Armando Bó

Bó and Isabel Sarli in Una mariposa en la noche, 1976.

Bó began acting for film in 1939 in Ambición and made some 50 film appearances as an actor, but by the late 1940s he had already taken up an interest in film production and began as a director, producer, actor, and screenwriter in the early 1950s. He was involved in almost 100 different films during his career.

In June 1956, he met Isabel Sarli on a television show. He later offered her the opportunity to star in El trueno entre las hojas (Thunder in the Leaves). Bo convinced Sarli to be naked in a scene in which she bathed in a lake, though she had previously been told she would wear a flesh-colored body stocking. The film became the first to feature full frontal nudity in Argentine cinema. Bo and Sarli became lovers and she became the primary star of his films until his death in 1981.

Their films were controversial at the time and most of them were banned, but this ban led them to be even more successful. Films like Fuego (1969) and Fiebre (1970) reached the American and European markets. The banning of Fuego led to them moving into exile.[1]

He was married to Teresa Machinandiarena, and had three children: María Inés, María Jesús, and Víctor. His son, Víctor Bó, was a prominent actor in Argentina during the 70s and 80s. His grandsons are Academy Award winners Nicolás Giacobone and Armando Bó Jr., credited as Armando Bó.

Renowned filmmaker John Waters has claimed to be a big fan of Bó's filmography, and to have been influenced by it as well.[2][3] Waters presented Bó's 1969 cult film Fuego as his annual selection within the 2002 Maryland Film Festival, and it was also a featured film in episode three of the Here! network original series John Waters Presents Movies That Will Corrupt You.

• Armando Bó at IMDb