1616 in music

Events

Musical groups formed

Publications

  • Gregor AichingerTriplex liturgiarum fasciculus e tribus ac diversis optimorum musicorum modulis concinnatus... (Augsburg: Johannes Praetorius)
  • Bartolomeo Barbarino – Canzonettas for one and two voices, with some for solo voice, either soprano or tenor, with theorbo or other instruments (Venice: Ricciardo Amadino)
  • Valerio Bona – Lamentations for Holy Week with the Benedictus and Miserere for each day, for two choirs with continuo, Op. 22 (Venice: Giacomo Vincenti)
  • Bernardino BorlascaScala Iacob (Jacob's Ladder) for eight voices and various instruments, Op. 6 (Venice: Giacomo Vincenti), a collection of sacred songs for all solemnities of the year
  • Antonio Brunelli – Third book of Scherzi, arie, canzonette, e madrigali for one, two, and three voices, Op. 12 (Venice: Giacomo Vincenti)
  • Sethus CalvisiusSchwanengesang (Swan song) for eight voices (Leipzig: Lorenz Kober), a setting of Psalm 90 verse 10, published posthumously
  • Antonio Cifra – First book of Scherzi sacri for one, two, three, and four voices, Op. 22 (Rome: Giovanni Battista Robletti)
  • Ignazio DonatiMotetti a cinque voci in concerto (Venice: Giacomo Vincenti)
  • Melchior Franck
    • Geistlichen Musicalischen Lustgartens Erster Theil for four, five, six, seven, eight, and nine voices or instruments (Nuremberg: Georg Leopold Fuhrmann), a collection of motets
    • Newes Hochzeit Gesang ausz dem ersten Capitel deß Hohenlieds Salomonis for five voices (Coburg: Justus Hauck), a wedding motet
    • Musicalische Glückwünschung for six voices (Coburg: Justus Hauck), a wedding motet
    • Zwey Newe Hochzeit Gesäng for six voices (Coburg: Justus Hauck), a wedding motet
    • Newes Hochzeit Gesang ausz dem 26. Capitel Sirachs for six voices (Coburg: Justus Hauck), a wedding motet
    • Tricinium Novum (Wie ein Kauffmann das Himmelreich) (Coburg: Justus Hauck)
    • Lilia Musicalia for four voices (Nuremberg: Georg Leopold Fuhrmann), a collection of secular songs and dances
  • Joachim van den HovePraeludia testudinis for two voices or violins (Leiden: Godefridus Basson)
  • Sigismondo d'India
    • Fourth book of madrigals for five voices (Venice: Ricciardo Amadino)
    • Fifth book of madrigals for five voices (Venice: Ricciardo Amadino)
  • Scipione Lacorcia – Second book of madrigals for five voices (Naples: Giovanni Giacomo Carlino)
  • Luca Marenzio – Motets for five, six, and seven voices with organ bass (Venice: Ricciardo Amadino), published posthumously
  • Simone MolinaroPassio domini nostri Iesu Christi secundum Matthaeum, Marcum, Lucam, et Ioannem (Loano: Francesco Castello)
  • Pietro Pace – Scherzi, arie, et madrigali a 1–4 v..., Op. 13 (Venice: Giacomo Vincenti)
  • Giuseppe Palazzotto e Tagliavia – First book of motets (Palermo: Giovanni Battista Maringo)
  • Claudio Pari – Third book of madrigals for five voices (Palermo: Giovanni Battista Maringo)
  • Hieronymus PraetoriusLiber Missarum (Hamburg: Henrico Carstens) [3]
  • Nicolas ValletLe Secret des Muses, book 2[4]

Classical music

Opera

Births

Deaths

References

  1. Harness, Kelley (2001). "Salvadori, Andrea" in Stanley Sadie (ed.) The New Grove Dictionary of Music and Musicians (2nd edition), Volume 22.
  2. Haar, James. European Music, 1520-1640. Boydell Press. p. 367. ISBN 978-1-84383-200-3.
  3. Reproduction of alto part book on Bayerische Staatsbibliothek site
  4. JOHN RENBOURN (25 February 2011). Complete Anthology of Medieval & Renaissance Music for Guitar. Mel Bay Publications. p. 174. ISBN 978-1-61065-042-7.
  5. Willi Apel (1997). The History of Keyboard Music to 1700. Indiana University Press. p. 347. ISBN 0-253-21141-7.
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