The Touch of Satan

The Touch of Satan is a 1971 independent horror film directed by Don Henderson and starring Michael Berry and Emby Mellay in their debut roles. The film was shot between 1968 and 1970 in the Santa Ynez, California area and featured early work by movie makeup artist Joe Blasco, cinematographer Jordan Cronenweth, and composer Robert O. Ragland. The film was relatively obscure, playing only in drive-in theaters and dollar movie houses until a 1998 appearance on the series Mystery Science Theater 3000.

The Touch of Satan
Theatrical release poster
Directed byDon Henderson
Produced byGeorge E. Carey
Written byJames E. McLarty
StarringMichael Berry
Emby Mellay
Music byRobert O. Ragland
CinematographyJordan Cronenweth
Edited byDick Elliott
Distributed byFuturama International Pictures
Release date
1971
Running time
90 min
CountryUnited States
LanguageEnglish

Plot

A farmer is murdered by an elderly insane woman with a burned face. After stabbing the farmer and accidentally setting his barn on fire, the woman stumbles home to her family. The family, an older couple and a young woman, argue about the best way to handle the situation and make vague references that the elderly woman may have killed people in the past.

The scene then switches to the main character, a young man named Jodie who is on an open-ended car trip across America to find himself and discover whether or not he wishes to follow in his father's footsteps as a lawyer. Jodie stops at a small pond to have lunch and meets Melissa, the teenage girl from the previous scene. They banter briefly and she convinces him to come visit her family on their walnut farm, despite the intense distress this offer causes her parents. The young couple grows increasingly close, despite the frightening presence of the elderly woman and various clues dropped along the way that Melissa is, in fact, a 127-year-old witch and the birth sister of the elderly insane woman.

When the old woman murders a deputy policeman in front of Jodie, Melissa confesses that she is a cursed witch and is possessed by Satan. Jodie refuses to believe this, so Melissa reveals in a dream-sequence that her sister was burned as a witch by an angry mob of villagers in the 19th century. Melissa was so distressed by the sight of her sister being burned at the stake that she offered her soul to Satan in order to gain the power to save her. Satan agreed and allowed Melissa to save her sister. Melissa was given eternal life and youth as a result of this bargain, but the gift was a curse as she watched her now-insane sister grow old and homicidal.

The old woman tries to kill Jodie, but Melissa uses her powers to stop her and her sister dies in a fire that she started. Jodie eventually believes Melissa and has sex with her, effectively "freeing" her from Satan. Unexpectedly, however, she instantly ages to her "actual" age, and Jodie must sell his soul to Satan in order to restore Melissa's youth and save her life. The movie ends with the realization that each are bound to Satan and that Melissa's attempt to save herself has only managed to draw Jodie into the evil contract as well.

Cast
  • Michael Berry as Jodie Lee Thompson
  • Emby Mellay as Melissa Strickland
  • Lee Amber as Luther Strickland
  • Yvonne Winslow as Molly Strickland
  • Jeanne Gerson as Lucinda Strickland
  • Robert Easton as Mr. Keitel
  • Lew Horn as Deputy John Mason
  • Sharon Crabtree as Young Lucinda
  • John J. Fox as Gas Station Attendant
  • Hal K. Dawson as Mr. Gentry
  • Frank Jansen as Frank Larsen
  • Ellen Bailey as Sarah Strickland

Production

The original title for the film was "Touch of Melissa." Joe Blasco did the make-up effects for the movie, his first feature.[1]

Reception

The Monster Times's Larry Brill found it to be "interesting and effective."[2]

The film was featured in episode eight, season nine of the movie-mocking show Mystery Science Theater 3000. The episode makes frequent references to dialogue gaffes in the film, such as Jodie referring to the Strickland family farm as a "walnut ranch" and Melissa pointing out that the pond is "where the fish lives."

See also

References
  1. Carlomagno, Ellen (July 1982). "Meet Joe Blasco". Fangoria. No. 20. pp. 47-51.
  2. Brill, Larry (October 1974). "Late Film Round Up!". The Monster Times. No. 36. p. 28.
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