"Weird Al" Yankovic (album)

"Ace rock guitarist" Rick Derringer produced "Weird Al" Yankovic. (1974, Jim Summaria)

After hearing Yankovic's parody of his song "I Love Rock 'n' Roll", "I Love Rocky Road", songwriter Jake Hooker suggested to guitarist Rick Derringer that he would be the perfect producer for the burgeoning parodist. Agreeing, Derringer used his music industry prestige and convinced Cherokee Studios to record an album's worth of Yankovic's songs gratis, to be paid from sales revenue. Then, in March 1982, "Weird Al" Yankovic stepped into a professional recording studio for the first time and recorded nine of the songs for "Weird Al" Yankovic.[5]

The huge irony of my life; [...] it was difficult for me to get signed to a record deal back in early 80s because all the executives were saying "Oh, you do that ... novelty music. You're gonna have maybe one hit if you're lucky and then [...] you'll go right to oblivion. You know, nobody'll ever hear from you again."

— "Weird Al" Yankovic, speaking with Bob Boilen on All Songs Considered in 2006[6]

After encountering difficulty picking up a record label for the first-time album, Jay Levey (a Los Angeles artists' manager) provided KIQQ-FM with a copy of "I Love Rocky Road". Impressing the program director of the Top 40 station, he played it immediately; "I Love Rocky Road" was one of the most-requested songs by the next day. At the same time, Rock 'n Roll Records president Tad Dowd had been trying to convince parent company Scotti Brothers Records to sign the 22-year-old Yankovic. The positive furor over the KIQQ playtest provided Dowd with the leverage needed to convince Scotti Bros. to offer a contract for Yankovic's first album.[5]

Scotti Brothers Records' contract planned an April 1983 release date for a twelve-track album: "I Love Rocky Road" and eight other tracks were already recorded, "Another One Rides the Bus" would be the original 1980 live recording from The Dr. Demento Show, and the last two songs ("Ricky" and "Buckingham Blues") would be recorded at Scotti Brothers' own studios in Santa Monica, California in February 1983.[5][7][2]

Dr. Demento helped promote "Weird Al" Yankovic. (August 15, 2004 (2004-08-15), David Rossi)

To promote the album, Levey coordinated a three-week tour in late Summer 1983 across the United States' East Coast and Midwest for both Yankovic and Dr. Demento. Promoted as "An Evening of Dementia with Dr. Demento in Person Plus 'Weird Al' Yankovic", Demento opened with recorded hits and short comedy films from his show before introducing Yankovic and the band. During their three weeks, the tour played in several famous clubs, including The Bottom Line in New York City.[5]

The album cover for "Weird Al" Yankovic was designed by Brazilian artist Rogerio. The band chose Rogerio because of his "MAD Magazine-like drawing style."[8][9] The cover art specifically features individual elements that correspond with each of the album's twelve songs.[10]

Joan Jett & The Blackhearts' version of "I Love Rock 'n' Roll" is parodied on the album.

"Weird Al" Yankovic is the only album in Yankovic's discography to use the accordion in every song; in subsequent albums it is only used where deemed appropriate or wholly inappropriate for comedic effect.[11] "Ricky" is a parody of "Mickey" by Toni Basil; an ode to I Love Lucy with Yankovic performing as Ricky and Tress MacNeille as Lucy.[12][13] "Gotta Boogie" is a play on words discussing a man with a "boogie" on his finger and his quandary therein. "I Love Rocky Road" is a parody of Arrows' "I Love Rock 'n' Roll" made famous by Joan Jett; in the song the narrator expresses feelings about the titular ice cream flavor.[5] "Buckingham Blues" is a blues song satirizing the socialite lifestyle of the Prince and Princess of Wales (Prince Charles and Diana). Originally, the song was going to be a parody of "Jack & Diane" by John Mellencamp; worried about spoiling a Jack and Diane movie deal, Mellencamp shot down the parody. Yankovic considered tweaking the "Jack & Diane" melody to avoid the song being a true parody, but decided against it and later rewrote it as an original song.[14] Answering a fan in 1998, Yankovic replied that he would not rewrite and rerecord the song in light of the death of Diana.[15]

"Happy Birthday" is a style parody of Tonio K, one of Yankovic's favorite artists.[14] The song is a morbidly depressing birthday song detailing ails of the world, including poverty, nuclear holocaust, and eventual solar cataclysm. Only seeing two popular birthday songs at the time—"Happy Birthday to You" by Patty and Mildred J. Hill, and "Birthday" by The Beatles—Yankovic decided to write his own "severely twisted version of one."[14] "Stop Draggin' My Car Around" is a parody of "Stop Draggin' My Heart Around" by Stevie Nicks; the lament of an otherwise "cool guy" forced to repeatedly save his 1964 Plymouth car from impoundment due to illegal parking, shame, and non-payment.[16] "My Bologna" is a parody of "My Sharona" by the Knack; the narrator talks about his obsession with bologna sausage. This is a re-recording of the song; the original Capitol Records single version would not appear on a "Weird Al" album until the 1994 box set Permanent Record: Al in the Box.[16] "The Check's in the Mail" parodies business-related prevarications, exampling avoidance, litigation, and the titular payment delay.[16] "Another One Rides the Bus" is a parody of "Another One Bites the Dust" by Queen; the narrator laments about a crowded public bus. This is the original 1980 recording from The Dr. Demento Show.[17] "I'll Be Mellow When I'm Dead" is a rejection of the stereotypical attitudes and accoutrements of the hippie/yuppie lifestyles.[16]

"Such a Groovy Guy" parodies narcissism specifically noting fashion, demeanor, dominance and submission, and relationship breakup. Yankovic wrote the song for a woman he was dating in homage of her previous boyfriend who, upon the breakup asked her, "I’m such a groovy guy! Why would you break up with me?" Out of concern the individual may not be aware of his status, Yankovic does not identify him.[14] "Mr. Frump in the Iron Lung" is an audience favorite from Yankovic's days playing in coffeehouses at Cal Poly;[5] the song describes the rather lopsided relationship between the narrator and the eponymous "Mr. Frump" in his iron lung, until the latter's death. The sound of the iron lung is an accordion's air release valve.[17] "It's Still Billy Joel to Me", Yankovic's 1980 parody of Billy Joel's "It's Still Rock and Roll to Me", was originally planned for this album. Wary of the song being considered "dated" three years later, and doubtful that Joel would give his blessing, the band never bothered to ask.[18] Yankovic's parody of The Kinks' song "Lola"—"Yoda"—was written in 1980 (during the initial theatre run of The Empire Strikes Back), and a "huge hit" on The Dr. Demento Show. However, the complexities of receiving permission from filmmaker George Lucas and the Kinks' publishers delayed its release until 1985.[5]

To promote the album, the songs "Ricky" and "I Love Rocky Road" were released as singles with accompanying music videos. Yankovic embarked on his first official concert tour, which began at the Bottom Line in New York City on May 21, 1983 and ended June 10, 1983 at Mickey's in Milwaukee, Wisconsin.[19]

Professional ratings

Review scores
Source	Rating
AllMusic	[20]
The Daily Vault	B−[21]
Pitchfork	8.2/10[22]
Rolling Stone	[23]

Eugene Chadbourne, reviewer for AllMusic, felt that while "Weird Al" Yankovic was a detailed harbinger of parody to come, the album does not hold up well on its own. Chadbourne extolled most of the parodies ("Another One Rides the Bus", "My Bologna", "I Love Rocky Road") for their comedic value in contrast with their originals—songs he supposed to be "pretentious [&] overblown". However, also according to Chadbourne, "Ricky" lacks the comedic connection Yankovic cultivates in later albums, and the original songs "may not seem like they were written in ten minutes, but the ideas behind them don't seem to involve that much contemplation. [They're] like little bits of puff [whose ...] impact on the flow of an album side is more like ballast."[20]

Introducing Yankovic as the guest DJ for All Songs Considered on National Public Radio in 2006, host Bob Boilen opined that upon his debut, Yankovic "seemed the epitome of throw-away novelty act".[6] Reviewing Yankovic in 2008, Brian Raftery of Wired magazine wrote that "Ricky" introduced the world to "an accordion-playing spaz with a coif like Rick James and a voice like an urgent goose." Raftery noted that in 1983, Yankovic was considered a fad of the time—"like parachute pants and Contras"—and "thoroughly disposable."[12] Musical databasing and review websites AllMusic and Artistdirect rated "Weird Al" Yankovic three and a half out of five stars.[20][24]

Adapted from Weird Al's official website.[27]

• "Weird Al" Yankovic – accordion, lead vocals[7]
• Steve Jay – bass guitar[7]
• Jon "Bermuda" Schwartz – drums, percussion[7]
• Rick Derringer - guitar, producer[7]
• Richard Bennett – banjo, ukulele, guitar[7][nb 2]
• William K. Anderson – saxophone, harmonica
• Joel Miller – bongos
• Mike Kieffer – percussion
• Dorothy Remsen – harp
• Tress MacNeille – voice of Lucy Ricardo[13]
• Dawn Smithey, Zaidee Cole, and Joan Manners – background vocals

• "Weird Al" Yankovic at The Official "Weird Al" Yankovic Web Site
• "Weird Al" Yankovic at AllMusic