A Lesson Before Dying (film)

A Lesson Before Dying is a 1999 American made-for-television drama film adapted from the 1993 Ernest J. Gaines novel of the same name. It won the Primetime Emmy Award for Outstanding Television Movie.

A Lesson Before Dying
Based onErnest J. Gaines (novel)
Written byAnn Peacock
Directed byJoseph Sargent
StarringDon Cheadle
Cicely Tyson
Mekhi Phifer
Irma P. Hall
Theme music composerErnest Troost
Country of originUnited States
Original languageEnglish
Production
CinematographyDonald M. Morgan
EditorMichael Brown
Running time105 minutes
Production companiesEllen M. Krass Productions
HBO NYC Productions
Spanky Pictures
DistributorFuture Film
HBO
mediacs AG
Release
Original networkHBO
Original release22 May 1999 (1999-05-22)


Plot summary


Grant Wiggins (Don Cheadle) is an African-American schoolteacher in the pre-Civil Rights Movement South who feels conflicted about his status as one of the only educated black men in his area. When Grant learns of Jefferson (Mekhi Phifer), a young black man falsely accused of killing a white shop owner, he reluctantly visits the condemned prisoner. Gradually, the two form a friendship, and Grant tries to remind Jefferson of his value as a human being. The story begins with the murder of Mr. Grope by two black men. An innocent bystander named Jefferson is charged with and convicted of the murder. He is sentenced to death. In his trial, Jefferson's attorney explains to the jury "What justice would there be to take his life? Justice, gentlemen? Why, I would as soon put a hog in the electric chair as this." That statement causes Jefferson to believe that he is indeed a hog, not a man. Jefferson's godmother Miss Emma Glenn, and Tante (Aunt) Lou, the aunt of the local schoolteacher, ask Lou's nephew Grant Wiggins to turn Jefferson from a "hog" to a "man." However, they must first get permission from Sheriff Sam Guidry, who is racist. To accomplish that, they successfully ask Sheriff Guidry's brother-in-law Henri Pichot for assistance.

When Grant is not there, Miss Emma, Tante Lou, and Reverend Ambrose also visit Jefferson. Over the course of the novel, Grant and Jefferson form a close friendship. Unusual for the time, Grant also forms a friendship with Deputy Paul Bonin. In early February, it is announced that Jefferson will be executed on April 8. Around then, Reverend Ambrose becomes concerned that Grant, an agnostic, is not teaching Jefferson about God and thus begins visiting him regularly. The conflict reaches a head when Grant buys Jefferson a radio, which the seniors in the black community, or "quarter," see as sinful. The novel ends with Jefferson's execution and, much to Grant's surprise, a visit from Paul in which he tells Grant that "Jefferson was the strongest man in that crowded room" when he was executed.

Point of view

The reader is given a unique outlook on the status of African Americans in the South after World War II and before the Civil Rights Movement. We see a Jim Crow South through the eyes of a formally educated African American teacher who often feels helpless and alienated from his own country. In "A Lesson Before Dying," Grant is the only educated black man in the area and the only member of the black community who might be considered capable of becoming free of overt oppression. Nevertheless, his life and career choices are severely limited and he must refer to white male authority figures as "Sir." Because of this, he yearns to leave his disheartening situation. Grant feels that he is cornered by myriad forces: his aunt's incessant wants, pressure to conform to a fundamentalist religion that he does not believe, the children's need for a teacher, and the community's need for leadership. Summed up, Grant can leave and could make a good life for himself if he does, but he doesn't because he feels trapped.

Setting

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Time period

This book can be dated based on close reading from chapter 12 when the book mentions Jackie Robinson. The quote "All three stood talking baseball. Jackie Robinson had just finished his second year with the Brooklyn Dodgers," tells us all that we need to know to date this book. The book takes place in early October 1948.

Plantation

"All there was to see were old white weather-houses, with smoke rising out of the chimneys and drifting across the corrugated tin roofs overlooking the yard toward the field, where some of the cane had been cut. The cane had not been hauled to the derrick yet, and it was lying across the rows. A little farther over, where another patch of cane was standing, tall and blue-green, you could see the leaves swaying softly from a breeze. “Left of the weighing scales and the derrick was the plantation cemetery, where my ancestors had been buried for the past century. The cemetery had lots of trees in it, pecans and oaks, and it was weedy too.”

School/church

“My classroom was the church. My desk was a table, used as a collection table by the church on Sundays, and also used for the service of the Holy Sacrament. My students’ desks were the benches upon which their parents and grandparents sat during church meeting. Ventilation into the church was by way of the four windows on either side, and from the front and back doors. There was a blackboard on the back wall. Behind my desk was the pulpit and the altar. This was my school.”

Grant, an agnostic, spends most of his time in the church on the Henry Pichot Plantation. The school that he teaches in is the same place in which the town gathers on Sunday morning for praise and worship. Grant is continually challenged with the fact that he is an outsider in his place of work; he does not attend church with the rest of his settlement. Throughout the entire novel, this school is seen as a place of discrimination. Segregated schools provide another example of racial persecution.

Despite Grant's personal atheism, much of the black culture and community focus on religion. This occasionally annoys Grant.

Bayonne

"Bayonne was a small town of about six thousand. Approximately three thousand five hundred whites; approximately two thousand five hundred colored. It was the parish seat for St. Raphael. The courthouse was there; so was the jail. There was a Catholic church uptown for whites; a Catholic church back of town for colored. There was a white movie theater uptown; a colored movie theater back of town. There were two elementary schools uptown, one Catholic, one public, for whites; and the same ]red. Bayonne’s major industries were a cement plant, a sawmill, and a slaughterhouse, mostly for hogs. There was only one main street in Bayonne, and it ran along the St. Charles River."

Bayonne is an actual city in France, but also the fictional Louisiana town depicted in the novel.

Jailhouse

"We followed him down a long, dark corridor, passing offices with open doors, and bathrooms for white ladies and white men. At the end of the corridor we had to go up a set of stairs. The stairs were made of steel. There were six steps, then a landing, a sharp turn, and another six steps. Then we went through a heavy steel door to the area where the prisoners were quartered. The white prisoners were also on this floor, but in a separate section. I counted eight cells for black prisoners, with two bunks to each cell. Half of the cells were empty, the others had one or two prisoners. They reached their hands out between the bars and asked for cigarettes or money. Miss Emma . She told them she didn’t have any money, but she had brought some food for Jefferson, and if there was anything left she would give it to them. They asked me for money, and I gave them the change I had."

Jail cell

"The cell was roughly six by ten, with a metal bunk covered by a thin mattress and a woolen army blanket; a toilet without seat or toilet paper; a washbowl, brownish from residue and grime; a small metal shelf upon which was a pan, a tin cup, and a tablespoon. A single bulb hung over the center of the cell, and at the end opposite the door was a barred window, which looked out onto a sycamore tree behind the courthouse. I could see the sunlight on the upper leaves. But the window was too high to catch sight of any other buildings or the ground."


Cast and characters

References

    • "The Primetime Emmy Awards: The 51st Annual Primetime Emmy Awards". TV.com. 1999. Archived from the original on 2009-06-12. Retrieved 2009-01-08.


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