Literature, The Guardian, Media Futures and the Alliance of Independent Authors, of which it is a Partner Member. TLC's commercial services are available to writers worldwide, but within the UK it works with 17 regional literature development bodies across England for its Free Read bursary scheme for low-income writers, including Spread the Word, New Writing North and Arvon Foundation, as well as supporting a number of prizes (SI Leeds Literary Prize, Mslexia First Novel Award, Bridport First Novel Award) and other literary ventures.[14][15]

• Official website.
• Laura Summers, "5 questions for Rebecca Swift of The Literary Consultancy" (interview), Book Machine, 31 May 2012.
• Tom Chivers, "The Future of Publishing: An interview with Rebecca Swift", Free Word, 19 March 2012.
• Damyanti Biswas, Interview with Aki Schilz, TLC Editorial Services Manager, Daily (W)rite, 25 October 2016.