Yehia El-Fakharany

One of the most important roles in Yehia el-Fakharany's career was in the Egyptian drama "El-Helmiyya Nights" (Layali el-Helmiyya, ليالي الحلمية), whose events embodied modern Egyptian history from the era of King Farouk until the early 1990s. The series was written by the late screenwriter Osama Anwar Okasha, and created together with his lifetime friend, director Ismail Abdel Hafez.[10] It was presented along 8 years in 5 parts, from 1987 to 1995. El-Fakharany plays Salim el-Badri Pasha, an aristocratic young man who returns to Egypt from his foreign mission during Sadat's "infitah," or open-door economic policy and inherits a property of his father, Ismail el-Badri. His role was played by the artist in the first four parts of the series, while he appeared as a guest of honour in the fifth part. Regarding the character of Salim el-Badri, El-Fakharany said: "The screenwriter offered me to play the character of the Mayor, but it was not clearly defined to me, so I did not accept it. Then he offered me the character of the Pasha, and I chose it immediately as it is a flesh and blood character that eats, drinks, loves and hates, so I loved it and made it real as much as the public loved it and was filled with its presence".[11] A large number of Egyptian artists participated in the series (more than 300 actors).

Many expected that Yehya el-Fakharany would remain a prisoner of the character Salim el-Badri Pasha for many years, but he surprised everyone with a different type of Ramadan roles and characters that he embodied throughout the past years and he achieved great success with them, some of which surpassed the fame of Salim el-Badri. One of these was the character of "Abd al-Mutaal Mahjoub" in the series "No" (Lā, لا), through which he became a "persecuted employee" and El-Fakharany excelled as usual to the point that the great screenwriter Mustafa Amin called him and said: “Had I not known Abd al-Mutaal, the hero of my novel personally, I would have imagined that he is you.” With this great testimony from Mustafa Amin, El-Fakharany became more dedicated and involved in his artistic path and he only agreed to play good parts. As for the role of Abd al-Mutaal, the actor said: "I find my first experience with Mustafa Amin a real pleasure, especially since my role in the series was completely new and never performed before [...]. The most beautiful thing about the whole work is the freedom the television provided in broadcasting this work without any objection".[11]

Another major role was in "The Foreigner Abd el-Qader" (Al-Khawaga Abd al-Qader, الخواجة عبدالقادر), an Egyptian series produced in 2012 and premiered in Ramadan. It was written by the screenwriter Abdel Rahim Kamal who was inspired by the stories heard from his father during childhood,[12] and directed by Shady el-Fakharany.[13] The events of the series alternate between two periods of time, the first during World War II, which tells the story of Herbert Dobberfield, an alcoholic English man with suicidal tendencies who's awaiting death, until he travels to Sudan to work in a stone quarry and his view upon life changes dramatically. He gets acquainted with the mystic sheikh Abd el-Qader of whom he had had visions back in England, and slowly comes out of the state of depression while embracing Sufism. He then moves to Upper Egypt where he falls in love with a spiritual woman (played by the Syrian actress Sulafa Memar) and struggles to marry her despite her brother's refusal; the second period deals with the modern times in which the story of Herbert Dobberfield or "Al-Khawaga" Abd al-Qader is narrated after he has passed away by people who were his contemporaries and were deeply fond of him. Even though it tackles the religious life that is so highly valued in Egypt especially during the month of Ramadan, the series through its directing techniques and plot had a very particular approach compared to other Ramadan series given the mystical atmosphere throughout the main character's journey. This effect is reinforced by the soundtrack signed by the renowned Egyptian composer Omar Khairat while using the lyrics of the Persian mystic, poet and teacher of Sufism Al-Hallaj from his collection of poems "Diwan al-Hallaj".[14]

About the reasons for him shining in the month of Ramadan on the small screen, El-Fakharany said: "There is no doubt that I am lucky for my television work, as all my roles are substantial and untried and they add to my experience. I'm also lucky because my work takes the blessing of the holy month and succeeds".[11]

Screenwriter Abdel Rahim Kamal has announced his return to cooperation with actor Yehya el-Fakharany and director Shady el-Fakharany in the upcoming Ramadan season (2021) with the TV series "Naguib Zahi Zarkash" (نجيب زاهي زركش), a comedy that talks about the relationship between a father and his children. The series “Naguib Zahi Zarkash” represents the fifth cooperation between Kamal and El-Fakharany, and the fourth between him and Yahya and Shadi el-Fakharany after “Eagerness”, 2015 (Lahfa, لهفة), “The Foreigner Abd el-Qader” and "Devil", 2016 (Wanous, ونوس), while the series "Hammam, the Arab's Shaykh", 2010 (Shayẖ El-ʿArab Hammam, شيخ العرب همام) was directed by Hosni Saleh.[15]

El-Fakharany dubbed cartoon films produced by the Walt Disney Company, and in the film "The Yacoubian Building" (2006) he had the role of the narrator. The film is based on Alaa al-Aswany's famous novel and is one of the most expensive productions ever made in Egypt.

As for theatre, Yehya el-Fakharany's major role is that of “King Lear” in an adaptation of Shakespeare's tragedy by the late director Ahmed Abdel Halim who turned it into a successful and popular theatrical work in Egypt. It was presented on the stage of the National Theatre in Cairo, using the music of the Egyptian composer Rageh Daoud and the poems of Ahmed Fouad Negm. As the director explained, he resorted to using Ahmed Fouad Negm's poetry because it is familiar to people, and because it is like an "analgesic" in terms of dramatic effects so it does not seem to interfere with the play. "This is an element of the theatrical performance, and one may have noticed the audience's response to it. There is no doubt that Yehya el-Fakharany's starring and his presence are a matter of attracting the masses. One of the characteristics of Yehya el-Fakharany is that he is an adventurous artist and that he invades the unknown - he invades it with his creative abilities in a field which is new for him: classical Arabic language and Shakespeare."[16] The play was attended by a very ordinary audience, and the actors feared that people would not appreciate the show, nor they would understand it, but the crew was surprised by the audience's reaction as soon as the show started. “King Lear” was first presented to the public in 2001 and was a great success while still being performed today.

El-Fakharany's most recent role on stage was in the vaudeville "A night of A Thousand Nights", 2015 (Layla min 'Alf Layla, ليلة من ألف ليلة), also performed at the National Theatre in Cairo (Al-Jumhuriyya Theatre), recently restored. On the evening of September 27, 2008, the stage and the auditorium had been subjected to a tremendous fire that severely damaged the theatre building, so the Ministry of Culture decided to conduct an integrated restoration and development project which lasted 6 years, with a cost that amounted to about 104 million Egyptian pounds.[17] "A night of a Thousand Nights" was thus among the first shows performed on the freshly restored stage and witnessed unprecedented popularity and financial success. The performance is based on the poetry of the late Egyptian poet Bayram al-Tunisi accompanied by the music of the late Egyptian composer Ahmed Sedki, and is directed by Mohsen Helmy.[18] The story revolves around Al-Shahhat (The Beggar) played by El-Fakharany, who is begging with his daughter by singing in the streets of a town where the Caliph took power at a young age after the death of his father. The caliph falls in love with the daughter of Al-Shahhat and disguises as the son of the gardener. The girl falls in love with him without knowing his identity. On the other hand, the wazir's wife, a playful woman, gets acquainted with Al-Shahhat without knowing his financial and social status, as she is deceived by his tidy clothes that her husband the wazir had given to him before.[19]

In an interview taken by the famous Egyptian TV host Mona el-Shazly in 2015 while sitting on the very stage of the National Theatre, El-Fakharany made some relevant remarks about the vaudeville "A night of A Thousand Nights" and about his career in general, mentioning that he acts for the ordinary people because it's them who make up the public. His deep respect for his work and the public has him arrive at the rehearsals with sharp punctuality which is not easy to meet by his colleagues, as timing is not always a strong feature of the Eastern artists. El-Fakharany compared theatre to marriage, saying that he has to like the people he works with, otherwise the outcome may be compromised. Related to picking up roles that turn into successful performances, he quoted an inspiring byword in English: "There's always a risk for every great decision, but the risk of doing nothing is always much greater".[20]

El-Fakharany rarely agrees to be interviewed as he prefers the public to associate him with his roles and he does not wish to interfere in their perception of him while appearing on social media.[12]