Valerian Pletnev

In 1922 his article "On the Ideological Front" ("Na ideologicheskom fronte") was published in Pravda in September 1922. Here he defended Proletkult which was facing marginalisation at that time. He rejected class compromise and the use of experts. He was against the participation of the peasantry, the bourgeoisie, and the intelligentsia in Proletkult. Proletarian culture was to be developed by the workers themselves and would provide a necessary antidote to the problems affecting post-revolutionary Soviet society.[1] Influenced by Bogdanov, he defended the view that a proletarian science was necessary. He stated that the proletariat had to find new systems of knowledge, develop new ties between the different disciplines, which would require a monistic understanding of the world. As regards art, he stated that the new culture must be made by worker-artists, who aim to change the world, not merely to beautify it. He pointed out that the last four years in which Proletkult had existed was a very short period of time, compared to the period of the bourgeois domination of society.[1]

In second article, "In the Proletkult" ("V Proletkul'te"), published in Pravda, October 1922, he responded to his own question on whether these first steps in proletarian culture should be considered as a utopian, unnecessary luxury?" by essentially arguing for continued state subsidies for Proletkult which were being reduced under the New Economic Policy.[1] He praised the organisations literary output, including the role of drama as well as the development of production art.

From 1933 to 1936 he was Deputy Head of the General Directorate of the Film Industry at the SNK of the USSR. However he was subsequenlty purged and shot in 1942.