Vlada Petrić

Vladimir “Vlada” Petrić (11 March 1928 - November 13, 2019) was a film studies professor at Harvard University, an author, playwright, and co-founder of the Harvard Film Archive.[1][2][3]

Books and studies
  • The Magical Screen (Чаробни екран, 1962)
  • Shakespeare in Film (Шекспир на филму, 1963)
  • Introduction to Film (Увођење у филм, 1968)
  • The Development of Film Genres (Развој филмских врста и жанрова, 1969)
  • Television – The Eighth Force (Телевизија – осма сила, 1970)
  • Griffith’s Masterpiece: A Corner in Wheat (1976)
  • Film and Dreams: An Approach to Bergman (1981)
  • Constructivism in Film: The Man With the Movie Camera (1987)
  • Dreyer’s Concept of Cinematic Abstraction (1975)
  • Film Scholarship and Impressionistic Film Criticism (1976)
  • The Vorkapich Effect (1978)
  • Dziga Vertov as Theorist (1979)
  • Bergman and Dreams (1981)
  • The Avenging Conscience: An Early Dream Film (1972)
  • How Bergman Conveys Nightmares in a Cinematic Way (1973)
  • A Page of Madness: A Structural Analysis of the Japanese Film (1984)
  • Tarkovsky’s Oneiric Visions (1990), Ideology and Cinema (1995)
  • Function of Form in Fellini’s Eight and a Half (1996)
  • Memories of a Movie Monk (1999)

References
  1. "The man with a movie passion: remembering Vlada Petric". The Boston Globe. November 21, 2019.
  2. Marquard, Bryan (December 20, 2019). "Vlada Petric, Cofounder and Curator of Harvard Film Archive; at 91". Boston Globe.
  3. Bradić, Nebojša (January 13, 2018). "Povratak Vlade Petrića". Radio Television of Serbia.

Further reading
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