Archeological Museum of Seville

The Archeological Museum of Seville (Spanish: Museo Arqueológico de Sevilla) is a museum in Seville, southern Spain, housed in the Pabellón del Renacimiento, one of the pavilions designed by the architect Aníbal González. These pavilions at the Plaza de España were created for the Ibero-American Exposition of 1929.

Archeological Museum of Seville
Museo Arqueológico de Sevilla
Established1879
LocationSeville, Spain
Coordinates37°22′15″N 5°59′14″W
TypeArchaeology museum
ArchitectAníbal González
OwnerGeneral State Administration

History

The institution was created via royal order issued on 21 November 1879.[1]

Following a move of the collection to the Pabellón del Renacimiento started in 1942, 8 exhibition rooms were opened in the new premises on 25 May 1946.[2]

Collection

The museum's basement houses the El Carambolo treasure, discovered in Camas (3 km NW of Seville) in 1958. The treasure comprises 2950 grams of 24 carat gold and consists of golden bracelets, a golden chain with pendant, buckles, belt- and forehead plates. The hoard, initially associated to Tartessos, has been however interpreted since the 1990s rather as part of a Phoenician sanctuary; this later hypothesis was verified by new archaeological digs in the 2000s.[3] The treasure includes a small figurine of Astarte, a Phoenician goddess.

Other halls of the museum contain findings from the Roman era, many of which are from the nearby Roman city of Itálica. The Itálica exhibits include mosaics, statues (including the famous Venus of Itálica), and busts of the emperors Augustus, Vespasianus, Trajan and Hadrian. Another of the iconic sculptural items of the collection is the Seated Marriage of Orippo, donated by the Marquise of Esquivel in 1944.[4]

  • Valencina idol-plaque (3000–2100 BC)[5]
  • The so-called "Bronze Carriazo"[6]
  • Venus from Italica (117 AD)[7]

References
  1. Beltrán Fortes, José; López Rodríguez, José (2012). "Historia de las colecciones del Museo Arqueológico de Sevilla (España)" (PDF). Horti Hesperidum. Studi di storia del collezionismo e della storiografia artística. 2 (1): 95.
  2. Navarro Ortega, Ana D.; San Martín Montilla, Concepción; Camacho Moreno, Manuel (2017). "Museo Arqueológico de Sevilla (1879-2017): 138 años de historia y algunos más" (PDF). Boletín del Museo Arqueológico Nacional. Madrid: Museo Arqueológico Nacional. 35: 445–446. ISSN 2341-3409.
  3. Escacena Carrasco, José Luis; Amores Carredano, Fernando J. de (2011). "Revestidos como Dios manda. El tesoro del Carambolo como ajuar de consagración" (PDF). SPAL. Seville: Universidad de Sevilla. 20: 107–141.
  4. Camacho, Manuel (2009). "El matrimonio sedente de Orippo" (PDF). Revista de los Museos de Andalucía. 7 (11): 149.
  5. "Obras singulares 1de4". Consejería de Cultura y Patrimonio Histórico. Junta de Andalucía.
  6. Jiménez Ávila, Francisco Javier; Mederos Martín, Alfredo (2020). "Dos bocados de bronce Hispano-Fenicios en el Metropolitan Museum of Art (New York): En torno a la funcionalidad e iconografía del Bronce Carriazo". 85. Salamanca: Universidad de Salamanca: 54, 59. doi:10.14201/zephyrus2020855378. ISSN 0514-7336. Cite journal requires |journal= (help)
  7. "Obras singulares 2de4". Consejería de Cultura y Patrimonio Histórico. Junta de Andalucía.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.