Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Foreign Language Feature Film
The Golden Reel Award for Outstanding Achievement in Sound Editing - Sound Effects, Foley, Dialogue and ADR for Foreign Language Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-English language film. It was first awarded in 1983, for films released the previous year, but was separated into two categories: Best Sound Editing - Foreign Feature - Dialogue and Best Sound Editing - Foreign Feature - Sound Effects This was amended in 1985, when ADR and sound effects were combined for the category Best Sound Editing - Foreign Feature. It was not until 2018, when this award was first given under its current title, that this category awarded, exclusively, non-English language films. Previously, the award was given to either foreign language films and/or English language films produced outside of the United States.
Winners and nominees
1980s
Best Sound Editing - Foreign Feature - Dialogue
| Year | Film | Winners/Nominees |
|---|---|---|
| 1982 | Victor/Victoria | |
| 1983 | The Grey Fox |
Best Sound Editing - Foreign Feature - Sound Effects
| Year | Film | Winners/Nominees |
|---|---|---|
| 1982 | Das Boot | |
| 1983 | Octopussy |
Best Sound Editing - Foreign Feature
| Year | Film | Winners/Nominees |
|---|---|---|
| 1984 | Phar Lap | |
| 1985 | Runaway Train | |
| 1986 | Aliens | |
| Crocodile Dundee | Tim Chau | |
| 1987 | The Living Daylights | |
| 1988 | Gorillas in the Mist | |
| 1989 | Dead Calm |
1990s
| Year | Film | Winners/Nominees |
|---|---|---|
| 1990 | Quigley Down Under | Tim Chau, Frank Lipson, Gavin Myers, Martin Oswin |
| 1991 | Black Robe | Penn Robinson (supervising sound editor), Jeanine Chiavlo (supervising dialogue & ADR editor); Karin Whittington (sound editor); Frank Morrone (dialogue & ADR editor / ADR mixer); Stephanie Flack (dialogue & ADR editor); David Grusovin, Susan Midgley (assistant sound editors); Nicki Roller (foley mixer); Phil Judd (re-recording mixer) |
| Mr. Baseball | Martin Oswin | |
| 1992 | The Lover | |
| 1993 | The Piano | Martin Oswin |
| Rapa-Nui | Martin Oswin | |
| 1994 | Léon: The Professional | John Morris (sound effects editor), Patrice Grisolet (sound editor), Bruno Tarrière (re-recording/adr/foley mixer) |
| 1995 | The City of Lost Children | Pierre Excoffier (production sound), Laurent Kossayan (special sound effects), Vincent Arnardi (re-recording mixer) |
| 1996 | The Horseman on the Roof | |
| 1997 | Tomorrow Never Dies | Martin Evans (supervising sound editor); Nigel Mills (sound effects/dialogue editor); Peter Baldock, Peter Bond, Chips Paul, Adrian Rhodes (sound effects editors); Peter Holt, Christine Newell (foley editors); John Cochrane (dialogue editor); John Ireland (adr editor) |
| Crash | John Douglas Smith | |
| The Full Monty | ||
| G.I. Jane | Campbell Askew (supervising sound editor) | |
| Mrs Brown | ||
| Oscar and Lucinda | ||
| Seven Years in Tibet | Peter Pennell (supervising sound editor) | |
| The Wings of the Dove | ||
| 1998 | The Borrowers | Peter Joly (supervising sound editor), Adrian Rhodes (sound effects editor), Ian Wilson (foley editor), Danny Longhurst (dialogue editor), William Trent (adr editor) |
| The Avengers | Peter Joly (supervising sound editor), Adrian Rhodes (sound effects editor), Ian Wilson (foley editor), Danny Longhurst (dialogue editor), Mark Rose (assistant sound editor) | |
| Babe: Pig in the City | Julius Chan, Wayne Pashley (supervising sound editors); Gareth Vanderhope (sound designer); Steve Burgess (supervising foley editor); Angus Robertson (supervising adr editor/dialogue editor); Lisa Bate, Brent Burge, Liam Egan, Antony Gray, Frank Lipsom, Geoffrey G. Rubay, Phil Winters (sound effects editors); Andrew Neil (foley editor); Libby Villa, Jenny T. Ward (dialogue editors); Cody Dorkin, Sonal Joshi (adr editors); Gerry Long, John Simpson (foley artists) | |
| Elizabeth | Mark Auguste (supervising sound editor); Tim Hands (dialogue/adr editor); Derek Trigg (foley editor); Sam Auguste, Howard Halsall (assistant sound editors) | |
| Hilary and Jackie | Nigel Heath, Julian Slater (sound designers); James Feltham (dialogue editor); Arthur Graley (assistant sound editor); Stan Fiferman, Pam Finch, Lionel Selwyn (foley artists) | |
| Lost in Space | Eddy Joseph (supervising sound editor); Renée Tondelli (supervising adr editor); Scott G.G. Haller, Daniel Irwin, Nancy MacLeod, Joe Milner, Steve Schwalbe (sound effects editors); Ron Eng (sound editor); Peter Holt (foley editor); David Arnold, Teri Dorman, Suhail Kafity, Nigel Mills (dialogue editors); Philip Alton, Jason King, Jonathan Klein (adr editors); Paul Apted, Nina Hartstone, Ethan Holzman, Graham Peters, David Teitelbaum, Robin Whittaker (assistant sound editors); Paula Boram, Pauline Griffiths (foley artists) | |
| Shakespeare in Love | John Downer (supervising sound editor); Howard Eaves (foley editor); Sarah Morton (dialogue editor); Brigitte Arnold (adr editor); Colin Chapman (assistant sound editor); Paula Boram, Pauline Griffiths, Jenny Lee Wright (foley artists) | |
| The Truman Show | Lee Smith (sound designer); Karin Whittington (supervising adr editor); Rick Lisle, Peter Townend (sound effects editors); Tim Jordan, Andrew Plain (dialogue editors); Nicholas Breslin, Maureen Rodbard-Bean (assistant sound editors) | |
| 1999 [1] | The Messenger: The Story of Joan of Arc | Vincent Tulli (supervising sound editor/sound designer); Anne Delacour, Frédérique Lebel, Bridget O'Driscoll, Ken Yasumoto (assistant sound editors); Jérôme Lévy, Pascal Mazière (foley artists) |
| The Emperor and the Assassin | Jing Tao | |
| Entrapment | Jim Shields (supervising sound editor); Robert Risk (foley editor); William Parnell (adr/dialogue editors) | |
| eXistenZ | David Evans (supervising sound editor); Wayne Griffin (supervising dialogue editor); Mark Gingras (adr/dialogue editor); Tom Bjelic, Paul Shikata (sound effects editors); John Laing (dialogue editor) | |
| Pushing Tin | Sue Baker, Colin Miller (supervising sound editors); Jacques Leroide (foley editor); Ross Adams, Derek Holding (dialogue editors) | |
| The Red Violin | Gaétan Huot (supervising sound editor), Wayne Griffin (supervising dialogue editor) | |
| Run Lola Run | Dirk Jacob (supervising sound editor); Markus Münz, Kai Storck (sound editors) | |
| The World Is Not Enough | Martin Evans (supervising sound editor); Peter Holt (supervising foley editor); John Cochrane (supervising dialogue editor); John Ireland (supervising adr editor); Peter Bond, Andy Kennedy (sound editors) |
2000s
| Year | Film | Winners/Nominees |
|---|---|---|
| 2000 | Snatch | Danny Sheehan (supervising sound editor); Matthew Collinge (sound designer/effects editor); Michael Redfern (foley editor); Dianne Greaves, Jason Swanscott (foley artists) |
| Billy Elliot | Zane Hayward (supervising sound editor), Stewart Henderson (adr editor/dialogue editor), Anthony Faust (foley editor) | |
| Grizzly Falls | Tim Lewiston (supervising sound editor), Howard Eaves (sound effects editor), Vicky Brazier (foley editor), Joe Dunphy (adr editor) | |
| High Fidelity | Peter Joly (supervising sound editor), Danny Longhurst (dialogue editor), Michael Redfern (foley editor) | |
| The Ninth Gate | Laurent Quaglio (sound editor), Katia Boutin (adr editor) | |
| Requiem for a Dream | Nelson Ferreira (supervising sound editor/adr editor); Craig Henighan (sound effects editor); Stephen Barden, Jill Purdy (dialogue editors) | |
| Running Free | Rodney Glenn (supervising sound editor), Michael Feinberg (foley editor), Brigitte Arnold (adr editor), Laura Lovejoy (dialogue editor) | |
| Shadow of the Vampire | Nigel Heath (supervising sound editor), Julian Slater (sound effects editor), Arthur Graley (foley editor), James Feltham (adr editor/dialogue editor) | |
| 2001 [2] | Amélie | Laurent Kossayan (supervising sound editor/sound designer); Gérard Hardy (supervising sound editor); Alexandre Widmer (supervising dialogue editor); Marilena Cavola, Igor Thomas-Gerard, Guillaume Leriche (editors) |
| Behind the Sun | Waldir Xavier (supervising sound editor) | |
| Enemy at the Gates | Eddy Joseph (supervising sound editor); Nick Lowe (supervising adr editor); Martin Cantwell (sound effects editor); Peter Holt (foley editor); Colin Ritchie (dialogue editor); Andreas Biegler, Johannes Kovecny (additional sound editors) | |
| Harry Potter and the Sorcerer's Stone | Eddy Joseph (supervising sound editor), Martin Cantwell (sound effects editor), Peter Holt (foley editor), Colin Ritchie (dialogue editor), Nick Lowe (adr editor) | |
| Moulin Rouge! | Brent Burge (supervising sound editor); Antony Gray (supervising dialogue editor); Linda Murdoch, Gareth Vanderhope, Alex Wong (sound effects editors), Michael Axinn, Susan Dawes (adr editors); Livia Ruzic (dialogue editor) | |
| The Lord of the Rings: The Fellowship of the Ring | Mike Hopkins, Ethan Van der Ryn (supervising sound editors); Ray Beentjes, Jason Canovas, Chris Todd (dialogue/adr editors); Brent Burge, David Farmer, John McKay, Tim Nielsen, Craig Tomlinson, Dave Whitehead (sound editors) | |
| The Princess and the Warrior | Dirk Jacob (supervising sound editor); Kai Tebbel, Guido Zettier (sound editors) | |
| Time and Tide | Martin Richard Chappell (sound editor), May Mok (dialogue editor) | |
| 2002 [3][4] | Winged Migration | Michel Crivellaro, Gina Pignier (sound editors) |
| Brotherhood of the Wolf | François Fayard, Vincent Guillon (sound editor) | |
| Die Another Day | Martin Evans (supervising sound editor); Peter Holt (supervising foley editor); John Cochrane (supervising dialogue editor); Daniel Laurie (supervising adr editor); Michael Crouch, David Evans, Dominic Gibbs, Gregg Wilson (sound editors) | |
| Harry Potter and the Chamber of Secrets | Dennis Leonard, Randy Thom (supervising sound editors); Derek Trigg (supervising foley editor); Martin Cantwell, Andy Kennedy, Nick Lowe, Colin Ritchie (sound editors) | |
| The Lord of the Rings: The Two Towers | Mike Hopkins (supervising sound/dialogue/adr editor); Ethan Van der Ryn (supervising sound/foley editor); Ray Beentjes, Jason Canovas (dialogue/adr editors); Brent Burge, Hayden Collow, David Farmer, Krysten Mate, John McKay, Craig Tomlinson, Dave Whitehead (sound effects editor); Mark Franken, Polly McKinnon, Nigel Stone (adr editors) | |
| The Pianist | Gérard Hardy (supervising sound editor), Katia Boutin (supervising dialogue editor), Paul Conway (supervising adr editor) | |
| Rabbit-Proof Fence | John Penders (supervising sound/dialogue editor); Craig Carter (supervising sound editor); Steve Burgess (supervising foley editor); Ricky Edwards, Andrew Plain (adr editors) | |
| 2003 [5][6] | City of God | Martin Hernández, Roland N. Thai (supervising sound editors); Alessandro Laroca (supervising dialogue editor) |
| 28 Days Later | Glenn Freemantle(supervising sound editor), Tom Sayers (sound effects editor), Gillian Dodders (dialogue/adr editor), Grahame Peters (foley editor) | |
| Cold Mountain | Eddy Joseph (supervising sound editor), Mark Levinson (supervising adr editor), Martin Cantwell (sound effects editor), Alex Joseph (foley editor), Colin Ritchie (dialogue editor) | |
| Dust | Peter Baldock (supervising sound editor); Jack Whittaker (sound editor); Philip Alton, Tim Hands, Daniel Laurie, Richard Todman (dialogue/adr editors) | |
| The Lord of the Rings: The Return of the King | Mike Hopkins, Ethan Van der Ryn (supervising sound editors); David Farmer (sound designer); Mark Franken (sound effects/dialogue editor); Ray Beentjes, Nick Breslin, Polly McKinnon (dialogue/adr editors); Beau Borders, Brent Burge, Hayden Collow, Tim Nielsen, Addison Teague, Craig Tomlinson, Dave Whitehead (sound effects editors); Peter Mills, Katy Wood (foley editor); Jason Canovas (dialogue editor); Chris Ward (adr editor) | |
| Underworld | Claude Letessier (supervising sound editor); Benedikt Just, Marcel Spisak (sound editors); Magda Habernickel (dialogue editor) | |
| Veronica Guerin | John Downer (supervising sound editor), Oliver Tarney (sound editor), Paul McFadden (adr editor) | |
| Whale Rider | Stephan Colli (supervising sound editor); Chris Burt (supervising adr editor); Mirko Reinhard, Josef Steinbüchel, Markus Wimmer, André Zimmerman (sound effects editors); Sven Neumann, Luigi Rensinghoff (dialogue editors) | |
| 2004 [7][8] | House of Flying Daggers | Roger Savage, Jing Tao (supervising sound editors); Jo Mion (supervising foley editor); Steve Burgess, Ron Feruglio, Vic Kaspar, Andrew Neil, Glenn Newnham, Paul Pirola (sound editors); Blair Slater, Mario Vaccaro (foley editors) |
| Harry Potter and the Prisoner of Azkaban | David Evans (supervising sound editor); Richard Beggs (sound designer); Derek Trigg (supervising foley editor); Andy Kennedy, Jon Olive, Bjorn Ole Schroeder, Sam Southwick (sound effects editors); Stuart Morton (foley editor); Stefan Henrix (dialogue editor); Tony Currie, Nick Lowe (adr editors) | |
| Hero | Roger Savage, Jing Tao (supervising sound editors); Steve Burgess (sound designer/supervising foley editor); Robert Mackenzie, Paul Pirola (sound designers); Chris Goodes, Andrew Neil, Glenn Newnham, Francis Ward Lindsay (sound effects editors) | |
| King Arthur | Lon Bender, Eddy Joseph (supervising sound editors); Colin Ritchie (supervising dialogue/adr editor); Alex Joseph (supervising foley editor); James Harrison, Sue Lenny, Francis Ward Lindsay, James Mather, Oliver Tarney (sound effects editors); Harry Barnes (foley editor); Iain Eyre, Steve Schwalbe (dialogue editors) | |
| Nicotina | Lena Esquenazi (supervising sound editor), Eduardo Vaisman (foley editor) | |
| Touching the Void | Joakim Sundström (supervising sound editor), Anthony Faust (supervising foley editor), Robert Brazier (foley editor) | |
| Troy | Martin Cantwell, Wylie Stateman (supervising sound editors); James Boyle (sound designer); Harry Barnes (supervising foley editor); Paul Conway (supervising adr editor); Matthew Grime, Howard Halsall, Alex Joseph, Sue Lenny, Simon Price, Steve Schwalbe, Nigel Stone (sound editors) | |
| A Very Long Engagement | Gérard Hardy, Laurent Kossayan (supervising sound editors); Igor Thomas-Gerard (supervising dialogue/adr editor); Yannick Vergne (supervising foley editor); Marilena Cavola, Cedric Denooz, Alexandre Widmer (sound effects editors) | |
| 2005 [9][10][11] | Harry Potter and the Goblet of Fire | Dennis Leonard, Randy Thom (supervising sound editors); Alex Joseph (supervising foley editor), Bjorn Ole Schroeder (supervising dialogue editor), Daniel Laurie (supervising adr editor), Sam Auguste, Andy Kennedy, Douglas Murray, Jon Olive (sound editors); Peter Burgis, Andie Derrick (foley artists) |
| Batman Begins | David Evans, Stefan Henrix (supervising sound editors); Justine Angus, Rodney Berling, Rodney Glenn, Nigel Holand, Jed Loughran (sound editors); Derek Trigg (foley editor); Iain Eyre (dialogue editor); Howard Halsall (adr editor); Glen Gathard (assistant foley editor); Peter Burgis, Andie Derrick (foley artists) | |
| Charlie and the Chocolate Factory | Eddy Joseph (supervising sound editor); Steve Boeddeker (sound designer); Alex Joseph (supervising foley editor); Colin Ritchie (supervising dialogue editor); Tony Currie (dialogue/adr editor); Martin Cantwell, John Warhurst (sound editors); Simon Chase (foley editor); Peter Burgis, Andie Derrick (foley artists) | |
| The Constant Gardener | Joakim Sundström (supervising sound editor); Nick Adams, Jennie Evans (sound editors); Paul Wrightson (adr editor); Nicolas Becker (foley artist) | |
| Downfall | Stefan Busch, Nico Krebs (sound designers); Nina Roll (supervising dialogue editor); Lisa Geffcken-Reinhard (sound editor); Fabian Schmidt (dialogue/adr editor); Jörn Poetzl, Carsten Richter (foley artists) | |
| Kingdom of Heaven | Per Hallberg (supervising sound editor); Alex Joseph (supervising foley editor); Colin Ritchie (supervising dialogue editor); Paul Conway (supervising adr editor); Bryan Bowen, Martin Cantwell, Glen Gathard, James Harrison, Sue Lenny, Peter Staubli, Oliver Tarney (sound editors); Harry Barnes (foley editor); Simon Chase (dialogue editor); Tony Currie (adr editor); Peter Burgis, Andie Derrick (foley artists) | |
| King Kong | Ethan Van der Ryn (supervising sound editors/sound designer); Mike Hopkins (supervising sound editor); Brent Burge, David Farmer, Dave Whitehead (sound designers); John Simpson (supervising foley editor); Hayden Collow, Melanie Graham, Matthew Lambourn, Justin Webster, Katy Wood (sound effects editors); Peter Mills, Craig Tomlinson (foley editors); Ray Beentjes, Jason Canovas, Martin Kwok (dialogue editors); Polly McKinnon, Chris Ward, Jenny T. Ward (adr editors); Robyn McFarlane, Carolyn McLaughlin (foley artists) | |
| Kung Fu Hustle | Steve Burgess (supervising sound editor); Paul Pirola, Steven Ticknor (sound designer); Chris Goodes, Vic Kaspar, Jo Mion, Andrew Neil (sound editors); Mario Vaccaro (foley artist) |
Best Sound Editing for Sound Effects and Foley in a Foreign Film
| Year | Film | Winners/Nominees |
|---|---|---|
| 2006 [12][13][14] | Pan's Labyrinth | Martin Hernández (supervising sound editor/sound designer); Roland N. Thai (sound designer/sound effects editor); Sergio Diaz (supervising dialogue editor/adr/dialogue editor); Dana Blanco (sound effects editor/foley artist); Alejandro Quevedo (sound effects editor); Carlos Zamorano (foley artist) |
| Babel | Martin Hernández (supervising sound editor/sound designer); Roland N. Thai (sound designer); Shawn Kennelly (supervising foley editor); Alejandro Quevedo (sound effects editor); Richard Burton, Thierry J. Couturier, Sergio Diaz, Robert Troy (dialogue editors); Laura Macias, Vince Nicastro (foley artists) | |
| The Black Dahlia | Paula Fairfield (supervising sound editor/sound designer); Carla Murray (sound designer/sound effects editor); Jill Purdy (supervising adr/dialogue editor); Lee de Lang, Nathan Robitaille (sound effects editors); Lisa J. Levine (adr editor); Steve Baine (foley artist) | |
| Casino Royale | Eddy Joseph (supervising sound editor); Martin Cantwell (sound designer); Alex Joseph (supervising foley editor); James Boyle, James Harrison, Oliver Tarney, Jack Whittaker (sound effects editors); Iain Eyre, Stuart Morton (foley editors); Simon Chase (dialogue editor); Colin Ritchie (adr editor); Peter Burgis, Andie Derrick (foley artists) | |
| Children of Men | David Evans (supervising sound editor); Richard Beggs (sound designer); Bjorn Ole Schroeder, Sam Southwick (sound editors); Harry Barnes, Stuart Morton (foley editors); Tony Currie (dialogue editor); Iain Eyre, Nick Lowe (adr editors); Peter Burgis (foley artist) | |
| Curse of the Golden Flower | Roger Savage, Jing Tao (supervising sound editors); Mario Vaccaro (supervising foley editor); Rainbow Wang (supervising dialogue editor); Qiuxia Sun (supervising adr editor); Steve Burgess, Hongrui Ji, Robert Mackenzie, Michael McMenomy, Glenn Newnham, Paul Pirola, Ye Shu, Andy Wright (sound effects editors); Terry Tu (foley artist) | |
| Lucky Number Slevin | Paula Fairfield (supervising sound editor/sound designer); Carla Murray (sound designer/sound effects editor); Jill Purdy (supervising adr/dialogue editor); Lee de Lang, Nathan Robitaille (sound effects editors); Steve Baine (foley artist) | |
| United 93 | Eddy Joseph, Oliver Tarney (supervising sound editors); Harry Barnes (supervising foley editor); Richard Fordham (supervising dialogue editor); Paul Conway (supervising adr editor); Martin Cantwell, Jack Whittaker (sound effects editors); Alex Joseph (foley editor); Simon Chase, Tony Currie (dialogue editors); Stuart Morton (adr editor) |
Best Sound Editing - Sound Effects, Foley, Dialogue & ADR in a Foreign Feature Film
| Year | Film | Winners/Nominees |
|---|---|---|
| 2007 [15] | The Orphanage | Oriol Tarragó (supervising sound editor/sound designer); Jordi Bosch, Edgar Vidal (foley editors); Xavier Mas (dialogue editor); Jordi Ribas (assistant sound editor); Kiku Vidal (foley artist); Marc Orts (sound mixer); Virgilio Martínez (mixing assistant) |
| Atonement | Catherine Hodgson (supervising sound editor); Becki Ponting (supervising dialogue editor); Virginia Thorn (foley editor); Andre Schmidt (dialogue editor); James Bellamy (music editor); Peter Burgis, Andie Derrick (foley artists); Alexandros Sidiropoulos (foley recordist/mixer); Alistair Renn (foley recordist); Steve Haynes (adr recordist); Danny Hambrook (production sound mixer); Paul Hamblin, Martin Jensen (re-recording mixer) | |
| The Diving Bell and the Butterfly | Francis Wargnier (sound editor), Cyrille Richard (dialogue editor), Philippe Penot (foley artist) | |
| Eastern Promises | Michael O'Farrell, Wayne Griffin (supervising sound editors); Rob Bertola (sound effects editor); Tony Currie (dialogue/adr editor); Caoimhe Doyle, Goro Koyama, Andy Malcolm (foley artists) | |
| Harry Potter and the Order of the Phoenix | James Mather (supervising sound editor); Andy Kennedy (sound designer); Derek Trigg (supervising foley editor); Bjorn Ole Schroeder (supervising dialogue editor); Daniel Laurie (supervising adr editor); James Boyle, Iain Eyre, Samir Foco, Dominic Gibbs, Jed Loughran, Jon Olive, Vanesa Lorena Tate (sound editors) | |
| Redacted | Paula Fairfield (supervising sound editor); Carla Murray (sound designer/effects editor); Jill Purdy (supervising dialogue/adr editor); Steve Baine (foley artist); Peter Persaud (foley recordist); Todd Beckett, Keith Elliott, Mark Zsifkovits (re-recording mixers) | |
| Sharkwater | Kevin Howard (supervising sound editor/music editor); Rob Hegedus (supervising dialogue editor); Richard Calistan (supervising adr editor); Ed Douglas, Christopher Miller, Clive Turner (sound effects editors); Steve Copley, Stefan Fraticelli, John Sievert (foley artists) | |
| 2008 [16][17] | Slumdog Millionaire | Glenn Freemantle, Tom Sayers (supervising sound editors/sound designers); Gillian Dodders (supervising dialogue editor/adr editor); Hugo Adams (supervising foley editor); Niv Adiri, Ben Barker (sound effects editors); Lee Herrick (dialogue editor); Peter Burgis, Ricky Butt, Jack Stew (foley artists) |
| Australia | Wayne Pashley (supervising sound/adr editor/sound designer); Fabian Sanjurjo (supervising sound effects editor); Rick Lisle (supervising foley editor); Nick Breslin, Sonal Joshi (supervising dialogue editors); Damian Candusso, Nigel Christensen, Mark Franken, Damon Mouris, William Ward (sound effects editors); Jenny T. Ward (sound editor); Anne Breslin, Polly McKinnon, Derryn Pasquill, Libby Villa (dialogue editors); Simon Hewitt, John Simpson (foley artists) | |
| The Chronicles of Narnia: Prince Caspian | James Mather (supervising sound editor); James Boyle (sound designer); Derek Trigg (supervising foley editor); Bjorn Ole Schroeder (supervising dialogue editor); Daniel Laurie (supervising adr editor); Michael Fentum, Dominic Gibbs, Jed Loughran, Joseph Stracey (sound effects editors); Vanesa Lorena Tate (foley editor); Paul Ackerman, Peter Burgis, Ricky Butt, Andie Derrick, Sue Harding (foley artists) | |
| Hellboy II: The Golden Army | Scott Martin Gershin, Martin Hernández (supervising sound editors/sound designers); Christopher Barnett, Bryan Bowen, Martin Cantwell, Alejandro Quevedo, Stephen P. Robinson, Roland N. Thai, Peter Zinda (sound designers); Tom Bellfort (supervising dialogue/adr editor); Dave McMoyler (supervising foley editor); Robert Shoup (additional adr supervisor); Sergio Diaz (lead dialogue editor); David Stanke, Oliver Tarney, Vanesa Lorena Tate (sound effects editors); Harry Barnes, Dominique Devoucoux, Christopher Wilson (foley editors); Naiki Rossell (dialogue editor); Paul Conway, Tony Currie, Sam Southwick (adr editors); Nicolas Becker, Peter Burgis, Andie Derrick, James Moriana, Jack Stew, Jeffrey Wilhoit (foley artists) | |
| In Bruges | Julian Slater (supervising sound editor); James Harrison (sound designer); Dan Morgan (supervising dialogue/adr editor); Robert Brazier (supervising foley editor); Arthur Graley (foley editor); Peter Burgis, Andie Derrick, Sue Harding, Rowena Wilkinson (foley artists) | |
| Quantum of Solace | Eddy Joseph (supervising sound editor); James Boyle, Martin Cantwell (sound designers); Alex Joseph (supervising foley editor); Simon Chase (supervising adr editor); James Harrison, Oliver Tarney (sound effects editors); Colin Ritchie (dialogue editor); Peter Burgis, Sue Harding, Ian Waggott (foley artists) | |
| Sukiyaki Western Django | Jun Nakamura (sound) | |
| 2009 [18][19][20] | District 9 | Brent Burge, Chris Ward (supervising sound editors); Dave Whitehead (sound designer); Polly McKinnon, Justin Webster (dialogue/adr editors); Hayden Collow, Melanie Graham (sound effects editors); Craig Tomlinson (foley editor); Jason Canovas, Mark Franken (adr editors); Robyn McFarlane, Carolyn McLaughlin (foley artists) |
| An Education | Glenn Freemantle (supervising sound editor); Nina Hartstone (supervising dialogue editor); Niv Adiri, Ben Barker, Tom Sayers (sound effects editors); Hugo Adams (foley editor); Gillian Dodders (adr editor); Andrea King, Jack Stew (foley artists) | |
| The Baader Meinhof Complex | Stefan Busch (supervising sound editor/sound designer); Lisa Geffcken-Reinhard (supervising foley editor); Fabian Schmidt (supervising dialogue editor); Jan Bloemeke, Nico Krebs (sound effects editors); Joo Fürst, Jörn Poetzl, Andreas Schneider (foley artists) | |
| Coco Before Chanel | Jean-Claude Laureux (supervising sound editor); Franck Desmoulins, Anne Gibourg, Sylvain Malbrant (sound designers); Claire-Anne Largeron (supervising foley editor/adr editor); Pascal Chauvin (foley artist) | |
| Harry Potter and the Half-Blood Prince | James Mather (supervising sound editor); Bjorn Ole Schroeder (supervising dialogue editor); Daniel Laurie (supervising adr editor); Michael Fentum, Dominic Gibbs, Andy Kennedy, Jed Loughran (sound effects editors); Jamie McPhee, Derek Trigg (foley editors); Allan Jenkins (music editor); Peter Burgis, Andie Derrick (foley artists) | |
| Red Cliff | Steve Burgess (supervising sound editor/sound designer); Sam Wang (sound designer); Blair Slater (supervising foley editor); Wei He (supervising dialogue editor); Qiuxia Sun (supervising adr editor); Chris Goodes, James Harvey, Robert Mackenzie, Peter Mills, Huijia Mo, Andrew Nell, Glenn Newnham, Paul Pirola, Terry Tu, Rainbow Wang (sound effects editors); Danielle Barron (foley editor); Xu Miao, Mario Vaccaro, Yanchao Yang (foley artists) |
2010s
Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in a Feature Foreign Language Film
| Year | Film | Winners/Nominees |
|---|---|---|
| 2010 [21][22][23] | Micmacs | Selim Azzazi (supervising sound editor/sound designer), Gérard Hardy (supervising sound editor), Jean-Pierre Lelong (supervising foley editor), Marilena Cavola (supervising dialogue editor), Alain Lévy (supervising adr editor), Nicolas Becker (foley artist) |
| Biutiful | Martin Hernández (supervising sound/foley editor/sound designer); Alejandro Quevedo (sound designer); Arturo Zarate (supervising dialogue/adr editor); Vanesa Lorena Tate (supervising adr editor); Roland N. Thai (sound effects editor); Álex F. Capilla (dialogue editor); James Moriana, Jeffrey Wilhoit (foley artists) | |
| The Girl Who Played with Fire | Carl Aage Hansen (supervising sound editor/sound designer); Andreas Kongsgaard, Olle Tannergård (sound designers); Niels Arild, Anders Hörling (sound effects editors); Anne Jensen (foley editor); Camilla Mauritzson Skjaerbaek (dialogue editor) | |
| The Girl with the Dragon Tattoo | Peter Schultz (supervising sound editor), Morten Holm (supervising dialogue/adr editor), Niels Arild (supervising foley editor), Peter Albrechtsen (sound effects editor), Andrea King (foley artist) | |
| Lebanon | Stephan Colli (supervising sound editor), Alex Claude (sound designer), John Purcell (dialogue/adr editor), Jan Petzold (sound effects editor), Sebastian Pohle (foley editor), Wilmont Schulze (foley artist) | |
| Mother | Tae-young Choi (supervising sound editor); Ye-jin Cho, Hye Young Kang (sound designers); Chung-gyu Lee (foley artist) | |
| North Face | Guido Zettier (supervising sound editor/sound designer); Tobias Poppe (sound effects editor); Thomas Lüdemann, Alexander Vitt (sound editors); Laura Plock, Klaus Waßen-Floren (foley editors); Alexander Buck (dialogue editor); Stephan Fandrych, Anja-Corinne Welter (adr editors); Carsten Richter (foley artist) | |
| 2011 [24][25] | The Flowers of War | Tao Jing (supervising sound editor/sound designer); Steve Burgess (supervising sound editor); James Ashton (supervising dialogue editor); Baiyang Wang (dialogue/adr editor); Hongrui Ji, Chris Goodes, Zheng Huang, Robert Mackenzie, Yinan Tu, Tian Yong (sound effects editors); Adam Connelly, Wei Wang, Yanchao Yang (foley editors); Xu Miao, Mario Vaccaro (foley artists) |
| Battle of Warsaw 1920 | Waclaw Pilkowski, Aleksandra Pniak (supervising sound editors); Kacper Habisiak, Maciej Tegi (sound designers); Krzysztof Jastrzab (supervising foley editor); Filip Krzemien (supervising dialogue editor); Marcin Kasinski (supervising adr editor); Jan Grabos (foley editor); Mateusz Irisik, Jacek Pajak, Krzysztof Salwa, Marcin Wolak, Henryk Zastrózny (foley artists) | |
| Circumstance | Glenn T. Morgan, Mathew Waters (supervising sound editors) | |
| Elite Squad: The Enemy Within | Alessandro Laroca (supervising sound editor); Eduardo Virmond Lima (sound designer); Débora Opolski (supervising dialogue/adr editor); Andre Azoubel (supervising foley editor); Henrique Bertol (dialogue/adr editor); Andressa Cor, Lilian Nakahodo, Priscila Pereira, Anderson Tieta (sound effects editors); Roger Hands (foley artist) | |
| In the Land of Blood and Honey | Becky Sullivan (supervising sound editor); Hector C. Gika, Glynna Grimala, Michael Hertlein, Gayle Wesley, Ben Wilkins (sound editors); Goro Koyama, Andy Malcolm (foley artists) | |
| Sarah's Key | Alexandre Fleurant, Bruno Seznec (supervising sound editors); Sébastien Marquilly (sound designer); Fabien Devillers (supervising dialogue/adr editor); Florian Fabre (foley artist) | |
| The Skin I Live In | Pelayo Gutiérrez (supervising sound editor); Eduardo Castro, Marc Orts (sound designers); César Molina (supervising dialogue editor); Álex F. Capilla (foley artist) | |
| 2012 [26][27] | Rust and Bone | Pascal Villard (sound designer); Nikolas Javelle, David Vranken (sound effects editors); Caroline Reynaud (dialogue editor); Philippe Penot (foley artist) |
| 80 Million | Kacper Habisiak, Marcin Kasinski (supervising sound editors); Maciej Tegi (sound effects editor); Filip Krzemien (dialogue editor); Jacek Wisniewski (foley artist); Tomasz Maciatek (foley recordist) | |
| Amour | Nadine Muse (supervising sound editor); Pascal Chauvin, Franck Tassel (foley artists) | |
| Children of Sarajevo | Igor Camo (sound designer), Miroslav Babic (sound editor), Peter Sandmann (foley artist) | |
| The Hypnotist | Aleksander Karshikoff (sound designer/dialogue editor); Carl Edström, Erik Guldager, Boris Laible (sound effects editors); Gustav Landbecker (sound editor); Ulf Olausson (foley artist); Samuel Åberg, Tomas Krantz (foley recordists) | |
| The Intouchables | Jean Goudier (sound designer/sound/dialogue editor), Fred Mays (supervising adr editor), Pascal Chauvin (foley artist) |
Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in a Foreign Feature Film
| Year | Film | Winners/Nominees |
|---|---|---|
| 2013 [28][29] | The Grandmaster | Robert Mackenzie, Traithep Wongpaiboon (supervising sound editors); Steve Burgess, Nopawat Likitwong (sound designers); Guang Chen (supervising dialogue/adr editor); John Simpson (supervising foley editor); James Ashton, Ekaratt Chungsanga, Chris Goodes, Luke Mynott, Narubett Peamyai, Sam Petty (sound effects editors); Jifu Li, Shuo Zhang (dialogue editors); Chumnan Choponkrang, Sam Rogers (foley artists) |
| Blue Is the Warmest Color | Fabien Pochet (supervising sound editor) | |
| The Past | Thomas Desjonquères (supervising sound editor), Frédérique Liébaut (supervising adr editor), François Lepeuple (foley artist) | |
| Wadjda | Sebastian Schmidt (supervising sound editor), Sebastian Heyser (supervising dialogue/adr editor), Christoph Wieczorek (supervising foley editor), Marc Meusinger (adr editor) | |
Best Sound Editing - Sound Effects, Foley, Dialogue, and ADR in a Foreign Language Feature
| Year | Film | Winners/Nominees |
|---|---|---|
| 2014 [30][31] | The Liberator | Jay Nierenberg, Jonathan Wales (supervising sound editors); Trevor Gates (sound designer); Andres Velasquez (supervising adr editor); Ramiro Belgardt (supervising music editor); Angela Hemingway, Todd Niesen (dialogue/adr editors); Chris Diebold, Brent Findley, Steven Iba, Charles Maynes (sound effects editors); Zachary Schmitt (foley editor); Juan Diego Borda, Aleksandar Sasha Panich (adr editors); Vicki Vandegrift (foley artist) |
| Human Capital | Daniela Bassani (supervising sound editor); Gianni Pallotto (sound designer); Enzo Mandara (dialogue/adr editor); Paolo Amici, Italo Cameracanna, Riccardo Cameracanna, Daniele Quadroli, David Quadroli, Fabrizio Quadroli (sound effects editors); Taketo Gohara (music editor) | |
| The Raid 2 | Jonathan Greber (supervising sound/foley editor); Al Nelson, Brandon Proctor (sound designers); Kim Foscato, Doug Winningham (sound effects editors); Sean England (foley artist) | |
| Roar: Tigers of the Sundarbans | Amrit Pritam Dutta (supervising sound editor/sound designer/effects editor); Resul Pookutty (supervising sound editor/sound designer); Vijay Kumar (supervising foley editor/sound effects editor); Abhishruti Bezbaruah, Arunav Dutta (sound effects editors); Sajjan Choudhary, Karnail Singh (foley artists) | |
| Uzumasa Limelight | Carlos Sanches (supervising sound/dialogue/adr editor); Matthew Thomas Hall, Joshua Aaron Johnson (sound designers); John Sanacore (supervising foley editor); Gerardo Gonzalez, Hiroki Matsuura (sound effects editors); Kazuma Jinnouchi, Nobuko Toda (music editors); Jeffrey Wilhoit (foley artist) | |
| 2015 [32][33] | Son of Saul | Tamás Zányi (supervising sound/foley/dialogue/adr editor, sound designer/sound effects/music editor/foley artist), Tamás Székely (sound effects editor), Tamás Beke (foley artist) |
| Days of Grace | Frédéric Le Louet (supervising sound/music editor/sound designer); Enrique Greiner (supervising sound editor/sound designer); Laurent Chassaigne (supervising foley editor); Eric Dounce (supervising adr editor/sound effects editor); Eduardo Castillo (supervising dialogue editor/dialogue/adr editor); Cedric Denooz (sound effects/music editor); Frederic Devanlay, Diana Fonseca (sound effects editors); Manu Guiot (music editor); Gadou Naudin (foley artist); Vincent Arnardi (supervising sound/re-recording mixer) | |
| Northmen: A Viking Saga | Markus Glunz, Peter Staubli (supervising sound editors); Benjamin Krbetschek, Christoph Ulbich (sound designers); Dominik Schleier (supervising dialogue editor); Felix Andriessens (supervising adr editor); Dietrich Körner, Laura Plock, David Rusitschka (sound effects editors); Jonathan Feurich (music editor); Max Bauer, Michael Stancyk (foley artists) | |
| Unfreedom | Resul Pookutty (supervising sound/dialogue/adr editor, sound designer); Amrit Pritam Dutta (supervising sound editor/sound designer); Vijay Kumar (supervising foley/dialogue editor/sound effects editor); Wayne Sharpe (supervising music editor); Racchit Malhotra, Aravind Vijayakumar (dialogue/adr editors); Sampath Alwar, Arunav Dutta (sound effects editors); Varun Visoi (foley editor); Sajjan Choudhary, Karnail Singh (foley artists) | |
| 2016 [34][35] | The King's Choice | Christian Schaanning (supervising sound editor/sound designer); Fredrik Dalenfjäll, Erlend Hogstad, Jens Johansson (sound effects editors); Ingela Jönsson, Espen Rønning (dialogue editors); Lucas Nilsson (foley artist) |
| Elle | Alexis Place (supervising sound editor), Katia Boutin (supervising dialogue/adr editor), Gwennolé Le Borgne (sound effects editor) | |
| The Handmaiden | Chul-woo Moon (supervising sound editor); Suk-won Kim (sound designer); Eun-ah Choi (supervising dialogue editor); Eun-jung Kim (foley editor/artist); Jung-ho Lee (sound effects editor); Min-kyung Cho, Yoon-sung Hong (dialogue editors) | |
| Neruda | Miguel Hormazábal (sound designer), Ivo Moraga (sound effects editor/foley artist), Toño Cubillo (adr editor), Hervé Schneid (music editor), Sebastian Esquivel (foley artist) | |
| Toni Erdmann | Fabian Schmidt (supervising sound editor) | |
| Under the Shadow | Richard Kondal (supervising sound editor), Alex Joseph (sound designer), Alex Outhwaite (sound effects editor), Gwilym Perry (foley editor), Stelios Koupetoris (dialogue editor), Paula Boram (foley artist) |
Outstanding Achievement in Sound Editing - Sound Effects, Foley, Dialogue and ADR for Foreign Language Feature Film
| Year | Film | Winners/Nominees |
|---|---|---|
| 2017 [36][37] | Loveless | Andrey Dergachev (supervising sound editor); Aleksey Kobzar, Sofia Matrosova (sound effects editors); Ruslan Khuseyn, Elena Starikova, Dmitriy Zuev (foley editors); Aleksey Kuznetsov (dialogue editor); Natalia Zueva (foley artist) |
| BPM (Beats per Minute) | Valérie Deloof (supervising sound editor); Antoine Bertucci, Maia Szymczak (sound effects editors); Agnes Ravez (dialogue editor); Pascal Chauvin, Franck Tassel (foley artists) | |
| First They Killed My Father | Ben Barker, Glenn Freemantle (supervising sound editors/sound designers); Sven Taits (supervising dialogue editor); Danny Freemantle, Eilam Hoffman, Robert Malone (sound effects editors); Lilly Blazewicz, Nick Freemantle (foley editors); Robert Chen, Jens Rosenlund Petersen (adr editors); Peter Burgis, Jason Swanscott (foley artists) | |
| The Happiest Day in the Life of Olli Maki | Pietu Korhonen (supervising sound editor); Heikki Kossi (foley editor/artist); Peter Albrechtsen, Erik Clauss (sound effects editors) | |
| Thelma | Peter Albrechtsen, Gisle Tveito, Fredric Vogel (sound designers); Ingar Asdahl, Therese Næss Diesen, Peder Lindvær Hammersborg (sound effects editors); Yvonne Stenberg (foley editor); Roy Fenstad (foley artist) | |
| Wolf Warrior 2 | Hayden Collow (supervising sound editor); Chris Ward (supervising dialogue editor); Brent Burge, Matthew Lambourn, Paul Pirola, Tom Scott-Toft, Matt Stutter (sound effects editors); Craig Tomlinson (foley editor); Martin Kwok (dialogue editor); Stephen Gallagher (music editor); James Carroll (foley artist) | |
| 2018 [38][39] | Roma | Sergio Diaz, Skip Lievsay (supervising sound editors/sound designers); Carlos Honc (supervising dialogue/adr editor); Ruy García (supervising adr editor); Michael Feuser (dialogue/adr editor); Craig Berkey, Eric Dounce, Luis Huesca, Mitch Osias, Luis Omar Parra, Javier Quesada (sound effects editors); Jaime Sainz Cuevas, Igor Nikolic (foley editors); Manuel Montaño, Caleb Townsend (dialogue editors); Alexa Zimmerman (adr editor); Jay Peck, Alan Romero (foley artists) |
| 2.0 | Amrit Pritam Dutta, Resul Pookutty (supervising sound editors); Arunav Dutta, Vijaykumar Mahadevaiah, Jagdish Nachnekar, Surabhi Pandit (sound effects editors); Krishnanunny Kj (dialogue editor); Miguel Barbosa, Diego S. Staub (foley artists) | |
| Capernaum | Chadi Roukoz (supervising sound editor/sound designer); Simon Hanin (sound effects editor); Karine Bacha (dialogue editor); Patrick Egreteau, Eric Grattepain (foley artists) | |
| Cold War | Maciej Pawlowski (supervising sound editor/sound designer/dialogue editor); Lukasz Swierzawski (sound designer); Jacek Tarkowski, Wojciech Slawacki (adr editors); Grzegorz Koniarz, Grzegorz Sieradzki (foley artists) | |
| The Guilty | Oskar Skriver (supervising sound editor), Philip Nicolai Flindt (sound effects editor), Lasse Joen Sørensen (foley editor), Torben Greve (foley artist) | |
| The Happy Prince | François Dumont (supervising sound editor), Jérémy Hassid (sound designer/foley editor), Antony Gray (supervising adr editor), Gervaise Demeure (sound effects editor), Jeroen Truijens (dialogue editor), Vincent Maloumian (foley artist) | |
| Never Look Away | Christoph von Schönburg (supervising sound editor/sound designer); Thomas Kalbér (supervising dialogue editor); Stephan Fandrych (supervising adr editor); Magda Habernickel, Achim Hofmann, Benjamin Schäfer (adr editors); Normann Büttner, Wolfi Müller (foley editors); Max Bauer (foley artist) | |
| Redbad | J. Murphy Ryan, Jonathan Wales (supervising sound editors); Eric Offin (sound designer); Jan Bezouska (sound effects editor); Taylor Westerfield (foley editor); Paul Bijpost (dialogue editor); Julien Naudin (foley artist) | |
| Winter Brothers | Lars Halvorsen (supervising sound editor), Pietu Korhonen (foley editor), Hans Christian Arnt Torp (dialogue editor), Heikki Kossi (foley artist) | |
| 2019 [40] | Parasite | Tae-young Choi (supervising sound editor); Young Kang Hye (sound designer/effects editor); Byung-in Kim (supervising adr editor); Shin i Na (foley editor); Chung-gyu Lee, Sung-gyun Park (foley artists) |
| Atlantics | Benoit De Clerck (supervising sound editor), Thomas Ferrando (foley editor), Michov Gillet (dialogue editor), Bertrand Boudaud (foley artist) | |
| The Fall of the American Empire | Marie-Claude Gagné (sound designer/effects editor), Natalie Fleurant (supervising adr editor), Jean-Philippe Savard (sound effects editor), Claire Pochon (dialogue editor), Nicolas Gagnon (foley artist) | |
| Gully Boy | Ayush Ahuja (supervising sound editor/sound designer), Nakul Kamte (music editor) | |
| Shadow | Jiang Yang (supervising sound editor/sound effects editor); Nan Zhao (supervising sound editor); Blake Leyh, Skip Lievsay, Ye Liu, Lawrence Zipf (sound effects editors); Wei Ning (foley editor); Xinghui Li (dialogue editor); Junsheng Han (foley artist) | |
| The Sound Story | Resul Pookutty (supervising sound editor); Vijay Kumar (sound designer); Krishnanunny Kj (sound effects editor); Ram Kishan Nath (foley editor); Anil Pawar, Karan Arjun Singh, Shankar Singh (foley artists) |
External links
References
- "Sound editors tap noms for best of 1999". Variety. Retrieved June 28, 2019.
- "Sound editors tap noms for Golden Reel Awards". Variety. Retrieved June 27, 2019.
- "'Gangs,' 'Perdition' top Golden Reel nods". Variety. Retrieved June 27, 2019.
- "Disney Feature Animation And SpongeBob Squarepants Earn Double Gold". Animation World Network. Retrieved June 27, 2019.
- "'Pirates' reels in most MPSE noms". Variety. Retrieved June 28, 2019.
- "MPSE Golden Reel Awards Announced". Mix. Retrieved June 28, 2019.
- "'Aviator,' 'Kill' fill sound editors' bill". Variety. Retrieved June 28, 2019.
- "Aviator & The Incredibles Top 2004 Golden Reel Awards". Animation World Network. Retrieved June 28, 2019.
- "Editors hear sounds of the 'Geisha'". Variety. Retrieved June 28, 2019.
- "Sound editors sing praise". Variety. Retrieved June 28, 2019.
- "2007 Golden Reel Award Nominees: Feature Films". Jason Ryder. Retrieved July 1, 2019.
- "MPSE announces Golden Reel noms". Variety. Retrieved June 20, 2019.
- "Letters From Iwo Jima & Cars Win Top Golden Reel Awards". AWN. Retrieved June 20, 2019.
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- "2010 Golden Reel Award Nominees: Feature Films". Jason Ryder. Retrieved July 1, 2019.
- "Motion Picture Sound Editors announce nominees for the Golden Reel Awards". Los Angeles Times. Retrieved June 20, 2019.
- "MPSE Announces 58th Golden Reel Awards Winners". Mix. Retrieved June 20, 2019.
- "2011 Golden Reel Award Nominees: Feature Films". IMDb. Retrieved July 1, 2019.
- "'Super 8' Leads Sound Editors Feature Field With Three Nominations". Variety. Retrieved June 20, 2019.
- "Sound Editors Recognize 'Hugo,' 'The Muppets,' 'Super 8,' 'Tintin,' 'War Horse'". Variety. Retrieved June 20, 2019.
- "MPSE Announces 2013 Golden Reel Nominees". Animation World Network. Retrieved June 20, 2019.
- "'Life Of Pi' Wins Pair of Sound Editors' Awards". The Hollywood Reporter. Retrieved June 20, 2019.
- "Sound Editors Announce 2013 Golden Reel Nominees". Variety. Retrieved June 21, 2019.
- "UPDATE: Motion Picture Sound Editors Unveil Full List Of Golden Reel Nominees". Deadline. Retrieved June 21, 2019.
- "Motion Picture Sound Editors Announce 2015 Golden Reel Nominations". Animation World Network. Retrieved June 21, 2019.
- "'Birdman', 'American Sniper' Top Golden Reel Awards: MPSE Winners List". Deadline. Retrieved June 21, 2019.
- "The Complete List Of 2016 Golden Reel Awards Nominees". The Tracking Board. Retrieved June 20, 2019.
- "Golden Reel Awards: The Complete Winners List". The Hollywood Reporter. Retrieved June 20, 2019.
- "'Hacksaw Ridge,' 'Rogue One,' 'Arrival' Lead Sound Editors' Feature Nominees". The Hollywood Reporter. Retrieved June 21, 2019.
- "Motion Pictures Sound Editors' Golden Reel Awards: 'Hacksaw Ridge,' 'Westworld' Among Winners – Full List". Deadline. Retrieved June 21, 2019.
- "MPSE Golden Reel Awards: 'Baby Driver,' 'Dunkirk' Among Sound Editors' Nominees". The Hollywood Reporter. Retrieved June 21, 2019.
- "'Dunkirk', 'Blade Runner 2049' Take Home Top Honors At MPSE Golden Reel Awards – Complete Winners List". Deadline. Retrieved June 21, 2019.
- "Outstanding Achievement in Sound Editing – Musical". Motion Picture Sound Editors. Retrieved June 22, 2019.
- "'Bohemian Rhapsody,' 'A Quiet Place' Take Top Sound Editing Honors at the MPSE Golden Reel Awards". IndieWire. Retrieved June 22, 2019.
- Jazz Tangcay (December 16, 2019). "'Once Upon a Time in Hollywood,' 'Joker,' '1917' and 'Cats' Among Golden Reel Nominees". Variety. Variety Media, LLC. Retrieved December 22, 2019.
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