Tina Howe

Literary critic and novelist C. W. E. Bigsby wrote that "art is plainly a central point of reference" for Howe, noting those themes in Painting Churches and Coastal Disturbances, and added that "food and consumption" are also important themes in her work. In his book Contemporary American Playwrights, Bigsby wrote that she has a "commitment to experimentation" and quotes Howe as saying said that she is "firmly entrenched in the Absurdist tradition."[16] Frank Rich, in his New York Times review of Painting Churches commented that the play "is in the dreamiest impressionistic spirit."[17] The Variety reviewer of Painting Churches also noted that the play is a "group portrait painted in a soft, impressionistic style."[18]

The CurtainUp reviewer of Coastal Disturbances wrote of Howe's work: "Like all of Howe's work, the play's charm stems from its quirky characters. In this case joie de vie, despair, love, lust, anger and fear come and go like the waves hitting the shore in foamy bursts or gentle ripples."[19] Writing in the Sarah Lawrence Magazine, Celia McGerr Regan described Howe's authorial voice: "Howe developed a voice that has been variously described as farcical and absurd, impressionistic and airy, graceful and perceptive, lyric and literate, vivid and language-driven, whimsical and demented. Odd things happen in the face of the recognizable: Trees grow up inside and through a New York State farmhouse (One Shoe Off)..."[20]

Ben Brantley in reviewing Birth and After Birth for The New York Times, observed "The suggestion is of a natural world that thwarts and ultimately devours the ambitions and pretensions of the civilized. This is a theme that Ms. Howe would develop in later works, sometimes artfully (Coastal Disturbances), sometimes clumsily (One Shoe Off), but always in a style that was distinctively her own."[21]

Howe noted about her time in Paris: "The most profound thing that happened to me that year... was seeing The Bald Soprano by Ionesco. That exploded me all over the place." Ionesco, Beckett and Pirandello are still her heroes.[22]

Howe’s first full-length play to receive a professional production was The Nest, which premiered in the summer of 1969 at the Act IV Theater in Provincetown, Massachusetts. It was directed by Larry Arrick and the cast included Sally Kirkland and Richard Jordan among others. From Provincetown, the show was transferred Off-Broadway to New York's Mercury Theater, opening on April 9, 1970.[23]

Howe later recalled: "My first play, 'The Nest,' was about courtship and how women compete with each other to land a husband. That play closed [off-Broadway] in one night."[24] The play follows the trials of three young women competing for husbands at a dinner party, and during the course of the play, one of the women takes off her clothes and dives into a huge wedding cake, and is licked clean by one of the male guests. The Nest, Clive Barnes of The New York Times wrote in his review, “must be on any reasonable short list of the worst plays I have ever seen.”[25]

Her play Museum, with a cast of 55 characters, premiered at the Los Angeles Actors' Theatre on April 29, 1976,[26] and was then presented Off-Broadway by Joseph Papp at the Public Theater, opening in February 1978, in a production directed by Max Stafford-Clark. A cast of 18 actors played a total of 44 characters. The play takes place at a group art show of three contemporary artists, titled The Broken Silence. The Public Theater production featured Dianne Wiest, Kathryn Grody and Larry Bryggman.[27][28] A CurtainUp reviewer noted that Howe "explained in her author's note for the play's premiere at the Shakespeare Festival, her large cast of characters was created to provide directors and producers with endless staging possibilities."[29] In her note in the script (published by Samuel French), Howe wrote: "It is my hope that any group wanting to present Museum use the large cast size as a challenge and not as a restriction. The play was written to serve the versatility of actors."[27]

The play was revived Off-Broadway by the Keen Company in 2002, directed by Carl Forsman. In his Village Voice review, Michael Feingold wrote, “This is the most enchantingly tesserated play ever written….If Mozart had been a TV producer, this is what a 'Candid Camera' segment on art might have looked like.”[30]

The Art of Dining is set in an exclusive restaurant (and home) moving from the kitchen of the chef/owner, to the dining room, where her husband is the maitre d', to the individual tables of the characters, observing their action and interplay while waiting for and eating their meals. The play was first presented Off-Broadway by Joseph Papp at the Public Theater in December 1979, in a production directed by A. J. Antoon with a cast featuring Kathy Bates, Ron Rifkin and Dianne Wiest, who went on to win the 1980 Clarence Derwent Award and Obie Award.[31]

Howe herself won an Obie Award in 1983 for distinguished playwriting for her plays The Art of Dining, Museum and Painting Churches.[32] From New York, The Art of Dining moved to a run at the Kennedy Center.[33]

Howe's next play, Painting Churches, premiered on February 8, 1983 at Second Stage Theater, under the direction of Carole Rothman.[34] The cast included Marian Seldes, Frances Conroy and Donald Moffat. It transferred to the off-Broadway Lambs Theater where it ran from November 22, 1983 through May 20, 1984, playing 206 performances.[35] In this production Marian Seldes was joined by Elizabeth McGovern and George Martin. Painting Churches won several Outer Critics Circle Awards, including Best Off-Broadway Play, Best Actress (Marian Seldes) and the John Gassner Playwriting Award.[36] The play was also a finalist for the Pulitzer Prize in Drama.[37]

The play has been produced throughout the U.S. and internationally. In 1986, it was filmed for PBS's American Playhouse, directed by Jack O’Brien. That cast included Sada Thompson, Donald Moffat and Roxanne Hart. It was revived off-Broadway by the Keen Company in March 2012, directed by Carl Forsman, starring Kathleen Chalfant, John Cunningham, and Kate Turnbull.

In November 1986, Howe's next play, Coastal Disturbances premiered at Second Stage, under the direction of Carole Rothman. Set on a New England beach, the set held six tons of sand. Annette Bening and Tim Daly led the cast. The play was transferred to the Circle-in-the-Square Theater on Broadway in March, 1987. It was nominated for a Tony award for Best Play along with Carole Rothman for Best Direction and Annette Bening for Best Actress. Frank Rich of The New York Times hailed it as "Hilarious, erotic and intoxicating"; John Simon in New York magazine wrote, "Exhilarating and wonderful".

This was followed by Approaching Zanzibar, which shows the Blossom family traveling across the United States to visit Olivia, a sick relative. The play premiered at the Second Stage Theatre on April 8, 1989, directed by Carole Rothman, and starred Jane Alexander as Charlotte Blossom, Harris Yulin as her husband, Angela Goethals as her daughter and Bethel Leslie as her dying aunt.[38] The play was produced at the Southwark Playhouse, London in August 1997. The reviewer for The Independent wrote: "...a zany, expertly mimed sequence throws the tensions of cooped-up family car travel into rollicking relief when, in fantasy, the parents and children swap roles. But, like so much off-Broadway fare, the play insists on coating the pill of pain in the sickly sugar of false reassurance."[39]

One Shoe Off opened Off-Broadway in April 1993 in a Second Stage Theatre production at the Public Theater. The Variety reviewer described the play as "the dining-room play that dissolves in an emotive crossfire of accusation, revelation and reconciliation", "offbeat, sometimes ferociously funny" with an "over-the-top tone".[40]

Her play Pride’s Crossing, described by Playbill as a "family-inspired memory play" was produced Off-Broadway at Lincoln Center from December 7, 1997 to April 5, 1998[41] after an engagement at the Old Globe Theatre (San Diego) in 1997. The play was revived Off-Broadway in 2004.[41][42] She received the New York Drama Critic's Circle Award for Best Play in 1998 for this play.[41][42]

Rembrandt's Gift premiered at the Humana Festival at Actors Theatre of Louisville in 2002,[43] directed by John Rando and starring Penny Fuller and a revised version was produced by the Madison Repertory Theatre (Wisconsin) in September 2005.[44] The three person play focuses on an "unlikely, poignant and very funny visit by the great 17th-century Dutch painter Rembrandt van Rijn.[14][45]

Howe wrote English translations of Eugène Ionesco's The Bald Soprano and The Lesson, which were produced at the Atlantic Theater Company in September 2004.[46] The plays were directed by Carl Forsman and featured Jan Maxwell, John Ellison Conlee, Michael Countryman and Robert Stanton.[47]

The Atlantic Theater Company presented Birth and After Birth Off-Broadway at the Linda Gross Theater, opening in September 2006 in previews. Described by Playbill as "a play about parenting", the play was written in 1972; it was directed by Atlantic associate artistic director Christian Parker.[48] The play was first presented at the Wilma Theatre (Philadelphia, Pennsylvania) in September 1995, after being rewritten and having readings, and a workshop at the California State University Summer Arts Festival. The reviewer of this production wrote: "The play bears the mark of a youthful playwright. Howe's brilliant mind is teeming with enough ideas to fill several plays, and her themes and style at times suggest an early fascination with older playwrights such as Ionesco and Albee."[49] Birth and After Birth is "a comedy... in which a self-centered, tantrum-throwing monster of a 4-year-old is played by a fully grown adult male."[50]

Chasing Manet opened Off-Broadway at Primary Stages in April 2009, starring Jane Alexander and Lynn Cohen. The play takes place in a nursing home, with the "rebellious painter" and a Jewish woman becoming friends and planning on escaping to go to Paris abord the QE2.[51] Jane Alexander is a friend of Howe's from Sarah Lawrence.[10]

Howe provided the text for the interdisciplinary work Cheri, conceived, directed and choreographed by Martha Clarke, which opened Off-Broadway in a Signature Theatre Company production at the Pershing Square Signature Center-Irene Diamond Stage on November 19, 2013 in previews.[52]

Her full-length play Singing Beach premiered Off-Broadway at HERE Arts Center on July 22, 2017 in previews in a limited engagement, produced by Theatre 167. Directed by Ari Laura Kreith, the cast featured Erin Beirnard, Devin Haqq, Jackson Demott Hill, John P. Keller, Tuck Milligan, Elodie Morss, and Naren Weiss. The play involves the effects that a Category 4 hurricane has on the Sleeper family and is concerned with climate change. [53]

Howe's plays have been produced in regional theatres in the United States, such as Louisville,[43] Los Angeles,[27] Stockbridge, Massachusetts,[19] Annapolis, Maryland [54] and San Diego,[42] as well as in London.[39] Her plays have premiered in venues such as the Humana Festival at Actors Theatre of Louisville (Rembrandt's Gift, 2002)[43] the Public Theater (The Art of Dining, 1979),[31] and the Second Stage Theatre (One Shoe Off, 1983).[40][55]