Viktors Eglītis

After dropping out of an Orthodox Christian seminar in Vitebsk, Eglītis studied drawing in Penza and enrolled at Maria Tenisheva's art studio in Saint Petersburg. There he became acquainted with the ideas of the Russian Silver Age and several of its prominent figures.[2]

Back in Latvia, he adapted the ideas of Russian symbolism for Latvian literature and art theory. In 1902, he used the term "decadence" to designate his writings. In various articles, he laid out his poetics which were opposed to moral schemes, abstraction and realism, and instead promoted artistic individualism.[2] He was well received by a number of young writers, who along with Eglītis wanted to refocus the language of poetry, which was dominated by well-defined lyrical forms and clear narratives, to symbols and signs that were not always easy to decipher. With this they wished to provide a sense of mystery and prophecy, and leave room for subtlety and subconscious impulses. This poetic is prominent in Eglītis' poetry collection Elēģijas (1907) and short story collection Vērtības pārvērtējot (1911). Eglītis also illustrated his own books with symbolic drawings. In addition to the enthusiasm from his followers, Eglītis' often aggressive introduction of modernist principles was also met with vocal opposition.[2]

After the outbursts of his early works, the prolific Eglītis gradually turned to a more neoclassical and realistic expression; toward the end of his career he even launched the slogan "Away with modernism!" (Latvian: Nost ar modernismu!)[2] In the 1920s he was an established and much read literary figure in Latvia, with works characterised by positivism and maximalism. From the end of the 1920s, he moved in an increasingly patriotic direction. He wrote historical fiction where he depicted the Baltic nations in opposition to other countries, primarily Germany.[2] He turned to the Baltic neopaganism of the Dievturība movement.[3] Late in his life he also came to express antisemitic views and support for the politics of Adolf Hitler.[2]

In 1944, Eglītis was convicted in a Soviet court, accused of being a fascist collaborator. He died in prison on 20 April 1945. During the Soviet era, he was almost never discussed, remained unread and was largely forgotten. After Latvia regained its independence, Eglītis began to be rediscovered and gained status as the country's leading decadent writer. The literary scholar Vera Vāvere published a biography on Eglītis in 2012.[3]

Eglītis married the teacher and translator Marija Eglīte (born Stalbova) in 1904. She died in 1926.[4] In 1930 he married the painter Hilda Vīka.[5] With his first wife, he was the father of the writer, journalist and painter Anšlavs Eglītis (1906 – 1993).[6]

• List of unsolved deaths

• Elēģijas, poems, 1907
• Vērtības pārvērtējot, short stories, 1911
• Skolotāja Kalēja piedzīvojumi, novel, 1921
• Dvēseles slāpes, short stories, 1922
• Zeme un mūžība, poems, 1924
• Nenovēršamie likteņi, novel, 1926

• Vāvere, Vera (2012). Viktors Eglītis (in Latvian). Riga: Zinātne. ISBN 9789984879161.