William Clarke Wontner

The Fair Persian (1916)

Frederic William Henry Myers

Wontner was born in Stockwell, Surrey, the son of the architect, designer and renderer William Hoff Wontner (1814–1881) and Catherine Smith.[1]

Wontner received his earliest art education from his father. Under his father's direction, he worked with John William Godward (1861–1922), a noted exponent of what became known as Greco-Roman style, who was an acquaintance of the Wontner family.[2] Godward was five years older than Wontner, and the pair became great friends.[3]

In around 1885, Wontner began teaching at the St John's Wood Art School, after he had moved to Hamilton Garden Square. [4] He was a minor painter who was part of the neo-classical movement in England, led by Alma-Tadema. His style favoured seductively languorous women against classical or oriental marbled backdrops. [5]

His faithfully rendered fabrics draped over patently European models somehow created an air of Orientalism. His work was exhibited at the Royal Academy from 1879, and also at the Society of British Artists and at the Royal Institute of Painters in Water Colours. When the Grosvenor Gallery closed in 1890, Wontner exhibited at the New Gallery.[6]

On 7 June 1894, at St. Dominic's Priory Church, Naverstock Hill, Hampstead Wontner married Jessie Marguerite Keene (1872–1950),[7] a daughter of Charles Joseph Keene. The couple had no children. Wontner, then of Ripple, Worcestershire, died at the Worcester Infirmary on 23 September 1930[8] and was buried at Ripple three days later.

• 
  A Beauty in Eastern costume, 1916-1925
• 
  Lady of Baghdad, 1900
• 
  The Dancing Girl, 1903

• List of Orientalist artists
• Orientalism

Wikimedia Commons has media related to William Clarke Wontner.

• World Market Portraits
• William Clarke Wontner (1857–1930), artuk.org