Vernon and Irene Castle

A hands-free Tango step that the Castles originated; photograph from their 1914 bestseller Modern Dancing

Vernon, the son of a pub owner, was raised in Norwich, England initially training to become a civil engineer. He moved to New York in 1906 with his sister, Coralie Blythe, and her husband Lawrence Grossmith,[1] both established actors. There he was given a small part on stage by Lew Fields, which led to further acting work, and he became established as a comic actor, singer, dancer and conjuror, under the stage name Vernon Castle.[2]

Irene was born on 17 April 1893 in New Rochelle, New York, the daughter of a physician. She studied dancing and performed in several amateur theatricals before meeting Vernon Castle at the New Rochelle Rowing Club in 1910. With his help, she was hired for her first professional job, a small dancing part in "The Summer Widowers". On May 28, 1911 in New Rochelle, New York, over her father's objections, the two were married.[3] The English-born Vernon had already established himself as a dancer in comedic roles. His specialty was playing a gentleman drunk, who elegantly fell about the stage while trying to hide his condition.[2]

After their marriage, Irene joined Vernon in The Hen-Pecks (1911), a production in which he was a featured player. The two then traveled together to Paris to perform in a dance revue. The show closed quickly, but the couple was then hired as a dance act by the Café de Paris. They performed the latest American ragtime dances, such as the Turkey Trot and the Grizzly Bear. The Castles were soon the rage of Parisian society; their success was widely reported in the United States, preparing their way for a triumphant return to New York in 1912.

When they returned to the U.S., their success was repeated on a far wider scale. Making their New York debut in 1912 at a branch of the Cafe de Paris operated by Louis Martin, who had given them their start in Paris, the duo were soon in demand on stage, in vaudeville and in motion pictures. They also became staples of Broadway. Among their shows were The Sunshine Girl (1913) and Watch Your Step (1914), which boasted Irving Berlin's first score, written for the Castles.[2] In this extravaganza, the couple refined and popularized the Foxtrot. After its New York run, Watch Your Step toured through 1916.[4]

In 1914, the couple opened a dancing school in New York called "Castle House", a nightclub called "Castles by the Sea" on the Boardwalk in Long Beach, New York, and a restaurant, "Sans Souci". At Castle House, they taught New York society the latest dance steps, by day, and greeted guests and performed at their club and cafe at night. They also were in demand for private lessons and appearances at fashionable parties. Despite their fame, they often found themselves treated as hired menials; if a rich client was too demanding, Vernon would quote a fee of a thousand dollars an hour for lessons and often get it.[2]

Marguerite Martyn sketched the Castles dancing the maxixe in 1914.

Irene, costumed by Lucile for Watch Your Step, 1914

As America's premier dance team, the Castles were trendsetters in a number of arenas. Their enthusiasm for dance encouraged admirers to try new forms of social dance. Considered paragons of respectability and class, the Castles specifically helped remove the stigma of vulgarity from close dancing. The Castles’ performances, often set to ragtime and jazz rhythms, also popularized African-American music among well-heeled whites. The Castles appeared in a newsreel called Social and Theatrical Dancing in 1914 and wrote a bestselling instructional book, Modern Dancing, later that year. The pair also starred in a feature film called The Whirl of Life (1915), which was well received by critics and public alike.

As the couple's celebrity increased in the mid-1910s, Irene Castle became a major fashion trendsetter, initiating the vogue for shorter, fuller skirts and loose, elasticized corsets.[5] She is also credited with introducing American women in 1913 or 1914 to the bob – the short, boyish hairstyle favored by flappers in the 1920s.[6] The elegant, yet simple, flowing gowns Irene wore on stage and screen were regularly featured in Vogue, Harper's Bazaar and other fashion magazines. These were often supplied by the famous couturier Lucile, but Irene also designed some of her clothes herself.[7] The slender, elegant Castles were pioneers in other ways: they traveled with a black orchestra, James Reese Europe's Society Orchestra,[8] and had an openly lesbian manager, Elisabeth Marbury.

The Castles endorsed Victor Records and Victrolas, issuing records by the Castle House Orchestra, led by James Reese Europe, a pioneering figure in African-American music. They also lent their names to advertising for other products, from cigars and cosmetics to shoes and hats.

In 1915, Vernon determined to fight in the war and began flight school in the U.S., leaving the touring cast of Watch Your Step. He received his pilot's certificate in early 1916. The Castles gave two farewell performances at the Hippodrome Theatre in New York in January 1916, accompanied by John Philip Sousa and his band.[9] Vernon sailed for England to enlist as a pilot in the Royal Flying Corps during World War I.[10] Flying over the Western Front, he completed 300 combat missions,[11] shot down two aircraft and was awarded the Croix de Guerre in 1917. He was posted to Canada to train new pilots, promoted to captain, and then transferred with the rest of his unit to the U.S. for winter training at Camp Taliaferro.

Captain Vernon Castle a few days before his death in 1918

Late in 1917, while he was away, Irene appeared in a star-studded revue, Miss 1917. Although she was singled out for praise by reviewers, she was unhappy performing on stage alone: "I found myself hopelessly lost as a solo number. I had no training for dancing alone and I should never have tried it."[12] Though successful with critics, the revue failed to attract an audience; at least not enough of one to pay for the lavish production.[12][13] Castle's specialty song was challenged on copyright grounds, and management cut it. In addition, her act in the show was scheduled for late in the evening, which conflicted with her early morning film work. As the show failed, she and others were let go by the producers. She later sued successfully, but by then the production company was bankrupt.[14] For the rest of 1917, she made well-received appearances on behalf of war charities.[14]

On 15 February 1918, over Benbrook Field, a training field near Fort Worth, Texas, Vernon took emergency action shortly after takeoff to avoid a collision with another aircraft. His plane stalled, and he was unable to recover control before the plane hit the ground. He died soon after the crash, aged 30.[15][16] Vernon was the only casualty. According to the monument at the crash site, "Neither the other pilot, his student cadet, nor Vernon's pet monkey, Jeffrey, were seriously injured."[11] Irene paid tribute to Vernon in her memoir My Husband, 1919. There is a street in Benbrook, Texas, named in his honor, with a monument dedicated to him. Vernon was buried in Woodlawn Cemetery in the Bronx, New York.[17] The grieving memorial figure kneeling on the grave was created by Irene's friend, the American sculptor Sally James Farnham.

Sign designed by Irene Castle for Destiny Farm in Eureka Springs

On May 3, 1919, Irene married Robert E. Treman, the scion of a prominent Ithaca, New York family.[18] They resided in Ithaca's newly cut Cayuga Heights subdivision, north of Cornell University. Irene starred solo in about a dozen silent films between 1917 and 1924, including Patria (1917), and appeared in several more stage productions before retiring from show business. Treman reportedly invested Castle's money and lost it in the stock market. They divorced in 1923. She married two more times; the same year, she married Frederic McLaughlin (a man 16 years her elder), and two years after he died in 1944, she married George Enzinger (died 1959), an advertising executive from Chicago. During her marriage to "Major" McLaughlin, who was the founding owner of the Chicago Blackhawks, she is credited with designing the original sweater for the Blackhawks Hockey Club.[19] She had two children with McLaughlin, Barbara McLaughlin Kreutz (1925–2003), who was Dean of the Graduate School of Arts and Sciences at Bryn Mawr College, and William Foote McLaughlin (1929–2012).[20]

Mostly retired from dancing after William's birth in 1929, Castle concentrated on animal rights activism.[21] Around 1930, "the best-dressed woman in America" presented serialized, quarter-hour radio dramatizations of her European travels with her husband, bulldog Zowie, and Walter ("father's coloured servant") around the capitals of Europe in "The Life of Irene Castle". Only one episode (episode #4) is known to exist.[22]

The grave of Vernon and Irene Castle

In 1939, the Castles' life was turned into a movie, The Story of Vernon and Irene Castle, produced by RKO and starring Fred Astaire and Ginger Rogers. Edna May Oliver played their agent, and Lew Fields was his 33 years younger self. Irene Castle served as a technical advisor on the film, but clashed with Rogers, who refused to wear Castle's trademark short bob or darken her hair.[23] She objected to Rogers' inauthentic wardrobe demands, although a number of Castle's original Lucile gowns were copied for the movie. Castle also protested the hiring of white actor Walter Brennan to play their faithful friend and manservant Walter, who was black.[24]

For the rest of her life, Castle was a staunch animal-rights activist,[25] ultimately founding the Illinois animal shelter "Orphans of the Storm", which is still active.[26] In 1958, she appeared as a guest challenger on the TV panel show To Tell the Truth.[27] Castle and her fourth husband moved to Destiny Farm in Eureka Springs, Arkansas in 1954.[28]

Irene died at her Arkansas farm on January 25, 1969, aged 75.[29] She was interred with Vernon at Woodlawn Cemetery in New York City.[30]

Notes

Sources

• Golden, Eve. Vernon and Irene Castle's Ragtime Revolution, University Press of Kentucky, 2007, ISBN 081312459X

Further reading

• Castle, Irene. Castles in the Air, Doubleday, 1958
• Castle, Irene. My Husband, Scribner, 1919
• Castle, Irene (as told to Ada Patterson). "How to Be Happily Married," Photoplay, June 1921, p. 42.
• Castle, Vernon and Irene Castle. Modern Dancing, Harper & Brothers, 1914
• Hunt, C. W. Dancing in the Sky, Dundurn Press, 2009

Wikimedia Commons has media related to Vernon and Irene Castle.

External video
Vernon and Irene Castle in The Whirl of Life (1915)

• Vernon Castle at the Internet Broadway Database
• Irene Castle at the Internet Broadway Database
• Vernon Castle at IMDb
• Irene Castle at IMDb
• The Story of Vernon and Irene Castle at the TCM Movie Database
• Radio Nostalgia Network - "Radio Journeys", Episode 17, including "The Life of Irene Castle"
• U.S. Library of Congress; American Memory. Dance Instruction Manuals: Modern Dancing By Mr. and Mrs. Vernon Castle
• Video: The Castle Walk (1915) on YouTube
• Irene Castle at Library of Congress Authorities, with 19 catalog records