Worth Winning

Worth Winning is a 1989 romantic comedy film directed by Will Mackenzie and starring Mark Harmon, Madeleine Stowe and Lesley Ann Warren. It was written by Josann McGibbon and Sara Parriott, based on the novel by Dan Lewandowski.

Worth Winning
Film poster
Directed byWill Mackenzie
Produced byGil Friesen
Dale Pollock
Screenplay byJosann McGibbon
Sara Parriott
Based onWorth Winning by Dan Lewandowski
Starring
Music byPatrick Williams
CinematographyAdam Greenberg
Edited bySidney Wolinsky
Distributed by20th Century Fox
Release date
October 27, 1989 (US)
Running time
103 minutes
CountryUnited States
LanguageEnglish
Box office$3,690,400 (US)

Plot

Taylor Worth is a devastatingly handsome and charming weatherman for a Philadelphia television station. A confirmed bachelor, he sees a lot of women and gains the envy of his closest friends.

One of them, Ned Broudy, offers Taylor a wager, that he cannot get three randomly chosen women to fall in love with him over a three-month period of time and accept a proposal of marriage.

Taylor takes the bet, putting up his weekend cabin against a valuable painting that Ned and Clair Broudy own.

Clair knows nothing of the bet, so she is pleased when her husband fixes up Taylor with her friend Veronica Briskow, a concert pianist. Ned is sure that the haughty Veronica will have nothing in common with a shallow TV weatherman, but Taylor does find a way to attract her interest.

The remaining two women Taylor must persuade to fall in love with him are Erin Cooper, a sexy Philadelphia Eagles receptionist, and Eleanor Larimore, an attractive older woman. The choice of Eleanor is a dirty trick on Ned's part, inasmuch as she is already married.

Eager to teach Ned a lesson, Taylor quickly seduces Erin, then proposes marriage to her in front of a hidden TV camera. This causes jealousy in her protective friend Tarry Childs, who plays for the football team, but he wants Erin to be happy. And although Taylor doesn't have many scruples, he refuses to sleep with Erin after learning she is still a virgin.

His next mission is Eleanor. It turns out she is unsatisfied at home and a willing participant when Taylor flirts with her while posing as a shoe salesman, engaging him in dangerous sex in public places. She, too, accepts Taylor's secretly filmed marriage proposal—two down and one to go.

Veronica won't be easy. She is career-minded and not eager for marriage. Plus the sex between her and Taylor is surprisingly disappointing so far.

The more time they spend together, though, Taylor realizes he doesn't want to lose Veronica after the wager is won. He proposes at his cabin and she accepts. Clair is delighted, Ned devastated.

Then the real trouble begins. Taylor first needs to break it off with Erin, disappointing her desire to start a family, which he does by pretending to be impotent. Eleanor, alas, is enjoying her improved sex life and brags about it openly to Clair and Veronica.

It becomes clear that three women are seeing the same man. Taylor is dumped by his fiancees. Erin finds solace in the arms of her football player while Eleanor takes pleasure in Taylor's humiliation at being exposed for what he really is, but Veronica is genuinely heartbroken.

A broken man, Taylor tells his friend Ned to forget the bet. As a grand gesture, he makes a public apology to Veronica at a benefit auction in a giant hall, expressing his love and his desire to be with her for everybody to hear.

Principal cast

ActorRole
Mark HarmonTaylor Worth
Madeleine StoweVeronica Briskow
Lesley Ann WarrenEleanor Larimore
Maria HolvöeErin Cooper
Mark BlumNed Broudy
Andrea MartinClair Broudy
Tony LongoTerry Childs
Alan BlumenfeldHoward Larimore
Brad HallEric
Jon KorkesSam
Arthur MaletTicket Taker
Joan SeveranceLizbette
David BrennerCharity Ball Auctioneer
Devin RatrayHoward Larimore, Jr.

Critical reception

Janet Maslin of The New York Times does not write negatively about the acting but closes her review with the following about the direction and writing:

The screenplay, by Josann McGibbon and Sara Parriott, is sometimes a shade funnier than Will Mackenzie's direction, which is phenomenally flat. Mr. Mackenzie's idea of wit is to load the film with carrots, cigars and many other phallic objects, most of which get clipped or chopped. If Freud were here, he'd sue.[1]

References

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