Þorgils gjallandi

Jón Stefánsson lived his whole life in the county of Suður-Þingeyjar and from 1890 was director of a poor-law parish (hreppur) there. Only twice did he travel outside the county boundaries.

He was the eldest child of Stefán Helgason (1822–1868) and Guðrún Ólafsdóttir (1816–1860).[2] He had three full siblings, all of whom died in early childhood: Stefán (b. 1856) died the day after his birth, and Pétur (b. 1853) and Hólmfríður (b. 1857) both passed away in 1860, a few months before their mother's death. Jón's father remarried in 1862, to Sigurbjörg Jónsdóttir, and they had four children: Pétur, Guðrún, Helgi and Hólmfríður. Jón was only 17 when his father also died. Inheriting the farmstead, he worked the land for a year and then began working as a servant on a series of farms in the county; he worked the longest for a younger brother of his late father, Hjálmar Helgason (1833–1916), and his wife Sigríður Vilhelmína Pétursdóttir (1843–1928).[3][4]

In 1877 he married Guðný Jakobína Pétursdóttir (1850–1939), the daughter of Pétur Jónsson,[4] a Reykjahlíð farmer. They had a son who died in infancy, followed by two daughters, Guðrún (1880–1943) and Védís (1885–1963).[4][5] By 1889 Jón and his family had acquired a cottage at Litluströnd, where they lived to the end of their days.

Mývatn from Höfði nature park, August 2007.

Þorgils gjallandi was one of the most determined personalities in Icelandic literature; he was a simple farmer and entirely self-taught in the craft of writing. His early writings can be found in the Mývatn-area rural newspapers of the 1880s and 1890s.

His protagonists, motivated not by moral purity but by carnal needs, impelled by nature and their circumstances, seek love not in eternal ideals but in an expansive passion that is at one and the same time profligate and guileless, which he conceived of as the nature of mankind.

Thorgils's love stories are also tragedies, because his characters cannot be in a state of nature and live together under conditions that require self-denial and social inhibition. The foremost reason, from his point of view, is that with its moral rules the community has terrified man, transforming us from vigorous and powerful animals, steered by our natural desires, into revolting beasts, cunning and duplicitous.

Thorgils's collection Ofan úr sveitum ("Above the countryside") was published in 1892. Until that time, he had had to keep hidden his most radical, realistic stories, which represented for most people in the country a major stumbling block to his acceptance. In 1902 the novel Upp við Fossa ("Up to the waterfall") came out, but as before it did not appeal to the tastes of his readership.

Although some critics regarded his writing as destructive and unsuitable for homes with children and young people, it was not ordained that he should retreat to obscurity; after all, since 1893 he had written several animal stories that the public could easily appreciate. In 1910 he published a selection of these stories under the name Dýrasögur 1 ("Animal Stories 1").

In addition to these works, he wrote many other stories and articles and lectured on various topics.

• Works by or about Þorgils gjallandi at Internet Archive