There's No Business Like Show Business (film)

Ethel Merman as Molly.

Mitzi Gaynor as Katy.

The story opens in 1919 and chronicles the ups and downs in the careers of Terence and Molly Donahue, a husband-and-wife vaudeville team. Throughout the years, the Donahues reconcile a stable family life with professional success. Their children, Steve, Katy, and Tim, join the act one by one, and they eventually become known as The Five Donahues. But as the children mature, they answer other callings. Steve, for example, enrolls in a Catholic seminary for training as a priest. Later, Tim falls in love with a successful performer, Vicky Parker, and he and sister Katy consent to join her act as supporting players. But Tim and Vicky experience a falling out, and he abandons the act. Despite efforts by the family to locate him, Tim's whereabouts remain a mystery.

Meanwhile, Katy begins dating Charlie Gibbs, the show's tall and spare lyricist, and they are eventually married—in a ceremony ministered by Steve who has just been ordained a priest. Thus, the Five Donahues are no more, until months later at a benefit on the closing night of the famed Hippodrome Theatre in New York. As Molly sings the film's title song for the sellout crowd, Steve arrives backstage unexpectedly, followed by Tim, in the uniform of a U.S. sailor. There, he reconciles with Vicky and his family. And for the first time in years, the Five Donahues reunite for the film's elaborate finale.

All songs written by Irving Berlin.[6]

In the months prior to the filming of the movie, Marilyn Monroe had been placed on suspension from 20th Century-Fox after refusing to accept the leading role in a film version of The Girl in Pink Tights. During her suspension, she married baseball star Joe DiMaggio and the two honeymooned in Japan, during which she took time to entertain soldiers in Korea. Fox had intended to cast Sheree North in the picture, going so far as to test the actress in Monroe's own studio wardrobe. When the star returned to Hollywood, her Fox suspension was lifted, and studio executives offered her a role in the ensemble cast of There's No Business Like Show Business as a replacement project for having refused to make Pink Tights. Monroe initially refused to make the picture just as she had for the previous offering until Fox ensured her that her next vehicle would be The Seven Year Itch.[8] She also demanded a pay increase of $3,000 a week.

Ethel Merman had first sung "There's No Business Like Show Business" in the original Broadway production of Annie Get Your Gun in 1946 and would go on to sing it again in the 1967 television broadcast of the subsequent Lincoln Center revival.[9]

To publicize the film, Monroe wore a black cotton polka-dot swimsuit. It went on auction at Christie's in London in 1991 and sold for $22,400 to collector David Gainsborough Roberts.[10]

Despite boasting a lavish production, Irving Berlin's There's No Business Like Show Business eventually became both a critical and box office failure.

Ed Sullivan described Monroe's performance of the song "Heat Wave" as "one of the most flagrant violations of good taste" he had witnessed.[11] Time magazine compared her unfavorably to co-star Ethel Merman. Bosley Crowther in The New York Times called the film a "major success" in a generally favorable review, praising in particular Donald O'Connor's performance, but said that Mitzi Gaynor had surpassed Monroe's "wriggling and squirming" which were "embarrassing to behold."[12] Donald O'Connor drew unfavorable reviews for his "over-acting" and "uncanny flirting" with Monroe on-screen. Dan Dailey and Johnnie Ray favored better among critics, although reviewers stated their performances were "below average".

The film's budget was $4,340,000.[1] Excessive at the time for a movie filmed entirely on a studio lot in Los Angeles, the expenses were mainly due to delays in production, the lavish musical numbers and a running time that was at least 15 minutes longer than most other Hollywood musicals. Because the film made just $5,103,555 at the box office,[2] 20th Century Fox officials were disappointed.

According to records, Fox was expecting a profit of $2 million, but ran a loss of almost $950,000. It is also significant that Johnnie Ray never worked again for 20th Century Fox or appeared in another motion picture made by any major movie studio in the United States or another country, though his music developed a stronger following overseas than in the United States.

The film's TV premiere occurred October 28, 1961, on NBC's ground-breaking movie anthology series, Saturday Night at the Movies, in a pan-and-scan version to match the square, small-screen design of televisions manufactured at the time. Later syndicated broadcasts on local television stations were unkind to the legacy of There's No Business Like Show Business because it warranted a time slot of at least two-and-one-half hours, including commercials and also because of the lack of letterboxing during that era. Its release to the home video market in the early 1990s, which solved the problem of commercial interruptions though the issue of the aspect ratio of Cinemascope remained, improved its profits considerably. A DVD release in 2001 that included letterboxing and 4-channel surround sound introduced the film to younger generations. It has received favorable reviews from critics and fans.

Wikimedia Commons has media related to There's No Business Like Show Business (film).

• There's No Business Like Show Business at IMDb
• There's No Business Like Show Business at AllMovie
• There's No Business Like Show Business at the TCM Movie Database
• There's No Business Like Show Business at the American Film Institute Catalog
• There's No Business Like Show Business at Rotten Tomatoes