Winifred MacBride

MacBride gave a debut recital at London's Aeolian Hall in 1918.[3] In 1923 she was on the programme for the Proms.[4] Her 1924 concert at Queen's Hall, London, conducted by Sir Henry J. Wood, garnered critical raves for her technical virtuosity as well as the intelligence of her interpretive skills. MacBride was praised for her "intellectual serenity" and "radiance,"[5] the "elegance of her phrasing and touch,"[6] and her "unfailing technique."[6] Others commented on her "spacious and sympathetic style,"[7] "admirable fire,"[8] and "her clear insight into the meaning of the music."[6]

MacBride made her American debut in October 1924, at Aeolian Hall in New York.[9] Other New York appearances include multiple concerts at Town Hall in 1929 and 1930.[10][11][12] She played with the Minneapolis Symphony in 1926,[13][14] and recorded piano rolls for Ampico.[15]

In the 1940s, MacBride Thomas lived in North Carolina and taught piano privately, and as Assistant Professor of Piano at Catawba College,[16][17] where her husband was head of the music department.[18] The couple were dismissed from their faculty positions in 1952,[19] on the basis of "disloyalty to the administration of the college, manifested by slanderous statements to students, faculty members and others, and by the incitement of unrest, suspicion, and lack of confidence among students and faculty members."[20] The couple sued for wrongful dismissal,[21] and the AAUP defended the Thomases from the charges.[20] Their suit for damages went to the North Carolina Supreme Court, where it was dismissed in 1958.[22]

MacBride Thomas continued to appear as a guest artist periodically with symphony orchestras,[23] including the Charlotte Symphony Orchestra.[24] She and her husband also gave combined "lecture recitals" at the Mint Museum in the 1950s.[25] She appeared as a soloist with the Charlotte Little Symphony on a television program, "The Carolina Hour", in 1956.[26]