The Song of Scorpions

Gautaman Bhaskaran of The Hindustani Times rated the film highly, saying "The Song of Scorpions is a story set on the undulating golden sands of the Thar Desert in Rajasthan, the sights and sounds of the mesmeric atmosphere caught most imaginatively by cinematographer Pietro Zuercher. I was bowled over by the light and shade contrasts he presents - the harshness of the daytime desert rubbing shoulders with the darkness of a night illuminated by the light of a million stars, twinkling away and guiding Singh’s folktale narrated through pain, pathos, love, humiliation, revenge, pardon and forgiveness. I think Singh has this unique ability to fathom the human mind, and in a way, his plot resembles a Shakespearean drama - sans the drama."[5]

Boyd van Hoeij of The Hollywood Reporter commended the cinematography of the film saying that, "The film is absolutely gorgeous to look at, with Swiss cinematographers Pietro Zuercher and Carlotta Holy-Steinemann relishing the opportunity to film a country that looks so unlike their own"."[6]

Allan Hunter of Screen Daily praised the cinematography, direction and acting performances in the film saying that, "Although leisurely in places, The Song Of Scorpions retains its grip, especially as we grow more involved in Nooran’s refusal to become a victim and her response to the many challenges placed in her path. The material could easily have lent itself to melodrama or sentimentality but Singh’s understated direction lends it a steely conviction that is further underpinned by some deft casting."[7]