Agnes Denes

Rice/Tree/Burial 1968, Eco-Logic, Sullivan County, New York; re-created 1977 at Artpark[9]

As a pioneer of Land Art, Agnes Denes created Rice/Tree/Burial in 1968 in Sullivan County, New York. Acknowledged as the first site-specific performance piece with ecological concerns,[2] it was enacted ten years later on an expanded scale at Artpark in Lewiston, New York. This performance piece involved planting rice seeds in a field in upstate New York, chaining surrounding trees and burying a time capsule filled with copies of her haiku. "It was about communication with the earth," Ms. Denes said, "and communicating with the future.""[2][10]

During her time at Artpark, Denes recreated her Rice/Tree/Burial piece from 1968. In 1977, she planted a half acre of rice 150 feet above the spot where Niagara Falls has originally formed. The land itself that she worked on was known to have been an industrial dumping ground, which affected the quality of the rice.[11] In 1978, she continued the project by chaining together trees in the forest in the park to symbolize interference with growth.[12] On August 20, 1979, Denes buried a time capsule at 47° 10′ longitude, 79° 2′ 32″ latitude set to be opened in the twenty-third century. The capsule includes microfilmed responses of university students to questions about the nature of humanity.[12] Along with the rice, time capsule, and ceremonial chaining of trees in the park, Denes shot photographs of Niagara Falls for this iteration of Rice/Tree/Burial to "add natural force as the fourth element and fuse the other three".[13]

Wheatfield — A Confrontation 1982 Manhattan, Battery Park City landfill[14][15][16]

After months of preparations, in May 1982, a 2-acre wheat field was planted on a landfill in lower Manhattan, two blocks from Wall Street and the World Trade Center, facing the Statue of Liberty, sponsored by the Public Art Fund. Two hundred truckloads of dirt were brought in and 285 furrows were dug by hand and cleared of rocks and garbage. The seeds were sown by hand and the furrows covered with soil. The field was maintained for four months, cleared of wheat smut, weeded, fertilized, and sprayed against mildew fungus, and an irrigation system was set up. The crop was harvested on August 16 and yielded over 1,000 pounds of healthy, golden wheat.[17]

Tree Mountain-a living time capsule 1996, Ylöjärvi, Finland[18][19][20]

Tree Mountain in the winter

A monumental earthwork reclamation project and the first man-made virgin forest, situated in Ylöjärvi, Western Finland. The site was dedicated by the President of Finland upon its completion in 1996 and is legally protected for the next four hundred years.

A Forest for Australia reforestation of Red Gum, She Oak, and Paperbark trees in Melbourne Australia 1998[21][22][23]

6000 trees of an endangered species with varying heights at maturity were planted into five spirals by the artist, creating a step pyramid for each spiral when the trees are fullgrown. The trees help alleviate serious land erosion and desertification threatening Australia.

Nieuwe Hollandse Waterlinie Master Plan, 2000

A 25-year master plan to unite a 100 kilometer-long string of forts dating from the sixteenth to the nineteenth centuries. Incorporating water and flood management, urban planning, historical preservation, landscaping, and tourism into a single plan.

North Waterfront Park Masterplan, Berkeley, California, 1988-91. Site plan and art concept.[24]

A conceptual master plan was developed for the conversion of a 97-acre municipal landfill, surrounded by water on three sides in the San Francisco Bay, into an oasis for people and nature.

The Living Pyramid, Socrates Sculpture Park, Long Island City, NY, 2015.[25]

The Living Pyramid, Agnes Denes, documenta 14, Kassel, Nordstadtpark

One in a series of large earth sculptures, The Living Pyramid, was the first land art work by the artist in New York City in over 3 decades. Commission by the Socrates Sculpture Park, it was on view from May through October 2015, and recreated in 2017 for documenta 14 in Kassel, Germany.

Beginning in 1968, she began an intensive exploration of philosophy through art. The result was, according to Jill Hartz of Cornell University, "an amazing body of work, distinguished by its intellectual rigor, aesthetic beauty, conceptual analysis, and environmental concern."[8]

• Paradox and Essence (Philosophical Drawings), 1976, Published by Tau/ma Press, Rome, Italy, in English and Italian. Edition of 200; 60 pages[26]
• Sculptures of the Mind, 1976, Published by the University of Akron Press, Akron, Ohio. Edition of 1,000, 250 signed and numbered; 50 pages[27]
• Isometric Systems in Isotropic Space: Map Projections (from the Study of Distortions Series, 1973-1979), 1979. Published by Visual Studies Workshop Press, Rochester, New York. Edition of 200 hardback copies in silver foil, signed and numbered by the artist; edition of 600 in paperback; 100 pages, color and black and white throughout, 29 original drawings specially created for the book, 22 transparent pages.[28]
• Original drawings for Isometric Systems, from the Museum of Modern Art Collection
• Early Philosophical Drawings, Monoprints, and Sculpture 1970-1973[29]

• Sculptures of the Mind 1968-2012[30]

• See three titles under Visual Philosophy, above.
• Book of Dust: The Beginning and the End of Time and Thereafter, 1989 Visual Studies Workshop Press, Rochester, New York. Edition of 1,100 of which 200 are signed with an original artwork. Insert ("The Debate - 1 Million B.C. - 1 Million A.D.); 200 pages, 16 full-page duotones
• The Human Argument, 2008 Spring Publications, Putnam, Connecticut.[31]
• Poetry Walk—Reflections: Pools of Thought, 2000 Charlottesville, Va.: University of Virginia Art Museum.