A Maximum High

Shed Seven held writing and rehearsal sessions at a local potato plant, RS Cockerill's of York,[1] prior to recording the album. One of the first tracks recorded, with their new producer Chris Sheldon, was the lead single, "Where Have You Been Tonight?", written in late 1994 and debuting live at the band's Christmas show on 23 December.[2] It was one of five tracks completed during a three-week recording session at RAK Studios in February 1995, before the band departed midway through the mixing process at Metropolis to embark on their first tour of Japan, satisfied with what they had achieved;[2]

We walked away from these recordings feeling completely happy. They perfectly capture the sound of Shed Seven.

— Paul Banks, 1995

Along with the lead single, they completed a further four songs during their first stint in the recording studio; "This Day Was Ours", "Bully Boy", an untitled track, which was said to be the first Shed Seven song to feature drummer Alan Leach on lead vocals,[2] and "Lies". This version of "Lies" was previewed on an NME compilation cassette given away free with their 6 May 1995 issue,[2] almost a year before the album was released. Following gigs in Spain and Japan, the band headed back to the studio in May 1995 to begin work on further material for inclusion on the album, which, at that point, was titled In Colour.[2] Numerous tracks recorded in this period feature the highly renowned session musicians, The Kick Horns and The Phantom Horns,[1] adding a brassier undertone to the featured songs and marking a notable change in sound to that of the band's previous output.

Professional ratings

Review scores
Source	Rating
Allmusic	[3]
NME	(8/10)[4]
Select	[5]
The Guardian	[6]

A Maximum High garnered a generally positive response from critics upon release. Ian Harrison of Select drew a number of comparisons with The Smiths in his review, summarising the album as "sexy, Smiths-fuelled and superb";[5]

(I)t's apparent that Shed Seven's closest inspiration isn't Northside or The Railway Children, but The Smiths. Of all the contenders to be the heirs to The Hated Salford Ensemble, this band pull it off with the best spirit and the least number of groaning timbers. Continually there're the lilting/grinding guitars à la Marr, while Rick's voice twists and soars like Moz pre-Brendan Behan look-alike period.

He went on to liken the "jugular-directed guitar attacks" to that of their debut album, but also noted a distinct change "of a band trying new moves and a richer sound".[5] This change of sound was also noted by Mark Sutherland, writing for the NME in April 1996, who stated that "the Sheds have rocketed on so far from '94's 'Change Giver', they could actually rewrite the traditional album reviewers lexicon" and went on to compare the band to The Stone Roses;[4]

Certainly, the tough, ultra-confident, tune-stuffed 'outfit' here are, Witter's emotional foghorn vocals apart, barely recognisable from the scruffy tykes on the flashy, but ultimately unsatisfying, 'Change Giver'. Indeed, parts of it are good enough to pass as someone else's second album: chiefly, the record The Stone Roses should have made instead of 'The Second Coming'.

Writing for The Guardian in April 1996, Caroline Sullivan labelled A Maximum High "good, but not outstanding", as she praised guitarist Paul Banks's "exultant jangling", but found fault with the album's lyrical content.[6] The LP has also been referred to as "the band's most consistently engaging album (...) full of inspirational anthems [and] excellent shout-along, arena-ready numbers."[3]

A Maximum High Special Edition CD cover.

A limited edition double CD version of the album titled A Maximum High Special Edition was released in September 1996, five months after the regular issue.[7] It featured a bonus disc of many of the band's b-sides from their first 9 single releases, along with an alternate piano version of the album track "Out by My Side" and an expanded album cover with additional lyrics and photographs.

Aside from the two UK releases, the French limited edition was issued with a free bonus disc in a cardboard slipcase featuring two live tracks—"Mark" and "Dolphin"[8]—recorded at the Hanover Grand, London on 30 January 1996. The former track was later issued in the UK in May 1996 as a b-side to "Bully Boy" – the fourth single taken from A Maximum High – whilst the latter remains exclusive to the bonus disc. The Japanese version of the album also featured additional material, a bonus track titled "Song Seven", which was to be found as a b-side on the band's UK single "Getting Better", released in January 1996.

All tracks written by Witter/Banks/Gladwin/Leach.

• Track 13 is bonus track included on the Japanese edition of the album.

• Track 4 is exclusive to this album release.
• Tracks 1, 6 and 11 are taken from the 1996 single, "On Standby".
• Track 2 is taken from the 1994 single, "Speakeasy".
• Tracks 3 and 7 are taken from the 1995 single, "Where Have You Been Tonight?".
• Track 5 is taken from the 1994 single, "Dolphin".
• Tracks 8, 12 and 15 are taken from the 1994 single, "Ocean Pie".
• Tracks 9 and 14 are taken from the 1996 single, "Going For Gold".
• Track 10 is taken from the double A side 1994 single, "Mark/Casino Girl".
• Tracks 13 and 16 are taken from the 1996 single, "Getting Better".
• Production on the tracks included on the Special Edition bonus disc was done by Shed Seven, Chris Sheldon, Jessica Corcoran, Tim Lewis and Simon Wall.

• Released 4 August 2014

• A Maximum High (re-presents) at YouTube (streamed copy where licensed)