Ada Rybachuk

Rybachuk was born in 1931 in Kyiv. Fedir Rybachuk, Ada’s father, personnel officer for the Soviet army, went through the war from the first day to the last one. The rest of the family had to evacuate to Kazakhstan, where Ada finished elementary school. Studied at the Taras Shevchenko Art High School in Kyiv, graduated with highest honours receiving a gold medal. She studied at the Kiev State Art Institute which was led by O. Shovkunenko.[1]

Along with other students takes part in a summer internship lead by Sergei Grosh in Vylkove, located at the delta of Dunai. Sketches created there were shown at the student exhibition, which resulted in the first art order - the creation of illustrations for Dmitry Mamin-Sibiryak’s book “Reindeer Fairy Tales”, published the same year by the Youth Publishing House.[2]

In 1957 Rybachuk completed a sculpture, Shipboy, which shows a youth leaning from a rope ladder as if looking out to sea from a ship.[3] That year she was awarded the silver medal at the "6th world festival of youth and students".[4] She traveled to Armenia Russia and the Ukraine to broaden her studies.[4]

Rybachuk, Volodymyr Melnychenko and the architect Avraam Miletsky began work on a Park of Memory in Kyiv. The Park of Memory was at the local crematorium at Baykoy Hill. The art work covered 2,000 square metres and involved several huge sculptures. Rybachuk and Melnychenko's art work was covered in concrete in 1982 by the authorities and was reported because of the size of this piece of censorship by the authorities. In 1988 Israel Goldstein made a documentary The Wall about their predicament and their campaign to have their work restored.[5]

Rybachuk and her husband worked in a wide range of media including their work at the Palace of Children and Youth in Slavy Square and the Central Bus Station in Kyiv.[6]

Rybachuk died in 2010 in Kyiv.[1] In 2019 there was an exhibition of her work from the 1950s to the 1970s featuring images completed with her husband. The designs were inspired by childhood and the exhibition was called Island. The island represents the gulf between youth and adulthood and between the artist and their censors.[7]