Alma Francis

Alma Lenore Frances[lower-alpha 1] was born October 15, 1890 in Portland, Oregon to William and Alma Ray Francis (née Wilson).[3] Both her maternal and paternal ancestors were Scottish pioneers, and her father was a mining engineer originally from Chicago who founded the St. Johns Lumber Company in Portland.[4] She was educated at St. Helens Hall in Portland, and later studied piano in San Francisco under Emlyn Lewys, and operatic voice with Abbie Carrington.[3]

Francis began her career in theater, appearing on Broadway in the chorus line of a Lulu Glaser production.[5] She had first substantial role as Serpolette Pochet in the original 1911 production of The Pink Lady.[6] She subsequently performed the supporting role of Angele in a Washington, D.C. production of The Pink Lady in December 1911.[7] She also appeared in Glen MacDonough's production of Eva[8] in 1912 (produced by A.L. Erlanger[9]), and in 1913's musical comedy The Little Cafe.[10] A review of Francis's performance in The Little Cafe published in the Brooklyn Eagle was critical of her performance, noting "the kindest thing to say is that she must have been suffering from a severe case of stage fright."[11] In 1917, Francis inherited a substantial fortune from a distant relative in California, and used the money to invest in a fruit ranch in Santa Ana.[5]

In April 1919, it was reported in the Los Angeles Times that Francis had married actor Robert Gordon in March that year in Los Angeles.[12] Francis again made headlines in December 1919 for being one of the first stage actresses in the United States to gain the right to vote.[5][13] She also performed as a dancer at the Waldorf–Astoria for the Metropolitan Opera Club in the spring of 1920.[14]

Francis in June 1920

After appearing onstage for numerous years, Francis had a brief career in Hollywood, appearing in several films during the silent era for Fox Film Corporation.[3] Among them were the horror film The Wolf Man (1924), in which she starred opposite John Gilbert and Norma Shearer,[15] and Love Letters (also 1924), co-starring with Shirley Mason.[3] In June 1922, Francis appeared on radio in San Francisco, performing songs from the musical So Long Letty.[16]

After her role in Love Letters, Fox loaned Francis out to appear in a stage production of The Mission Play in Alhambra, California,[17] which she starred in for three years under directors John S. McGroarty[17] and Tyrone Power Sr.[3]

Francis toured the opera circuit in Italy in the late-1920s through the early-1930s, appearing as the lead soprano in productions of La bohème, Faust, Madama Butterfly, and Pagliacci.[3]

After returning to the United States in 1934, Francis married Nelson Kenneth Fields, a United States Forest Service ranger, and resided with him on a berry farm west of Sandy, Oregon.[3] She spent her later life teaching singing in Portland and in her private home studio, known by some locals as "The Little Milan."[3] She was an advocate of the arts in the Portland area, and was a member of various local musical organizations, including the Oregon Music Teachers Association, Progressive Music Teachers, and the Mozart Club.[3] She served as the president of the Sandy Music Club for Oregon Federation of Music Clubs.[3][18]