Aesthetica

A large section of the magazine is dedicated to photography and has featured photo essays from world-renowned artists such as Richard Tuschman and Stephen Shore.[19] It has also published photography by the likes of Julia Fullerton-Batten, Maia Flore, Carolina Mizrahi, Formento & Formento, Ryan Schude, Natalia Evelyn Bencicova, Maria Svarbova, Brad Walls, Kevin Cooley, Emily Shur, Miles Aldridge and Michael Wolf. Recent cover photographers include creative duos Sally Ann & Emily May, JUCO, Yossi Michaeli, Eugenio Recuenco, Daniel Korzewa, Jacques Olivar and Jimmy Marble.

Aesthetica covers the latest exhibitions opening around the world at major art institutions. Previous editorial features have covered Hello, my name is Paul Smith at the Design Museum, London; What is Luxury? at the V&A, London; the Future of Fashion is Now at the Museum Boijmans Van Beuningen, Rotterdam; Frank Gehry's retrospective at Centre Pompidou; Mona Hatoum's retrospective at Tate Modern; a collection of Pierre Paulin's designs at Centre Pompidou; Jenny Holzer's site-specific commission at MASS MoCA; Anthony McCall at The Hepworth, Ai Weiwei at Yorkshire Sculpture Park; Gregory Crewdson at The Photographers' Gallery; The Future Starts Here at the V&A, and Björk Digital at Somerset House.[20].

With urban development, sustainability, geopolitics and adaptability as core interests for the architecture features, previous articles have included coverage on Frank Gehry,[21] Venice Biennale,[22] Bernard Tschumi,[23] the Chicago Architecture Biennale,[24] the Serpentine Pavilions and the RIBA Stirling Prize.[25]

Aesthetica often publishes full features on design, considering social spaces, domestic solutions and 21st century practices. Previous features have provided coverage on the London Design Biennale,[26] the Shanghai Expo, the Stockholm Furniture and Light Fair and Surface Design Show,[27] as well as articles based on new releases from Prestel Publishing and Thames and Hudson.

With features that look at sustainability, avant-garde design, minimalism, androgyny and technology, the fashion articles look towards contemporary solutions to the fashion industry. Notable names and institutions to have been featured include designers from London Fashion Week, Iris van Herpen,[28] Viktor & Rolf,[29] Pauline van Dongen, Crafting Plastics! and The Metropolitan Museum of Art.[30]

The film section in Aesthetica reviews and explores new films, with a focus on works of artistic merit. Films covered include works by Alice Lowe, Ben Wheatley,[31] Richard Ayoade,[32] Atiq Rahimi[33] and Michel Gondry. Films reviewed by Aesthetica include BAFTA winning Ida by Pawel Pawlikowski, BAFTA-nominated ‘71 by Yann Demange and Iain Forsyth and Jane Pollard's 20,000 Days on Earth following the life of Nick Cave, which won the Editing Award and the Directing Award at Sundance in the World Cinema Documentary category.[34] The film section also often explores film festivals[35] and interviews festival programmers, cinematographers, directors, writers and more.[36]

Aesthetica's music section offers an insight into a wide variety of genres and musicians. Topics covered include manipulating found sounds,[37] creating music from video games,[38] the rise of YouTube and the evolution of the music video.[39] Other subjects include opera, dance music, instrument design, musical comedy, production and packaging[40] as well as interviews with award-winning musicians such as Alt-J,[41] CHVRCHES, Chelsea Wolfe and Anna of the North.[42]

At the end of each magazine is the section Last Words, which features work and a statement by a prominent artist. Previous artists include Cornelia Parker,[43] Julio Le Parc, Marie Hald, Chiharu Shiota and Do Ho Suh.

Aesthetica also offers the Artists' Directory network for both emerging and established practitioners. This provides an opportunity for artists to connect with art collectors and gallerists.

The Aesthetica Short Film Festival (ASFF) is an international film festival which takes place annually in York, England, at the beginning of November. Founded in 2011, it is a celebration of independent film from around the world, and an outlet for supporting and championing filmmaking. The programme includes over 400 films screenings and 100 events, such as masterclasses, networking sessions, panel discussions and the UK's first Industry Marketplace, making ASFF is one of the UK's key film festivals.

ASFF is also a BAFTA-Qualifying festival, meaning short films that are screened may be eligible for a BAFTA award.

The festival opens for entries each on 1 December and closes on 31 May. ASFF welcomes submissions from emerging and established practitioners, accepting Short films across a range of genres including; Advertising, Animation, Artists’ Film, Comedy, Documentary, Drama, Experimental, Fashion, Music Video and Thriller. Since 2018, ASFF has also accepted Feature Film entries over 60 minutes, as well as Virtual Reality & Immersive projects.

All films in the Official Selection are in competition to receive a number of awards. These awards recognise outstanding talent in filmmaking practice. The winning films are selected by a jury of industry experts, and are presented at the Closing Night Awards Ceremony.

Every year, ASFF welcomes industry leaders from a range of disciplines to speak about their craft, offering a unique opportunity to gain first hand insights in areas such as animation, VFX, documentary production and camera operation. Masterclasses are a key component to a culturally rich and technically diverse programme of events and screenings. Speakers have included Danny Cohen (BAFTA-nominated cinematographer of The King’s Speech), actress and writer Alice Lowe (The World’s End, Sightseers), Matt Greenhalgh (BAFTA winning screenwriter of Control and Nowhere Boy), director Mark Cousins (The Eyes of Orson Welles), producer Simon Chinn (Searching for Sugarman), cinematographer Dick Pope (Motherless Brooklyn), and editor Tracey Granger (Boys Don't Cry). Representatives from leading organisations including, Aardman Studios, Framestore, SKY VR, Bluezoo, Film4, British Vogue, StudioCanal, BBC, Industrial Light & Magic, Dazed, Baby Cow, Pinewood Studios, have also given Masterclasses at ASFF.

The Industry Marketplace is the first event of its kind in the UK. The event is a platform for attendees and delegates to engage with key organisations from across the sector, including international film festivals, screen agencies, sales agents, global distributors and renowned universities. Over 40 exhibitors were included, from BFI NETWORK, Locarno Film Festival, Creative England, to Edinburgh Film Festival, Sheffield Doc/Fest, Hijack Post, London College of Communication and Festival Formula.

Welcoming a dynamic array of organisations from across the UK, the Special Showcase Screenings provide audiences with an opportunity to view some of the best and brightest works being produced by emerging filmmakers.[44] Organisations attending the 2017 festival include London Film School, York St John University, The Northern Film School, Middlesex University, Creative England, Plymouth College of Art and London College of Fashion.[45]

ASFF is a hotbed for talent discovery and is a great opportunity for emerging and established filmmakers to meet alongside industry professionals. Throughout the festival, visitors can expand their contact lists, either meeting one-to-one, or networking with larger circles with fellow creatives. ASFF is a play to discuss and debate the key themes and issues in the world of cinema. Events include: Guest Programmes, Pitching Sessions, Meet Market, Filmmaker Insight Sessions, The Friday Night Party, Screen School New Talent Lab and more.

The Aesthetica Art Prize was launched in 2007, five years after the launch of Aesthetica Magazine, as a way to support the next generation of talent across new visual media. It welcomed both established and emerging practitioners, providing a platform for artists across the globe to showcase their work. These works were published in the Aesthetica Creative Works Annual.

In 2013, the Art Prize evolved into an exhibition as well as a publication, presenting longlisted and shortlisted works from March to August in York, UK. Both Main and Emerging prize winners have since been awarded at the Private View, given £5000 and £1000 respectively, amongst other accolades. The exhibition moved to York Art Gallery in 2017, and has since exhibited works from today’s leading practitioners including Magnum photographers, Turner Prize-nominees, RSA Film directors, World Press Photo winners and Prix Pictet nominees. The Prize attracts thousands of entries each year from across the globe, from countries including Australia, Belgium, China, France, Germany, Italy, Japan, Mexico, Norway, Singapore, the UK and the USA. The judging panel has included representatives from BALTIC, Frieze, V&A, and FACT Liverpool.

Winners of the 2020 Art Prize were awarded on 12 March at the Private View Exhibition at York Art Gallery. Filmmaker/Artist Rhea Storr was presented with the Main Art Prize for her work A Protest, A Celebration, A Mixed Message, which considers cultural representation, masquerade and the performance of black bodies. Chris Yuan was presented with the Emerging Art Prize for his work Counterfictions, which examined alternative realities of ecological collapse after the construction of Trump’s border wall proposal.

Entries open in January and close on 31 August. The Prize welcomes submissions across: Photographic and Digital Art; Three Dimensional Design and Sculpture; Painting, Drawing and Mixed-Media, and Video, Installation and Performance.[46]

The Future Now Symposium is a two-day event held annually at York St John University. The event brings together key institutions, galleries and publications for discussion surrounding the most pressing issues from today's creative industries. Through imaginative debates, career advice and cultural engagement, Future Now is a platform for idea generation.

Originally launched in 2016, Future Now sessions are led by artists, curators, academics and representatives from major cultural institutions in the UK such as Tate, Art Fund, Arts Council England, Whitechapel Gallery, Royal College of Art, Frieze, V&A, Getty Images Gallery, The Art Newspaper, Foam Amsterdam, RIBA, Magnum Photos, London Art Fair, The Design Museum, The Spectator, Serpentine Galleries, BALTIC and Glasgow School of Art.[47]

Topics have included; Innovation in the Making: Technology, Design and Digital; The Value of Design; Arts Journalism is the Digital Age; How to Get Ahead as an Emerging Artist; Regeneration: Metropolitan Architecture; The Future of Art Journalism; Talent Development and Art Prizes; Funding and Commissioning and the Changing Face of the Art Institution, amongst others. In 2017, the event addressed how the arrival of the digital age has created an unprecedented feeling of alienation.

The fifth edition of the Symposium took place 12-13 March 2020. Speakers include renowned UK documentary photographer Martin Parr, who spoke about his distinguished career documenting contemporary life and the human condition. Cornelia Parker (OBE, RA) who touched upon the use of materials in sculpture and large-scale installation, exploring their meaning in a world of mass-consumption and geological fragility. Also in attendance were Prix Pictet-winning artist and director Nadav Kander, and Official War Artist John Keane, who discussed the ethics of representing a war zone, reinterpreting the definition of painting. Additional talks and panels were presented by Creative Review, Photo London, Design Museum, Queer Britain, Arts Council, House of African Art and Serpentine Galleries who spoke about the landscape of curation, digital art, funding, journalism and the role of art prizes today.

Future Now's sixth edition will return in March 2021.

The Aesthetica Creative Writing Award is an international literary prize for established and emerging poets and writers.[48] Prizes include publication in the Aesthetica Creative Writing Award Annual.;[49] £1,000 cash prize each; a consultation with Redhammer Management; a Full Membership to The Poetry Society; a subscription to Granta, and books courtesy of Bloodaxe Books and Vintage.

The judging panel consists of literary experts, including Arifa Akbar, journalist and literary critic and former Literary Editor of The Independent and i newspapers and poet Oz Hardwick.[50]

Call for entries open in January and close on 31 August, accepting entries across Poetry and Short Fiction.