Vilhelm Bissen

Christian Gottlieb Vilhelm Bissen (5 August 1836 – 20 April 1913) was a Danish sculptor. He was also a professor at the Royal Danish Academy of Fine Arts with great influence on the next generation of Danish sculptors and for a while served as its director. Bissen was trained in the Neoclassical tradition from Bertel Thorvaldsen but after a stay in Paris around 1880, he was influenced by Naturalism. With the equestrian statue of Absalon he turned to Neo-romanticism.[1][2][3]

Christian Gottlieb Vilhelm Bissen
Vilhelm Bissen by Frederik Riise
Born(1836-08-05)5 August 1836
Copenhagen, Denmark
Died20 April 1913(1913-04-20) (aged 76)
Copenhagen
NationalityDanish
EducationRoyal Danish Academy of Fine Arts
Known forSculptor
MovementNeoclassicism (early works)
Naturalism (later works)
Stork Fountain on Amagertorv (1894)

Biography

Vilhelm Bissen was born in Copenhagen as the son of Herman Wilhelm Bissen, one of the leading Danish sculptors of his day. Young Bissen received training in his father's studio from an early age and studied at the Royal Danish Academy of Fine Arts from 1853 to 1857, then in Rome between 1857 and 1863 and finally in Carrara from 1866 to 1867 where he studied marble techniques.[1][4]

Upon his father's death in 1868, he returned to Denmark to continue his workshop and complete his ongoing projects. These included most notably the equestrian statue of King Frederik VII for the plaza in front of Christiansborg Palace (1873).[1]

His own works included a number of statues of prominent Danes. He is mainly known for a number of statues around Copenhagen, including the equestrian statue of Absalon (1902) on Højbro Plads and the Stork Fountain (1894) on the adjoining Amagertorv. His notable works include N. F. S. Grundtvig at the Frederik's Church, Christian IV at Nyboder and Queen Consort Caroline Amalie in Rosenborg Castle Garden.

He was commissioned to make two statues of Absalon at the septicentennial of his death in 1901, an equestrian statue for Højbro Plads and another gilded copper figure for the facade of the new Copenhagen City Hall which was under construction at the time. He also produced a large number of animal sculptures of which the birds on the Stork Fountain (1894) on Amagertorv are the most famous.[5]

He participated in Charlottenborg Spring Exhibition between 1857–1913 and at the World Exhibitions in London 1862, Paris 1867 and 1889 and at Chicago 1893. In 1871 he was elected a member of the Academy of Fine Arts and in 1887 a member of the Academy Council. He was Director of the Academy 1902–05. He held the positions of professor of sculpture at the Royal Danish Academy of Fine Arts 1889-1908.

  • Absalon (1902)
    Højbro Plads
  • Carl Christian Hall (1890)
    Søndermarken
  • Grundtvig (1894)
    Frederik's Church
  • King Christian IV (1900)
    Nyboder
  • Absalon (1901)
    Copenhagen City Hall

See also

References
  1. "Vilhelm Bissen". Gyldendal. Retrieved 2010-07-21.
  2. Jens Peter Munk. "Vilhelm Bissen". Kunstindeks Danmark & Weilbach Kunstnerleksikon. Retrieved April 1, 2019.
  3. "Vilhelm Bissen". Dansk Biografisk Leksikon. Retrieved January 1, 2021.
  4. "Herman Wilhelm Bissen". Rosenborg. Retrieved April 1, 2019.
  5. "Christian Gottlieb Vilhelm Bissen (1836-1913)". nivaagaard.dk. Retrieved April 1, 2019.
Cultural offices
Preceded by
Ferdinand Meldahl		 Director of the Royal Danish Academy of Fine Arts
1902–1905		 Succeeded by
Otto Bache
Preceded by
Otto Bache		 Director of the Royal Danish Academy of Fine Arts
1906–1908		 Succeeded by
Martin Nyrop
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.