Angela Palmer

Palmer was educated at George Watson's College in Edinburgh. She was a Thomson trainee at the Edinburgh Evening News. At the Ruskin School of Drawing and Fine Art, Oxford University she was awarded the Waugh Scholarship and won the Fitzgerald Prize.[1] She was also awarded the Thames and Hudson Prize at the Royal College of Art in London.[1] Palmer is also the daughter-in-law of Major General Sir Joseph Michael Palmer, former Defence Services Secretary.[1]

Palmer has developed a technique in which she uses MRI and CT scans to 'map' objects by drawing or engraving details onto multiple sheets of glass to create a layered 3D image which appears to float in a glass cube. For Brain of the Artist, 2012, (collection Scottish National Portrait Gallery), Palmer created a self-portrait using MRI scans of her brain, carried out at University College London.[2] "The result is a most unusual and highly objective form of portraiture with a powerful, poignant beauty ... which develops in a challenging way the concept of self-representation."[2] Using CT scans, Palmer also recreated an Egyptian child mummy in glass, which is on permanent display in the Ashmolean Museum. The sculpture is exhibited next to the actual mummy, allowing viewers to see details of the child as a three-dimensional drawing without disturbing its bandages. Using this method, Palmer has also created portraits of Carol Vorderman, the novelist Robert Harris (who based a character's oeuvre on Palmer's art in his book The Fear Index); the head of Eclipse, the world's most famous racehorse, and an endangered green turtle from Bermuda.[3][4][5]

Palmer developed this technique further by using NASA data from the Kepler Telescope to show its discovery of potentially habitable planets.[6] Her sculpture, Searching for Goldilocks, is in the permanent collection of The Smithsonian Air and Space Museum in Washington.

In collaboration with Renault Formula 1, Palmer deconstructed the world's most successful engine used by Sebastian Vettel in four consecutive world championships, to create a body of sculpture by dramatically upscaling its components. Palmer collaborated with Nick Mason of Pink Floyd, to make a sound and light installation, tracing a century of the evolution of the eight-cylinder engine.[7]

Using cross-sections, she also created the Rolls Royce 'Ghost' in glass to raise funds for Breast Cancer Care; it is currently in the Rolls Royce headquarters.[8]

In her most recent project, she created The Geological Spine of Great Britain, sourcing rocks from every geological period to present a unique three-billion-year walk through the history of our nation. To illustrate the most recent geological epoch, the Anthropocene, marking the impact of man, Palmer created a faceted, rock-like structure in highly polished stainless steel, allowing the viewer to see his own reflection.[9]

Palmer's work Beneath the Surface: Self Portrait based on MRI was selected for the 2019 Ruth Borchard Self Portrait Award exhibition.[10] Another of Palmer's self portraits was selected for the 2019 Scottish Portrait Awards touring exhibition.[11]

The Ghost Forest was a large-scale installation by Palmer in which she brought ten primary rainforest tree stumps from a commercially logged forest in Ghana to Trafalgar Square in November 2009. Palmer wanted to highlight the shocking rate of deforestation. She said "Today, a tropical forest the size of a football pitch is destroyed every four seconds, affecting climate, biodiversity and the livelihoods of indigenous people. The trees in the Ghost Forest – most of which fell naturally in storms – are intended to represent rainforest trees worldwide; the absence of their trunks is presented as a metaphor for the removal of the world's lungs caused through the loss of our forests."[12]

The installation was then exhibited outside the Danish Parliament building in Copenhagen during the UN Climate Change Conference; Oxford University's Museum of Natural History; and it is now in its permanent location at The National Botanic Garden of Wales. Kofi Annan, former Director General of the UN met the artist at the installation in Oxford and former First Lady of the United States, Michelle Obama arranged for pupils from her 'adopted' school, the Elizabeth Garrett Anderson School of North London to visit Palmer and The Ghost Forest during her official visit to Oxford University.^[6]