An Unearthly Child

In December 1962, BBC Television's Controller of Programmes Donald Baverstock informed Head of Drama Sydney Newman of a gap in the schedule on Saturday evenings between the sports showcase Grandstand and the pop music programme Juke Box Jury. Baverstock figured that the programme should appeal to three audiences: children who had previously been accustomed to viewing television during the timeslot, the teenage audience of Juke Box Jury, and the adult sports fan audience of Grandstand.[2] Newman decided that a science fiction programme should fill the gap.[3] Head of the Script Department Donald Wilson and writer C.E. Webber contributed heavily to the formatting of the programme, and co-wrote the programme's first format document with Newman;[4] the latter conceived the idea of a time machine larger on the inside than the outside, as well as the central character of the mysterious "Doctor", and the name Doctor Who.[5][lower-alpha 1] Production was initiated several months later and handed to producer Verity Lambert—the BBC's first female producer—and story editor David Whitaker to oversee, after a brief period when the show had been handled by a "caretaker" producer, Rex Tucker.[5]

Carole Ann Ford in 1986

William Russell in 1998

Ford was chosen to portray the Doctor's granddaughter Susan Foreman, while Russell plays her teacher Ian Chesterton.

In Webber's original production documents, the character of the Doctor (referred to as "Dr. Who") was a suspicious and malign character who hated scientists and inventors, and had a secret intention to destroy or nullify the future; Newman rejected this idea, wanting the character to be a father figure.[7] Tucker offered the role of the Doctor to Hugh David; having spent a year working on Knight Errant Limited and not wanting to be tied to another series, David turned down the role.[8] Tucker envisioned a young actor to play the Doctor with aged make-up; however, Lambert favoured an older actor to avoid preparation time and add authenticity to the role. The part was turned down by actors Leslie French, Cyril Cusack, Alan Webb and Geoffrey Bayldon; Cusack and Webb were reluctant to work for a year on a series, while Bayldon wished to avoid another "old man" role.[9] Lambert and director Waris Hussein invited William Hartnell to play the role; after several discussions, Hartnell accepted, viewing it as an opportunity to take his career in a new direction.[10]

The Doctor's companion was originally named Bridget or "Biddy", a 15-year-old girl eager for life. Her teachers were Miss Lola McGovern, a 24-year-old timid woman capable of sudden courage, and Cliff, a "physically perfect, strong and courageous" man.[5] Bridget was renamed Suzan/Suzanne Foreman, later changed to Susan, and writer Anthony Coburn made her the Doctor's granddaughter to avoid any possibility of sexual impropriety implicit in having a young girl travelling with an older man; Newman was reluctant about the idea, as he wanted the character to have human naivety.[11] Miss McGovern later became history teacher Miss Canning, and Susan's birth name briefly became "Findooclare".[12] When the show's bible was written, the two teachers were renamed Ian Chesterton and Barbara Wright.[13] Chesterton was much more violent in earlier drafts of the script.[14] William Russell was chosen to portray Ian, being the only actor considered by Lambert to do so.[15] Tucker held auditions for the roles of Susan and Barbara on 25 June 1963; actresses Christa Bergmann, Anne Castaldini, Maureen Crombie, Heather Fleming, Camilla Hasse, Waveney Lee, Anna Palk and Anneke Wills were all considered for the role of Susan, while Sally Home, Phyllida Law and Penelope Lee were considered for Barbara.[16] Following Tucker's departure from production, Lambert was in talks with actress Jacqueline Lenya to play Susan, but the role was ultimately given to Carole Ann Ford, a 23-year-old who typically played younger roles.[17] Lambert's friend Jacqueline Hill was chosen to play Barbara.[18]

The programme was originally intended to open with a serial entitled The Giants, written by Webber,[19] but was scrapped by June 1963 as the technical requirements of the storyline—which involved the leading characters being drastically reduced in size—were beyond their capabilities, and the story itself lacked the necessary impact for an opener. Due to the lack of scripts ready for production, the untitled second serial from Coburn was moved to first in the running order.[20] The order change necessitated rewriting the opening episode of Coburn's script to include some introductory elements of Webber's script for the first episode of The Giants; as a result, Webber received a co-writer's credit for "An Unearthly Child" on internal BBC documentation.[21] Coburn also made several significant original contributions to the opening episode, mostly notably that the Doctor's time machine should resemble a police box, an idea he conceived after seeing a real police box while walking near his office.[21]

William Hartnell and Carole Ann Ford in the original recording of the first episode, which was later scrapped due to technical issues. Several changes were made before the final recording, including the character's costumes and mannerisms; the Doctor's suit and tie was replaced with an Edwardian outfit, and he became more affectionate towards Susan.[22]

The show remained unnamed in April 1963, simply referred to as The Saturday Serial. It was provisionally scheduled to begin recording on 5 July, to be aired on 27 July, but was delayed.[23] A pilot recording was scheduled to begin filming on 19 July; if successful, it could be broadcast on 24 August.[24] Production was later deferred for a further two weeks while scripts were prepared, and the recording on 19 July was rescheduled as a test session for the dematerialisation effect of the TARDIS.[25] The show's initial broadcast date was pushed back to 9 November, with the pilot recording scheduled for 27 September and regular episodes made from 18 October;[26] the broadcast date was soon pushed back a week to 16 November, due to the BBC's athletics coverage on 9 November,[27] and later to 23 November.[28] The show was granted a budget of £2,300 per episode (equivalent to £48,500 in 2019), with an additional £500 for the construction of the TARDIS (equivalent to £10,500 in 2019).[29]

Tucker was originally selected as the serial's director, but the task was assigned to Hussein following Tucker's departure from production.[21] Some of the pre-filmed inserts for the serial, shot at Ealing Studios in September and October 1963,[30] were directed by Hussein's production assistant Douglas Camfield.[31] The first version of the opening episode was recorded at Lime Grove Studios on the evening of 27 September 1963, following a week of rehearsals. However, the recording was bedevilled with technical errors, including the doors leading into the TARDIS control room failing to close properly. After viewing the episode, Newman ordered that it be mounted again. During the weeks between the two tapings, changes were made to costuming, effects, performances, and scripts.[22][lower-alpha 2] The second attempt at the opening episode was recorded on 18 October, with the following three episodes being recorded weekly from 25 October to 8 November.[21]

The first episode was transmitted at 5:16 p.m. on Saturday 23 November 1963. The assassination of American President John F. Kennedy the previous day overshadowed the launch of a new television series;[37] as a result, the first episode was repeated a week later, on 30 November, preceding the second episode.[37] The first episode was watched by 4.4 million viewers (9.1% of the viewing audience), and it received a score of 63 on the Appreciation Index;[37] the repeat of the first episode reached a larger audience of six million viewers.[32] Across its four episodes, An Unearthly Child was watched by an average of 6 million (12.3% of potential viewers).[37] Episodes 2–4 achieved ratings of 5.9, 6.9 and 5.4 million viewers, respectively.[32] Mark Bould suggests that a disappointing audience reaction and high production costs prompted the BBC's chief of programmes to cancel the series until the Daleks, introduced in the second serial in December 1963, were immediately popular with viewers.[38]

The serial has been repeated twice on the BBC: on BBC2 in November 1981, as part of the repeat season The Five Faces of Doctor Who, achieving average audience figures of 4.3 million viewers;[lower-alpha 3] and on BBC Four as part of the show's 50th anniversary on 21 November 2013, achieving an average of 630,000 viewers.[lower-alpha 4]

The serial received mixed reviews from television critics. Michael Gower of the Daily Mail wrote a short favourable review of the first episode, claiming that the ending "must have delighted the hearts of the Telegoons who followed". A reviewer in the Daily Worker stated that they "intend following closely" to the show, describing the ending as "satisfying". Variety felt that the script "suffered from a glibness of characterisations which didn't carry the burden of belief", but praised the "effective camerawork", noting that the show "will impress if it decides to establish a firm base in realism". After the second episode, Mary Crozier of The Guardian was unimpressed by the serial, stating that it "has fallen off badly soon after getting underway". She felt that the first episode "got off the ground predictably, but there was little to thrill", while the second was "a depressing sequel ... wigs and furry pelts and clubs were all ludicrous". Conversely, Marjorie Norris of Television Today commented that if the show "keeps up the high standard of the first two episodes it will capture a much wider audience".[40]

Retrospective reviews are mostly positive towards An Unearthly Child. Referring to the serial while discussing the early years of Doctor Who in 1982, New Scientist's Peltu praised the script, acting and direction, but criticised the dated scenery.[35] In 2008, Radio Times reviewer Patrick Mulkern praised the casting of Hartnell, the "moody" direction and the "thrilling" race back to the TARDIS.[41] Christopher Bahn of The A.V. Club in 2010 labelled An Unearthly Child an essential serial to watch for background on the programme. In his review, he noted that the first episode is "brilliantly done; the next three together could be about a half-hour shorter but get the job done". He praised the characters of Ian, Barbara, and the mysterious Doctor, but noted that he was far from the character he would become and Susan was "something of a cipher" with the hope she would develop later.[1] In a 2006 review, DVD Talk's John Sinnott called the first episode "excellent", but felt the "story goes down hill a bit" with the introduction of the prehistoric time period. He cited the slower pace, the discussions in "Tarzan-speak", and the lack of tension or high stakes.[42]

Writer David Whitaker omitted An Unearthly Child from the first spin-off novelisation, Doctor Who in an Exciting Adventure with the Daleks (later retitled Doctor Who and the Daleks and Doctor Who - The Daleks), with Ian and Barbara's entrance into the TARDIS leading directly into an adaptation of the second televised serial, The Daleks. Historian James Chapman highlights this as a reason that, in an age before home video, many people believed the Dalek serial to be the first Doctor Who story because the novelisations published by Target Books were the "closest that fans had to the original programmes".[43][lower-alpha 5] Terrance Dicks wrote the Target novelisation of this story, initially published as Doctor Who and an Unearthly Child on 15 October 1981 with a cover by Andrew Skilleter. The release also received several translations worldwide.[lower-alpha 6] A verbatim transcript of the transmitted version of this serial, edited by John McElroy and titled The Tribe of Gum, was published by Titan Books in January 1988. It was the first in an intended series of Doctor Who script books.[45] In 1994, a phonecard with a photomontage of the episode was released by Jondar International Promotions.[46]

The story was originally released on VHS on 5 February 1990, with a cover designed by Alister Pearson. The unaired pilot was released as part of The Hartnell Years on 3 June 1991, and with Doctor Who: The Edge of Destruction and Dr Who: The Pilot Episode on 1 May 2000. A remastered version of the serial was also released on VHS on 4 September 2000; for the DVD release on 30 January 2006, the serial was released as part of Doctor Who: The Beginning alongside the following two serials, with several special features, including audio commentaries and comedy sketches.[47] It was also released in the US and Canada on 27 May 2014 as part of the Blu-ray set for An Adventure in Space and Time.[48]