Adrienne Mayor

Mayor's first book investigated discoveries and interpretations of dinosaur and other large vertebrate fossils in classical antiquity, and proposed that ancient observations of the fossilized remains of mammoths, mastodons, dinosaurs, and other extinct species influenced belief in giants, heroes, the griffin and some other fabulous beings of myth and legend.[6] This book is the basis for the popular History Channel show "Ancient Monster Hunters" and the BBC show Dinosaurs, Myths and Monsters and several museum exhibits. A National Geographic children's book by Marc Aronson, The Griffin and the Dinosaur (2014) describes Mayor's hypothesis that ancient observations of Protoceratops dinosaur fossils influenced ancient images and tales of Griffins.

In American Journal of Archaeology, Deborah Ruscillo, Washington University St. Louis, writes that this multidisciplinary book is written so that a layperson not well-versed in the topics it delves into may understand it. While Ruscillo does disagree with some of the assertions Mayor makes, she recommends the book to anthropologists and non-anthropologists alike.[7] In Isis: A Journal of the History of Science, Liliane Bodson, University of Liege, writes that “Mayor’s thought-provoking book will mark a watershed in the approach to griffins and giants.” While she found some of Mayor's views one-sided, she still recommended the book to “every historian of natural sciences.”[8]

Mayor's second book uncovers the earliest examples of biochemical weapons in the ancient world, to demonstrate that the concept and practice of biochemical warfare occurred much earlier than was previously thought. One of the book's purposes is to dispel the idea that ancient warfare was inherently more honorable than modern warfare. She presents ancient Greek, Roman, Chinese, African, and Indian historical accounts of the practice of biochemical warfare, using animal, bacterial, poison, and chemical weaponry, including Greek fire. "An illuminating revision of early military history,"[9] this book has become a favorite of ancient war gamers and was featured in the History Channel show "Ancient Greek WMDs."

Classicist Richard Stoneman praises the book, stating that it should be “widely read”, and specifically praises the wide range of sources used, especially her employment of sources from India.[10] In Library Journal, Brian DeLuca feels that the use of modern terminology in relation to ancient methods of warfare is “anachronistic” and finds Mayor's arguments for ancient biowarfare unconvincing. Even so, he recommends the book for “larger public libraries, specialized collections, and academic libraries.”[11] In Naval War College Review, author and lieutenant colonel Zygmunt Dembek highly recommends the book because of its unique point of view.[12]

Mayor's third book gathers Native American accounts of discoveries of dinosaur and other fossils and oral traditions about their meaning, from pre-Columbian times to the present. Much of the focus of the book is in challenging the idea put forth by paleontologist George Gaylord Simpson that precolonial indigenous peoples of the Americas did not take notice of the many fossils found on the continent. The book is organized by geographic location of fossils. It has been featured in History Channel MonsterQuest videos.

According to Bryce Christianson, for the American Library Association, Mayor "illuminates the surprisingly relevant views of early peoples confronting evidence of prehistoric life" in a "pioneering work [that] replaces cultural estrangement with belated understanding."[13] Norman MacLeod (Natural History Museum, London), writes in Paleontologia Electronica that he was “disappointed” in the book, although Mayor "has done a great service to Native Americans by collecting together many of their legends, including many that had previously been unrecorded."[14] In his review for Geological Magazine, Paul D. Taylor (Natural History Museum, London) writes that the book will appeal to palaeontologists, anthropologists, and folklorists,” as well as geologists.[15]

Mayor's fourth book details the story of the life of Mithradates, leader of the ancient Black Sea kingdom of Pontus, who, in the 1st century B.C., did everything he could to overthrow the Roman Empire. The book attempts to relay events from the Pontic point of view, as opposed to the Roman point of view. The Poison King was one of five nonfiction finalists in the National Book Awards, 2009, and has been translated into Italian, German, Russian, Turkish, and Spanish.

Peter Stothard, author and editor of TLS Times Literary Supplement, praises Mayor's "fascinating" biographical account, noting that she "aims to rescue [Mithradates'] reputation from biographical accounts that have come mostly from his enemies" by "making full imaginative use both of her own broad knowledge and the often frail ancient source material."[16] In Melbourne Historical Journal, Jeroen W.P. Wijnendaele writes that Mayor has crafted an entertaining book about Mithradates's life, but felt that the passages about the use of poison are “repetitive.”[17] In Isis: Journal of the History of Science Society, Laurence Totelin remarks on small errors but approved of the good bibliography and deems the book a good introduction to the story of Mithradates.[18] Author Carolyn See's review in The Washington Post, calls The Poison King a "wonderful reading experience, bracing as a tonic," providing a perspective that is "thrilling" while providing "calm and distance" on a terrifying age.[19]

Mayor's fifth book surveys ancient myths, legends, folklore, art, and archaeology related to warlike women known to the classical Greeks as Amazons. This is the first comprehensive account of warrior women in myth and history from the Mediterranean world to China. It also includes information on the linguistic origins of the word “Amazon" and details how nomadic horsewomen-archers of the steppes influenced ideas of warrior women.

Jasmin W. Cyril writes in Kadin/Woman 2000 that “any reader or researcher will be well rewarded through a perusal of this monograph and will find immeasurable advantage in the notes and bibliography.”[20] In American Journal of Philology, classicist Alison Keith criticizes Mayor's tendency to make unsubstantiated assertions, treat folklore as fact, and neglect context for some sources; Keith feels that the book is “rich in research but weak in accepted methods of scholarship.”[21] In New Statesman classics professor Edith Hall, Kings College London, says the book is more than "an important contribution to ancient history," opening "up new horizons in world storytelling and feminist iconography [with] rigorous scholarship and poetic charm." By "painstaking research into the literature, folklore and ancient traditions of the myriad peoples between Greece, Russia and China, especially the Kyrgyz, the Azerbaijanis and the Circassians of Caucasia, she has broken down the often impenetrable walls dividing western cultural history from its eastern equivalents."[22]

Mayor's sixth book (translations in simple and traditional Chinese, Spanish, German, and Korean) analyzes classical Greek myths and other ancient cultures' tales about fabricating artificial life, automatons, self-moving devices, and Artificial Intelligence. The final chapter describes real robots, animated statues, and self-propelled machines that were actually designed and constructed in the classical and Hellenistic eras.

Kirkus reviews describes the book as “a collection of wondrous tales that present ancient myths as the proto-science fiction stories they are.” [23] Classicist Peter Thonemann calls the book "absorbing" and "accessible and engaging," but feels that the ancient quest for eternal youth should not be included as an example of "artificial life" and wishes for deeper analysis of direct lines from Aristotle to modern AI.[24] Mayor's book is "a thought-provoking account" of "how ancient Greek, Roman, Indian, and Chinese myths expressed hopes and fears about human-made life," according to Bruce Bower in Science News[25] while The Economist review praises the "entertaining" examination of "ancient mythology. . . chock-full of robots, androids and mechanical creatures . . . that survive in written and visual form."[26]