After "Invisible Man" by Ralph Ellison, the Prologue

The photograph was staged in a Vancouver, British Columbia studio, and is inspired by the prologue of the celebrated novel by African-American writer Ralph Ellison, Invisible Man (1952). The protagonist of the novel lives in a basement of a building in Harlem, where he has wired the entire ceiling with 1369 lights, whose electricity is illegally siphoned. Wall took inspiration from the description at the novel and from his own imagination. The photograph depicts the unnamed leading character of the novel in the comfort of his basement, with several commodities, poorly organized, but where the large amount of illumination stands out.[3] Wall explained: “The picture […] ought to overcome the subject matter and make its source superfluous,” “That viewer, not having read the book and not intending to read it, by still enjoying and appreciating the picture can be thought of as having written his or her own novel. The viewer’s own experience and associations will do that. These unwritten novels are a form in which the experience of art is carried over into everyday life.”[4]