The Raleigh Cigarette Program

Red Skelton introduced two characters the first season of this radio program that would stay with him as crowd pleasers well into his years on television. One of those characters was Clem Kadiddlehopper. Clem Kadiddlehopper was described as "a quintessential lamebrained country bumpkin". The inspiration for the Kadiddlehopper character came from a person named Carl Hopper.

Carl Hopper was one of Skelton's childhood friends and old next-door neighbor in his hometown of Vincennes, Indiana. As a child, Hopper had issues with his hearing which usually led him to misconstrue hearing and speaking words, however, Hopper still managed to have a cheerful demeanor.[5] Even though Hopper later got a hearing aid which allowed him to fare better as an adult, those memories of Hopper as a child stuck with Skelton throughout his career.

In order go get into character as Kadiddlehopper, Skelton would draw in his lower lip, adopt a somewhat bewildered look on his face and wear a hat with a turned up brim.[5]

In early episodes of the program, Kadiddlehopper is said to be a cab driver. However, in later episodes, Kadiddlehopper takes on several different occupation but never did the program pinpoint a specific occupation for Kadiddlehopper.

The second of the two long-running characters introduced to listeners on The Raleigh Cigarette Program was a troublesome young lad named Junior. Junior, also known to listeners as "the mean widdle kid",[10][11] was a troublemaker who never really liked listening to his parents and who disobeyed his mother frequently often to his own dismay.

Skelton's famous catchphrase "I dood it!" was first heard on this program. It was used as the official catchphrase of "widdle" Junior. Anytime Junior was about to do something his parents would disapprove, he would think a moment and say "If I dood it, I gets a whipping." Then he would break something or cause trouble and exclaim the phrase "I dood it!"

The phrase became so popular and so synonymous with Skelton that it was the title of a 1943 movie starring Skelton. The film also starred alongside Skelton actress Eleanor Powell with musical interludes from Jimmy Dorsey and his orchestra.[12] The film was a musical-comedy released through Metro-Goldwyn-Mayer. The film was also a box office success grossing nearly $2.2 million.[13]

The character of Junior was so popular that during the beginnings of America's involvement with World War II in 1942 that the U.S. Army was able to raise enough funds to pay for a new much-needed bomber plane all simply by asking child listeners of the program to save and donate their spare change. When the money was raised for the plane, it was christened, “We Dood It!”.[3]

Before breaking a break in radio, Nelson started out in show business as a band leader. Nelson's big break came in 1930 when he formed the Ozzie Nelson Band.

From 1930 through the 1940s, Nelson's band recorded prolifically—first on Brunswick (1930–1933), then Vocalion (1933–1934), then back to Brunswick (1934–1936), Bluebird (1937–1941), Victor (1941) and finally back to Bluebird (1941-through the 1940s). Nelson's records were consistently popular and in 1934 Nelson enjoyed success with his hit song, "Over Somebody Else's Shoulder" which he introduced. Nelson was their primary vocalist and (from August 1932) featured in duets with his other star vocalist, Harriet Hilliard whom he would marry in 1935.

Ozzie Nelson joined The Raleigh Cigarette Program originally as the program's orchestra leader/musical director. As the show progressed, however, Nelson gradually became written in to more and more sketches and episodes. Harriet also became a supporting cast member as well and the two became known as "America's favorite young couple". After Skelton left the air in 1944, Nelson moved to CBS where he developed and produced his own radio series, The Adventures of Ozzie and Harriet.[14] The show went on the air with their sons played by actors until 1949, and in 1952 it moved over to television (the radio version continued for another two years). The show starred the entire family, and America watched Ozzie and Harriet raise their boys. The last television episode aired in 1966. To date, Ozzie and Harriet is the longest running live-action sitcom and the third longest running television sitcom behind the animated shows South Park and The Simpsons.

Like her husband, Harriet Hilliard also began her show business career in music.

She was born Peggy Louise Snyder in Des Moines, Iowa,[15] the daughter of Hazel Dell (née McNutt) and Roy Hilliard Snyder. She appeared on the vaudeville stage when she was three years old and made her debut on Broadway in her teens.[16]

She frequented the Cotton Club, began smoking at age 13, was briefly married to an abusive comedian and lived what has been described as "a high-flying life".[16] She left high school before graduating and joined the Corps de Ballet at the Capitol Theater, later dancing in the Harry Carroll Revue and working as a straight woman for comedians Ken Murray and Bert Lahr.[17] By 1932, she was still performing in vaudeville when she met the saxophone-playing bandleader Ozzie Nelson. Nelson hired her to sing with the band, under the name Harriet Hilliard. They married three years later and had two sons together; David Nelson and Ricky Nelson.

Hilliard followed her husband Ozzie onto The Raleigh Cigarette Program in 1941. Also like her husband, Hilliard was not to be in the supporting cast with Skelton. She was originally hired as the program's vocalist but, again like her husband, gradually grew into sketches and skits. Hilliard provided voices to most of the female characters heard on the program most notably Daisy June, Clem Kadiddlehopper's girlfriend, and Junior's mother.

She later went on to co-star with her husband on the radio and eventual television incarnation of The Adventures of Ozzie and Harriet before dying of congestive heart failure in 1994 at the age of 85.

As a comedian, Wonderful Smith was most notable for his routine, "Hello, Mr. President" which was an imaginary conversation with American President Franklin Delano Roosevelt that lampooned the New Deal and World War II preparations.[18] The routine appeared in Duke Ellington's satirical revue Jump for Joy.

Smith joined the program in various roles. Usually, Smith played the antagonist to Deadeye, another country bumpkin character voiced by Skelton. Smith went on to television. He died in an assisted living facility in Northridge, California in 2008.

On April 22, 1947, Skelton was censored by NBC two minutes into his radio show. When he and his announcer Rod O'Connor began talking about Fred Allen being censored the previous week, they were silenced for 15 seconds; comedian Bob Hope was given the same treatment once he began referring to the censoring of Allen.[lower-alpha 1] Skelton forged on with his lines for his studio audience's benefit; the material he insisted on using had been edited from the script by the network before the broadcast. He had been briefly censored the previous month for the use of the word "diaper". After the April incidents, NBC indicated it would no longer pull the plug for similar reasons.[25][26]

By 1948, costs for the show had gotten little too high for Raleigh cigarettes. Sponsorship changed over from Brown & Williamson's Raleigh cigarettes to Procter & Gamble's Tide laundry detergent which had only been formed two years earlier,[27] and the title of the program was changed to The Red Skelton Show. With the change of sponsor came a change in timeslot as the program moved to Friday nights at 9:30.

By 1949, William S. Paley, the then president and founder of CBS, had acquired several major talents from NBC in what is now known as the infamous "talent raids". Several of those "talents" included Amos 'n' Andy, Edgar Bergen and Charlie McCarthy, Burns and Allen and Jack Benny. In 1949, Red Skelton and his radio gang became a part of the growing list of acquisitions.

The last episode of The Red Skelton Show on NBC was broadcast on May 20, 1949. On October 2, 1949, CBS revamped the program. Most of the old cast from The Red Skelton Show moved with Skelton to CBS. Actor Dick Ryan and actress Martha Wentworth joined the cast. Wentworth, who had worked with fellow cast member Verna Felton on the radio program The Cinnamon Bear in 1937, portrayed the role of Polly the Panhandler. Skelton also introduced the character of San Fernando Red, a windy politician, among with several other characters on CBS.[23]

CBS placed the program at 8:30 on Sunday nights. Tide continued to sponsor the series until about mid-1951 when Norge appliances picked up the tab for the program. The last broadcast for CBS aired on June 25, 1952.

On September 16, 1952, Skelton and his gang moved back to NBC. By this point in time, Skelton was kicking off the second season of his television show, also named The Red Skelton Show, on NBC Television. This radio season would prove to be Skelton's last. NBC cancelled the radio program and the final broadcast aired on May 26, 1953.[2][28][29] His television series moved to CBS that fall where it remained for the next 17 years. For its last season, the show returned to NBC[30] where it ended its 20-year run in March 1971 with reruns airing until August 1, 1971.

• Red Skelton as Clem Kadiddlehopper, Junior, the mean widdle kid, Willie Lump-Lump, Bolivar Shagnasty, Cauliflower McPugg, Deadeye, San Fernando Red and others.
• GeGe Pearson as Sarah Dew, Mrs. Willie Lump-Lump, Mrs. Bolivar Shagnasty and others.
• Lurene Tuttle as Junior's mother.
• Verna Felton as Namaw, Junior's grandmother.
• Wonderful Smith as a Skelton antagonist, usually Deadeye.
• Martha Wentworth as Polly the Panhandler.
• Anita Ellis as the vocalist.
• David Rose as the orchestra/bandleader and musical director.