Timur Ismagilov
Timur Aleksandrovich Ismagilov (Russian: Тиму́р Алекса́ндрович Исмаги́лов; born 27 February 1982) is a Russian Bashkir composer and pianist. In his music he combines contemporary composition techniques with Tatar and Bashkir folk elements.[1]
Biography
Timur Ismagilov was born in Ufa (Bashkortostan, Russia). He started to compose music at the age of 11 and attended Rustem Sabitov's composition class in 1995–2000.[2] Ismagilov graduated from the Lyceum of Ufa State Institute of Arts (Lyudmila Alexeeva's piano class).[3] In 2005 he graduated from Alexander Tchaikovsky's composition class at the Moscow Conservatory.[4] In 2005–2008 he took a post-graduate course in the conservatory (academic adviser Alexander Tchaikovsky, scientific adviser Svetlana Savenko).
In 2006 Timur Ismagilov founded the Sviatoslav Richter's memorial website.[5] Since 2010 he has organized a number of contemporary music concerts. Ismagilov was one of the composers interviewed by Dmitry Bavilskiy for his book “To be called for: Conversations with contemporary composers” (published in 2014).[6] Besides composing his own music, Ismagilov has made about 600 transcriptions and arrangements for different sets of instruments.
Works
- Orchestral music
- Concerto for cello and orchestra, op. 17 (2004–05)
- Elegy for string orchestra, op. 40 (2011, 2017)
- Changes II for piano, 15 strings and triangle ad libitum, op. 42 (2016–17)
- Addiction for orchestra, op. 44 (2018)
- Chamber music
- Triptych for string quartet, op. 4 (1996)
- Epitaph for Alfred Schnittke for string quartet, piano and celesta, op. 6 (1998, rev. 2014)
- String Quartet, op. 14 (2002–03, rev. 2006)
- Fantasia for violin and piano, op. 16 (2003–04)
- EDES... for flute, clarinet, violin, cello and prepared piano, op. 20 (2007)
- Ozon kiy [7] (Bashkir: Оҙон көй) for accordion, flute, clarinet, trumpet, violin, viola, cello and double bass, op. 21 (2008)
- Two Sketches and a Song for cello solo, op. 22 (2010)
- Novella for viola solo, op. 23 (2010)
- Evening Music for flute, violin, viola and cello, op. 24 (2010)
- Dialogue for violin solo, op. 27 (2011)
- Trio for violin, cello and piano, op. 31 (2013)
- Jacob's Ladder for double bass solo, op. 35 (2014)
- Sonata for violin and piano, op. 36 (2015)
- The Story of Dove for flute solo, op. 39 (2016)
- Fantasia for clavichord (or piano), op. 43 (2018)
- Fantasia for viola and piano, op. 46 (2019–20)
- Vocal music
- Four Japanese Poems for soprano and piano, op. 7 (1998)
- From Mustai Karim, Diptych for male voice and piano, op. 9 (1999)
- The Story of One Picture after Arkady Averchenko for male voice, cello, piano, prepared piano and tape, op. 11 (2001)
- 121, vocal cycle after poems by Dmitry Prigov for male voice and piano, op. 15 (2003)
- From Hafez, vocal cycle for soprano and piano, op. 26 (2011)
- Three Epigrams for low male voice and piano, op. 41 (1999, 2017)
- Piano music
- Suite in Folk Style, op. 1 (1995–96)
- Variations on a Folk Theme, op. 2 (1995–96)
- Partita-Offering, op. 10 (2000)
- Homage to John Cage, op. 12 (2001)
- Variations on a Theme of Paganini, op. 13 (2002, rev. 2003)
- 24 Preludes, op. 18 (2005—10)
- Yashen [8] (Bashkir: Йәшен) after the poem by Rashit Nazarov, op. 25 (2011)
- Bagatelles, op. 28 (2012)
- Axis, op. 32 (2012–13)
- Changes, op. 33 (2013)
- 7, op. 34 (2014)
- Three Pieces for Six Hands, op. 37 (2010—16)
- Spring Sketches, op. 38 (2016)
- What Next?, ор. 47 (2020)
Notes
- http://www.chaskor.ru/article/timur_ismagilov_ya_by_mog_sochinyat_muzyku_dazhe_v_gluhoj_derevne_24251 Conversation with Dmitry Bavilskiy
- https://archive.li/20060210134116/http://www.bashvest.ru/showinf.php?id=3441
- Bavilskiy, Dmitry (2014). "To be called for: Conversations with contemporary composers”, p. 746. ISBN 978-5-89059-191-3.
- http://www.mosconsv.ru/ru/students_h.aspx List of the Moscow Conservatory graduates
- http://www.r-spring.ru/Products/dirid_27/tek_359/
- http://limbakh.ru/index.php?id=2371
- The title is a transcription of two Bashkir words.
- The title is a transcription of the Bashkir word.