Vincent Blanchet

Vincent Evart Blanchet was born in Neuilly-sur-Seine,[1] Paris, to Dutch-born artist Bernarda Vleming Blanchet and French poet Jean Auguste Blanchet.

From 1962 to 1967, Blanchet filmed a series of 16-mm amateur shorts in a Parisian Ciné-Club while attending the screenings of Henri Langlois at the Cinémathèque Française. Blanchet was inspired by Robert Flaherty, and the Direct Cinema tradition of Richard Leacock, D. A. Pennebaker, Michel Brault and Pierre Perrault.

While teaching cinema practice at Paris X Nanterre with Jean Rouch from 1969 to 1978 and documentary filmmaking at IDHEC, and elaborating his own practice as a filmmaker, Blanchet began working as cameraman and sound engineer. He won the Sadoul Prize for Histoire de Wahari in 1974 and became a member of the jury where he remained until 1989.

In 1978, through the teaching practices from Paris X Nanterre, he co-founded the international film school Ateliers Varan with Jean Rouch, J-P Beauviala, Jacques D'Arthuys, his brother Severin Blanchet, and a number of their students from Nanterre. Blanchet became one of the main founders of the school's particular filmmaking pedagogy, and his pedagogical principles are still put into action today.[2] He continued teaching at Ateliers Varan until his death.

In the mid-1980s, with the royalties from his latest fiction, he bought all the microphones on the market, took them apart to find out how they work - and why they don't work well enough. He developed a series of microphones, built on new principles, and used them in his own films, generally mounted directly on a small video camera. The sound is particularly transparent and the mikes produce an auditory "depth of field" that make them particularly suited for one-person film crews. A number of filmmakers started using the microphones, among them, Richard Leacock.[3] He also developed a series of serial mikes for acoustic instruments, and made sound recordings for e.g. Randy Weston, Richard Leacock & Sarah Caldwell, Jean-Louis Aubert, and Alain Roudier. The microphones were patented, but have never been put into industrial production.

He features in Les Favoris de la Lune (Otar Iosseliani, France / Italy, 1984), La Petite Minute de Bonheur (Laurence Attali, 1998) and Zuneigung—Die Filmemacherin Gisela Tuchtenhagen (Quinka F. Stoehr).

• Leacock, Richard: The Feelings of Being There - a Filmmaker's Memoir, Paris: Semeïon Editions, 2012.
• Filmdirector Lexicon
• Ateliers Varan
• La Petite Minute de Bonheur, Institut National de l'Audiovisuel.