Thenavattu

The film starts with Kailasam, the somber bigwig who is performing the last rites of someone dear to him, but the appearance of Kottai (first in the chaotic Koovagam festival and later atop a Veeranam pipe) swinging a scythe maniacally sets the tone for the rest of the film.

Cut to the flashback a few months ago: in Ramnad, Kottai's mother is cutting down logs and boasting about her son: he is a god who deserves to see the outside world and derive its benefits. Kottai journeys to big bad Chennai in company with Vellaiyan, who dances with every Karagattam dancer on the roadside, makes lewd jokes, and appears to have only one thing on his mind. They end up at the massive home of Kailasam, the local terror who slices up people whenever he can. However, our heroes are unaware of the fact.

Kottai and Vellaiyan think that all Kailasam does is cut up trees, which is why he requires their blacksmithing skills. However, Kottai gets to know that Kailasam hired him to make sickles to kill people. Kottai then goes to work by feeding crying children milk and helping men with epileptic seizures. He also falls in love with the first fair-complexioned, slim beauty he comes across, Gayatri. Naturally, Gayatri, is also a wonderfully kind-hearted girl who wears saris and teaches music to students. Kottai's logic for falling in love with her is that she treats him like his own family.

Meantime, there is yet another villain Santhosh, who is Kailasam's son. Santhosh goes around playing musical instruments, mouthing punchlines, and raping women left, right, and center. There also a remarkably stupid and one-dimensionally portrayed minister and a helpless, frustrated cop named Suryaprakash, who simply stands like a rock in uniform and wants to settle a score with Kailasam because Santhosh raped and killed his sister. Naturally, Santhosh goes on raping women, and Suryaprakash goes on standing still. Kottai goes on making aruvaals until Santhosh catches sight of the ravishing Gayatri. Santosh touches Gayathri inappropriately, and all hell breaks loose. Kottai bashes Santhosh, not knowing that he is Kailasam's son. When Kailasam comes to know that Kottai has beaten his son to death, he tries to take revenge on Kottai. Kottai, with the help of Suryaprakash, kills Kailasam and the minister. The film ends with Kottai returning to his home.

• Jiiva as Kottai
• Poonam Bajwa as Gayathri
• Ganja Karuppu as Vellaiayan
• Ravi Kale as Kailasam
• Shafi as Santhosh
• Saikumar as Suryaprakash
• Rajan P. Dev as Minister
• Saranya as Kottai's mother
• Delhi Ganesh as Gayatri's father
• A. Revathi as Transgender Chief
• Suja Varunee (special appearance)

V. V. Kathir, who earlier worked as an assistant to Seeman and Suryaprakash, narrated the script to R. B. Choudary, and he and Jeeva both liked it.[1] A photo session was completed in Pallavaram Hills.[2] Antony, producer of this film, had earlier produced Jeeva's elder brother Jithan Ramesh's film Puli Varudhu. Bhavana was originally slated to be heroine but she left the film due to unknown reasons.[3] Poonam Bajwa, who acted in Telugu films including Boss was selected as heroine, making her debut in Tamil and was also shooting for Seval simultaneously. Saranya was selected to play Jeeva's mother.[4] Art director Roobesh created a huge set at YMCA resembling Koothaandavar temple.[5] This was the first Tamil film which had transgender people treated with respect.[6]

The soundtrack was composed by Srikanth Deva in his second collaboration with Jiiva after E.

Thenavattu was the second film to be distributed by Sun Pictures.

After this film, V V Kathir was supposed to direct Karthi's Siruthai but didn't direct. He went to hibernation and had not directed any film so far. Due to the film's poor response, Antony stopped producing films. Jeeva and Poonam again paired in Kacheri Arambam.