Alice Lok Cahana

Alice Lok Cahana was born in Sárvár, Hungary in 1929. She first learned to draw in a Jewish high school (Jewish students were forbidden to attend public schools at the time). In 1944 she and her entire family were transported to Auschwitz as part of the massive deportation of Hungarian Jews.[4]

While interning at Guben concentration camp, Lok Cahana made her first work of art in response to the Nazis mandating the children to decorate the barracks for Christmas. In an interview with an art historian, Lok Cahana explained, "There were no paper or pencils to make decorations; we practically had nothing except one broom to sweep the floor with. We were about 24 children in our barrack. I decided we should choreograph ourselves into a living candelabra and hold the pieces of the broom as a part of this sculpture. We won a prize – each of us a little can of snails."[5]

Lok Cahana was liberated from Bergen-Belsen on April 15, 1945, where she was one of few who survived. After the war, she lived in Sweden from 1952 to 1957 before immigrating to the United States. In 1959, she settled in Houston, Texas.[3]

Lok Cahana's formal art education began once she settled in Houston. She studied at the University of Houston and at Rice University, where color field painting was the dominant style. Her exposure to the works of Helen Frankenthaler, Morris Louis, and Kenneth Noland, color field painters collected by the Museum of Fine Arts, Houston, all contributed to the development of her mature style.[3] When Lok Cahana initially came to America she "wanted to paint like this wonderful country, all bright colors, all happiness. I wanted everything smooth and seamless."[6] But in 1978 she made the pivotal decision to return to Hungary and visit her birthplace where nothing remained of the Jewish community she had known. That there was no memorial to the vast numbers of Jews who had once played an important social, cultural, and economic role in Hungarian society, who had been dragged from their homes and sent to Nazi death camps, shocked her to the point that she felt she could no longer paint abstractions.[7]

After her return from Hungary Lok Cahana began to create work through a new kind of mark-making, employing collage, along with an abstract visual language that could more directly express her memorial to the dead. She believed that her work had to be about the transcendence of the human spirit, the triumph of human spirituality over inhuman evil.

In an effort to make certain that no one could explain her imagery as simply fantasies of an artistic imagination she used literal photographs and documents: factual evidence that could not be disputed. It was during this period that she created a series dedicated to Raoul Wallenberg, the Swedish diplomat who handed out fake passports to Jews targeted for the death camps, saving more than 20,000 people, including Lok Cahana's father.[6] Some of these faded passports were incorporated into the series as collage elements.

Additional works include newspaper clippings, photographs, pages from her mother's prayer book, and yellow stars. The "surface of her carefully structured compositions are subject to various processes: burned, scratched, stained with blood red pigment; the images are grafted, buried, partially eaten away."[7]

In 2006, her piece No Names was added to the Vatican Museum's Collection of Modern Religious Art and since then is on permanent display at the museum in Rome, Italy.[8] Her work appears in multiple prestigious museum collections around the world including Yad Vashem, the United States Holocaust Memorial Museum, the Skirball Museum at Los Angeles: Hebrew Union College, and the Center for Holocaust and Genocide Studies at the University of Minnesota.

Lok Cahana was one of five Hungarian Holocaust survivors whose story was featured in the Steven Spielberg 1999 Academy Award-winning documentary movie, The Last Days.[9] Her writing was featured in "The Best Spiritual Writing 2011" and [10] she is also featured in Auschwitz: The Nazis and the Final Solution.

She was photographed in her studio for New York photographer Mark Seliger's book and exhibition "When They Came to Take My Father" [11] and was also written about in Michael Berenbaum's book "A Promise To Remember" as well as in the writings of art critic Barbara Rose.

Lok Cahana married Rabbi Moshe Cahana in Israel. They emigrated to Sweden where their first son, Rabbi Ronnie Cahana, was born. They finally settled in Houston where their two children, Michael and Rina, were born.[12] Michael has served as the Senior Rabbi at Congregation Beth Israel in Portland, Oregon, since 2006.

• "Alice Lok Cahana [Homage to Raoul Wallenberg (mixed media, 1984-85) plus description, background and links to other works by the artist]" (Digitized art plus information from and about the artists). Collection: Feinstein Digital Gallery | Center for Holocaust and Genocide Studies | College of Liberal Arts. Minneapolis, Minnesota, USA: University of Minnesota. Retrieved 23 February 2019. Raoul Wallenberg was a Swedish diplomat, who led one of the most extensive and successful rescue efforts saving thousands of Hungarian Jews in 1944.... In 1978 Cahana had returned to Hungary and was saddened by the lack of a memorial to the murdered Jews, it was then she decided to paint in memoriam focused on Raoul Wallenberg, who she saw as a positive image against the horror of her own.
  • The above is part of: "Collections & Exhibitions". Center for Holocaust and Genocide Studies | College of Liberal Arts. University of Minnesota. Retrieved 23 February 2019.

• Alice Lok Cahana - official site