Antonio Abondio

Wax miniature of the King Henry of Valois

Born in Riva del Garda, he was learned by Leone Leoni and worked in Italy between 1552 and 1565. Thereafter he mainly worked for the Habsburgs, a few works were made for French and Polish kings. He moved to Vienna to the court of Emperor Maximilian I and after his death in 1576 to Prague. He travelled to France, Netherlands and Germany. His son Alessandro followed in his father's footsteps, also specializing in mythological and portrait reliefs, and marrying the widow of another court artist, Hans von Aachen. He died at Vienna in 1591.

Thirteen of Abondio's wax portraits survive, usually made on a round black slate base, decorated with tiny pearls and precious stones. He made about sixty portrait medals, with portrait on avers and allegory on reverse side, some of them have silver enamelled framing. He also made the dies for the first coinage of Emperor Rudolf II. Initially his style in metal followed that of Leone Leoni, for the facade of whose house in Milan (Casa degli Omenoni) he carved eight large atlantes in stone, but later included many other influences.

• George Francis Hill: Portrait Medals of Italian Artists of the Renaissance, London 1912, p. 72, 75
• Beket Bukovinská-Eliška Fučíková-Ivan P. Muchka: Die Kunst am Hofe Rudols II. Prag 1991, pp. 151, 155-156, 163.

Media related to Antonio Abondio at Wikimedia Commons

• Two medals from the Metropolitan
• Abondio medal, NGA Washington
• European sculpture and metalwork, a collection catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Abondio (see index)