Virginia Rea

Virginia Rea (born Virginia Earle Murphy)[1] was an American coloratura soprano.[2] She was billed as Olive Palmer when she appeared on The Palmolive Hour on radio.[3]

Early years

Rea was born in Louisville, Kentucky, the daughter of wholesale businessman J.R. Murphy and his wife. The family moved to Des Moines, Iowa, when Rea was 12 or 13, and she began taking music lessons at Drake University's conservatory and singing solos at the University Church of Christ.[1] She also studied in France.[4]

Career

Rea gained her first professional role via a telephone call. After learning about a plan to produce 20 opera revivals in New York, she called the producer, who told her that no roles were available. She offered, however, to sing for him over the phone; when she had finished, he told her to take the first available train to New York. Still singing as Virginia Murphy, she performed in operas and had a national concert tour. Soon after those accomplishments, she began to use her mother's family name and became Virginia Rea.[1]

Stage

In the summer of 1921, Rea sang with an Italian opera company in Boston.[5] In October 1923, she performed in her first New York recital.[6]

Radio

Rea began singing on radio in 1925.[4] From 1927 to 1931, she co-starred with Frank Munn on The Palmolive Hour, but they were billed as Olive Palmer and Paul Oliver as part of "a strategy that upheld the doctrines of indirect advertising".[7] Within the program's first two years on the air, she became one of the 10 best-known radio personalities.[1] After that show went off the air, she and Munn sang on The American Album of Familiar Music.[8] She also was featured soloist on the Goodyear Program in 1932.[9] In 1935, she was one of the featured singers on Musical Moments,[10] headed by violinist David Rubinoff.[11]

Recording

Rea recorded for the Brunswick, Columbia, Edison, and Victor labels, with most of her work for Brunswick.

Personal life

Rea was married to cellist Edgar H. Sittig.[8]

References

  1. "Sang Herself to Success by 'Phone". Orlando Evening Star. Florida, Orlando. EveryWeek Magazine. May 11, 1930. p. 20. Retrieved 28 July 2019 via Newspapers.com.
  2. "Mind Is Dominating Factor in Tone Production, Says Miss Rea". Musical America. XXXI (21): 38. March 20, 1920. Retrieved 28 July 2019.
  3. O'Brien, Charles (2019). Movies, Songs, and Electric Sound: Transatlantic Trends. Indiana University Press. ISBN 9780253040411. Retrieved 28 July 2019.
  4. Hoffmann, Frank (2004). Encyclopedia of Recorded Sound. Routledge. ISBN 9781135949495. Retrieved 28 July 2019.
  5. "Virginia Rea, in Fine Form, Sings At Men's Musical". The Vancouver Sun. Canada, British Columbia, Vancouver. December 13, 1921. p. 6. Retrieved 28 July 2019 via Newspapers.com.
  6. "Artists' Plans for Musical Season". The Talking Machine World. 19 (9). September 15, 1923. Retrieved 28 July 2019.
  7. Spring, Katherine (2013). Saying It With Songs: Popular Music and the Coming of Sound to Hollywood Cinema. Oxford University Press. p. 28. ISBN 9780199844159. Retrieved 28 July 2019.
  8. Welshimer, Helen (July 27, 1936). "Why radio's most famous song team split up". Santa Ana Register. California, Santa Ana. EveryWeek Magazine. p. 29. Retrieved 28 July 2019 via Newspapers.com.
  9. "Simpson's Revue and Virginia Rea Tonight". The Capital Times. Wisconsin, Madison. October 12, 1932. p. 6. Retrieved 28 July 2019 via Newspapers.com.
  10. "(World Broadcasting System advertisement)". Broadcasting. April 15, 1936. pp. 40–41. Retrieved 28 July 2019.
  11. "Rubinoff and Violin Head New Program". The Bismarck Tribune. North Dakota, Bismarck. October 19, 1935. p. 2. Retrieved 28 July 2019 via Newspapers.com.
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