Trajal Harrell

Trajal Harrell is an American dancer and choreographer. Best known for a series entitled Twenty Looks or Paris is Burning at The Judson Church, Harrell "confronts the history, construction, and interpretation of contemporary dance."[1][2]

Trajal Harrell
Born1973 (age 47–48)
Douglas, Georgia
EducationTrisha Brown School, Centre National de la Dansearis, City College of San Francisco, Martha Graham School of Contemporary Dance
Alma materYale University
OccupationDancer, choreographer, artist
Years active2004 - present
Notable work
Twenty Looks or Paris Is Burning at the Judson Church
The Ghost of Montpellier Meets the Samurai
StyleContemporary
Postmodern
AwardsBessie Award
Guggenheim Fellowship
Creative Capital Award
Websitewww.betatrajal.org

Career

Harrell's work has been presented at festivals in Paris, Vienna, Berlin, Rio De Janeiro, Montreal, and the Netherlands, and at venues including The Kitchen, New York Live Arts, the Walker Art Center, Danspace Project, Dance Theater Workshop, Performance Space 122, Philadelphia Live Arts, REDCAT, Cornell University, Colorado College, and the Institute of Contemporary Art, Boston. He has shown performance work in visual art contexts at The Museum of Modern Art, the New Museum, MoMA PS1, Fondation Cartier pour L’art Contemporain, the Bronx Museum of the Arts; Fundação Serralves, Centre Pompidou-Metz, and Art Basel.[3][4]

Harrell has received fellowships from organizations including the Foundation for Contemporary Arts Grants to Artists award (2014), the John Simon Guggenheim Memorial Foundation, The Saison Foundation, the Art Matters Foundation, and the Doris Duke Foundation.[5][6]

Twenty Looks or Paris is Burning at The Judson Church

Harrell's work, Twenty Looks or Paris is Burning at The Judson Church asks the question, "What would have happened in 1963 if someone from the vogueing ball scene in Harlem had come downtown to perform alongside the early postmoderns at Judson Church?"[7] Harrell takes up dance history by combining these two specific and separated groups of dance makers (separated by class, race, gender, and other categories of "identity").[8]

The project began in 2009 and completed in 2017, staged in different sizes over the years.[9]

Twenty Looks or Paris is Burning at The Judson Church has been theorized by scholars Madison Moore[10] as well as Tavia Nyong'o, in his 2018 work Afro-Fabulations: The Queer Drama of Black Life.[11]

References
  1. Boynton, Andrew (May 1, 2012). "When Drag and Modern Dance Collide". The New Yorker. Retrieved 1 June 2016.
  2. La Rocca, Claudia (April 27, 2012). "Another Chapter in a Personal Myth That Keeps Growing Darker". New York Times. Retrieved 8 June 2016.
  3. Chae, Julie (December 11, 2012). "Trajal Harrell: The Next Martha Graham Has Arrived!". Huffiington Post. Retrieved 14 June 2016.
  4. Gantz, Jeffrey (March 26, 2016). "'Twenty Looks' lights up the ICA". Boston Globe. Retrieved 14 June 2016.
  5. "Trajal Harrell: In one step are a thousand animals". moma.org. Museum of Modern Art. Retrieved 8 June 2016.
  6. "Trajal Harrell". Foundation for Contemporary Arts. Foundation for Contemporary Arts. Retrieved 14 June 2016.
  7. "The Kitchen: Trajal Harrell: Twenty Looks or Paris is Burning at the Judson Church".
  8. Kourlas, Gia (2016-12-30). "For This Choreographer, One Size Does Not Fit All". The New York Times. ISSN 0362-4331. Retrieved 2020-07-26.
  9. Kourlas, Gia (2016-12-30). "For This Choreographer, One Size Does Not Fit All". The New York Times. ISSN 0362-4331. Retrieved 2020-07-26.
  10. Moore, M. (2014-01-01). "Walk for Me: Postmodern Dance at the House of Harrell". Theater. 44 (1): 5–23. doi:10.1215/01610775-2370746. ISSN 0161-0775.
  11. Murphy, Peter (2019-02-05). "Tavia Nyong'o's Afro-Fabulations: The Queer Drama of Black Life". The Brooklyn Rail. Retrieved 2020-07-26.


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