Vola Vale
Vola Vale (born Vola Smith; February 12, 1897 – October 17, 1970) was a silent film actress.
Vola Vale | |
---|---|
Publicity photo from Motion Picture Magazine (August, 1915) | |
Born | Vola Smith February 12, 1897 Buffalo, New York, U.S. |
Died | October 17, 1970 73) Hawthorne, California, U.S. | (aged
Occupation | Actress |
Spouse(s) | Lawrence McDougal
(m. 1932; died 1970) |
Children | 1 |
Early career
Vale was born in Buffalo, New York and educated in Chevy Chase, Maryland. She began her career in amateur theatricals in Rochester, New York. Then she played in stock companies for a while.
Her first movie experience was with Biograph, under the tutelage of the film director D.W. Griffith. After a month of playing atmosphere parts, Vola was offered a genuine role. She wore a velvet gown with a train and a feathered hat. Soon she was appearing in short reel films for Biograph. Among the actors she was cast with were William S. Hart, Sessue Hayakawa, Tsuru Aoki, William Haines, Harry Carey, Tully Marshall and William Russell.
She was adept in playing Spanish, Italian, French, and Gypsy roles. Aside from Biograph Vola worked for Fox Film, Famous Players-Lasky, Universal Pictures, and Paramount Pictures.
Serious Actress
Her ambition was to play Madame Butterfly with an actual Japanese company, as well as to act as Lorna Doone. She was most inspired by Hayakawa and hoped to learn to act inside, as he did. With Sessue Hayakawa she made Each To His Kind (1917). Before filming began it was decided that the name Smith was too common to be used by a motion picture star. She changed her professional name to Vola Vale.
Vale reflected in the early 1920s about observation, particularly its power in attaining one's acting proficiency. It is the ability of the actress to see and note of the little things in life and then store them in her subconscious mind where they await her call to use at the psychological moment before the camera that enables her to either register success in her chosen work, or be merely mediocre. She began this process as a youth acting with D.W. Griffith. She observed how the director took notice of everything the actors did.
Model
Vale modeled clothes for the Broadway Department Store in Los Angeles, California. A 1916 photo from the [[Los Angeles Times] shows her in an exclusive Betty Wales frock from Broadway. This was a very popular dress among college women of the era.
Private life
Vale was married to film director and producer Al Russell. They had a son. She married a second time to Lawrence McDougal, with whom she remained until his death in February 1970.
She was a member of Our Club, a group of seventeen of Hollywood's baby cinema stars. Mary Pickford served as honorary president. Fellow members were Mildred Davis, Helen Ferguson, Patsy Ruth Miller, Clara Horton, Gertrude Olmstead, Laura La Plante, Virginia Fox, Colleen Moore, ZaSu Pitts, Lois Wilson, May McAvoy, Gloria Hope, Virginia Valli, Carmel Myers, Edna Murphy, and Carmelita Geraghty.
Vale died in Hawthorne, California in 1970, aged 73, of heart disease. She is interred at Roosevelt Memorial Park in Los Angeles County, California.
Filmography
Year | Title | Role | Notes |
---|---|---|---|
1916 | Timothy Dobbs, That's Me | Mary Clarkson | |
1916 | The Eagle's Wings | Kitty Miles | |
1916 | The Price of Silence | Aline Urmy | |
1917 | Each to His Kind | Amy Dawe | |
1917 | The Winning of Sally Temple | Lady Pamela Vauclain | |
1917 | Mentioned in Confidence | Marjorie Manning | |
1917 | Perils of the Secret Service | Minna Ober | (Episode #1) |
1917 | The Bond Between | Ellen Ingram | |
1917 | The Secret of Black Mountain | Miriam Vale | Short |
1917 | The Son of His Father | Hazel Mallinsbee | |
1917 | The Lady in the Library | Mildred Vandeburg | |
1917 | Zollenstein | Princess Fulvia / Princess Zenia | |
1917 | The Silent Man | Betty Bryce | |
1918 | Wolves of the Rail | Faith Lawson | |
1918 | The Locked Heart | Ruth Mason | |
1919 | Happy Though Married | Diana Ramon | |
1919 | A Heart in Pawn | Emily Stone | |
1919 | Hearts Asleep | Virginia Calvert | |
1919 | Hornet's Nest | Muriel Fletcher | |
1919 | Six Feet Four | Winifred Waverly | |
1919 | Someone Must Pay | Molly Brent | |
1920 | Overland Red | Louise Alacarme | |
1920 | Alias Jimmy Valentine | Rose Lane | |
1920 | A Master Stroke | Minnie Patton | |
1920 | The Purple Cipher | Jeanne Baldwin | |
1920 | Someone in the House | Molly Brent | |
1920 | The Iron Rider | Mera Donovan | |
1920 | Common Sense | Violet Manners | |
1921 | Singing River | Alice Thornton | |
1921 | The Duke of Chimney Butte | Vesta Philbrook | |
1921 | White Oak | Barbara | |
1922 | Good Men and True | Georgie Hibbler | |
1923 | Crashin' Thru | Diane | |
1923 | Soul of the Beast | Jacqueline | |
1923 | The Man Between | Rosie (Joe Cateau's bride) | |
1923 | Mothers-in-Law | Ina Phillips | |
1923 | The Midnight Flower | Myra | |
1924 | The Mirage | Betty Bond | |
1925 | Who Cares | Tootles | |
1925 | The Phantom of the Opera | Ballerina / Christines Maid | Uncredited |
1925 | Little Annie Rooney | Mamie | |
1926 | Her Big Adventure | Countess Fontaine | |
1926 | Two Can Play | Mimi | |
1926 | The Sky Pirate | ||
1926 | Home Sweet Home | ||
1927 | Black Tears | ||
1932 | Tomorrow and Tomorrow | Townswoman | Uncredited |
1936 | One Rainy Afternoon | Minor Role | Uncredited, (final film role) |
References
Wikimedia Commons has media related to Vola Vale. |
- Los Angeles Times, "New Types, Delicate Hues at Dahlia Show", Page II3.
- Los Angeles Times, "Star Says Keep Eyes Working", September 9, 1923, Page III27.
- Los Angeles Times, "Our Club Initiates Trio", October 23, 1923, Page II1.
- Newark Daily Advocate, "Tonight and Tomorrow", Friday, March 2, 1917, Page 9.
- Olean Evening Herald, "News Notes from Movieland", Friday Evening, May 9, 1919, Page 4.
- Sandusky Star-Journal, "News Notes from Movieland", Friday, November 2, 1917, Page 11.