A New England Nun

"A New England Nun" is the story of Louisa Ellis, a woman who has lived alone for many years. Louisa is set in her ways, she likes to keep her house meticulously clean, wear multiple aprons, and eat from her nicest china every day. She has an old dog named Caesar who she feels must be kept chained up because he bit a neighbor 14 years ago as a puppy. Louisa promised Joe Dagget 14 years ago that she would marry him when he returned from his fortune-hunting adventures in Australia, and now that he has returned it is time for her to fulfill her promise. When Joe arrives, however, it becomes obvious that Louisa sees him as a disruption of the life that she has made for herself. When Joe arrives on one of his twice weekly visits, Louisa attempts to have a conversation with him, but is distracted when he tracks dirt on the floor, re-arranges her books, and accidentally knocks things over. The two have a cool and slightly awkward conversation when Louisa inquires after Joe's mother's health and Joe blushes and tells Louisa that Lily Dyer has been taking care of her. Clearly, she is only planning on marrying Joe because she promised that she would, since it would mean that Louisa would have to give up the life that she has made for herself.

Three weeks later, a week before the wedding, as Louisa is enjoying a moonlit stroll, she happens to overhear a conversation between Joe and Lily. Through this conversation, Louisa learns that Joe and Lily have developed feelings for each other in the short time that Joe has been back, and that Joe is in love with Lily but refuses to break his promise to Louisa. Lily supports Joe's decision, and though Joe encourages her to find someone else, Lily says, "I'll never marry any other man as long as I live."

The next day, when Joe comes to visit, Louisa releases Joe from his promise without letting him know that she is aware of his relationship with Lily. Joe and Louisa then part tenderly, and Louisa is left alone to maintain her present lifestyle.

The last line of the story is: "Louisa sat, prayerfully numbering her days, like an uncloistered nun."

"A New England Nun" falls within the genre of local color. A thorough focus on native scenery, dialog of the characters as native to the area, and displays of the values of a 19th-century New England landscape, are all contributing elements to that genre. The story is told from a third person viewpoint.

Another specific, structural feature includes Freeman's focus on nature. The piece begins with a brief but thorough description of the landscape surrounding the world of Ms. Louisa. "Somewhere in the distance the cows were lowing, and a little bell was tinkling; now and then a farm-wagon tilted by, and the dust flew; some blue-shirted laborers with shovels over their shoulders plodded past; little swarms of flies were dancing up and down before the peoples' faces in the soft air." Through this small scene the reader feels the presence of nature and the rhythm to which people and time march on in the New England landscape.

The emphasis of the countryside and the human's small part of nature also is very reminiscent of literature of the time period. Dr. Jesse S. Crisler, a scholar specializing in literary realism,[3] notes in his class lectures that the opening and closing scenes of the piece are reminiscent of Thomas Gray's "Elegy Written in a Country Churchyard".

Unbeknownst to Louisa, the reason Joe will not disengage himself from her is because he would "break her lil’ heart". The same reason holds true for Louisa as the wedding day approaches. When both parties realize there is no affinity for one another, there are no arguments or fights but a simple conversation that leads to an honorable ending for both Louisa and Joe. Lily is also an example of honor as she declares, "Honor's honor, an' right's right. An' I'd never think anything of any man that went against ‘em for me or any other girl - you'd find that out, Joe Dagget." As a whole, the honor displayed in the story is an element of the local color of the New England area.

The title of "A New England Nun" captures several qualities of both nature and religious sentiments. The genre of local color is partially characterized by the landscape scenes. "There was a full moon that night. About nine o’clock Louisa strolled down the road a little way. There were harvest-fields on either hand, bordered by low stone walls. Luxuriant clumps of bushes grew beside the wall, and trees—wild cherry and old apple trees—at intervals. Presently Louisa sat down on the wall and looked about her with mildly sorrowful reflectiveness. Tall shrubs of blueberry and meadow-sweet, all woven together and tangled with blackberry vines and horsebriers, shut her in on either side." The emphasis is not on the impact nature has on the humans, nor the humans upon nature. Like a good ecosystem, both nature and humans are able to interact peacefully. However, in spite of the drama of the story, the ecosystem continues on in its natural rhythm.

The term "nun" implies several layers of complexity to the short story. There are a number of religious inferences to the text, which give the piece a feeling for the deep devotion of Louisa to her way of life. For example, "If Louisa Ellis had sold her birthright she did not know it, the taste of the pottage was so delicious, and had been her sole satisfaction for so long". This passage explains the opportunity for marrying had passed the protagonist and her "pottage" was the world she meticulously cared for. The passage expresses an awareness of the loss of a good opportunity, but the greater joy came from the "pottage" of the life she already knew. Another example: “Louisa sat, prayerfully numbering her days, like an uncloistered nun". The catholic notion of prayer accompanies the rosary and the numbering of prayers. Freeman uses this religious imagery to display the devotion-like rhythm Louisa accepts and loves.

In 2001, the Radio Tales series presented an adaptation of the story on National Public Radio.