Alan Warner

Warner's father was a Yorkshireman who served in World War Two. His parents were in their forties when he was born, and ran a coal delivery business in Mull, a shop in Kilchoan, and a small hotel in Oban, before in 1963 buying the 42-bedroom Marine Hotel, close to Oban ferry terminal.[1]

He attended Oban High School,[2] and his interest in reading was sparked when he was fifteen, after he bought three novels whose covers suggested stories with a sexual dimension: Charles Webb's The Graduate, André Gide's The Immoralist and Albert Camus' The Outsider. He explained in an interview with the Scottish Review of Books in 2011: "I had presumed novels were an art form which only happened elsewhere and had died out in Scotland around the time of Walter Scott. What a very curious but genuine assumption. On the other hand, I could argue this was because local bookshops were stuffed with Scott and not a single work of modern Scottish literature."

After moving to London, he studied at Ealing College. On his return to Scotland he studied at Glasgow University, where he wrote a dissertation on Joseph Conrad and the theme of suicide. He then spent some time participating in the Spanish rave scene, before working in Scotland as a train driver, musician, bouncer and barman.[3]

Warner's debut novel, the acclaimed Morvern Callar (1995), won a Somerset Maugham Award. It was followed by These Demented Lands (1997), which won the Encore Award. His third novel The Sopranos (1998) won the Saltire Society's Scottish Book of the Year Award.[4]

Since then he has published The Man Who Walks (2002), an imaginative and surreal black comedy; The Worms Can Carry Me to Heaven (2006), which imagines the reminiscences of a sickly Spanish playboy;The Stars in the Bright Sky (2010), a sequel to The Sopranos; The Deadman's Pedal (2012), a coming-of-age novel set in 1973-4; and Their Lips Talk of Mischief (2015), a comedy about two aspiring writers in Thatcher's Britain.

His novella 'After the Vision' appeared in the anthology Children of Albion Rovers (1997), and his short story 'Bitter Salvage' was included in Disco Biscuits (1997), an anthology edited by Sarah Champion.

Morvern Callar has been adapted as a film, directed by Lynne Ramsay. The Sopranos has been adapted for the screen by Alan Sharp and Michael Caton-Jones. Released under the title Our Ladies in 2019, it was directed by Caton-Jones.

A play by Lee Hall, Our Ladies of Perpetual Succour, was based on The Sopranos and premiered in 2015, directed by Vicky Featherstone and featuring live songs.

Warner's first three novels all won awards, notably a Somerset Maugham Award. In 2003, he was named by Granta magazine as one of twenty 'Best of Young British Novelists'. In 2010, his novel The Stars in the Bright Sky was included in the longlist for the Man Booker Prize. In 2013, he was awarded the James Tait Black Memorial Prize for his novel The Deadman's Pedal.

Alan Warner's novels are mostly set in "The Port", a place bearing some resemblance to Oban. He is known to appreciate 1970s Krautrock band Can; two of his books feature dedications to former band members (Morvern Callar to Holger Czukay and The Man Who Walks to Michael Karoli), and Warner has published a book about their album Tago Mago.[5]

Warner currently splits his time between Dublin and Javea, Spain, and was the Writer-in-Residence at the University of Edinburgh in 2016.[6]

He was a member of the jury for the 2016 Scotiabank Giller Prize. As of 2019 he is senior lecturer in creative writing at the University of Aberdeen.[7]