Asharikandi

Some terracotta and pottery products of Asharikandi craft village

It is said that the name Asharikandi was derived from the combination of two words ASHAR and KANDI. ASHAR or AXAR is the third month in Assamese Calendar and KANDI (Assamese term) means 'shedding tears'. During ASHAR, heavy sub-tropical rainfall creates flood in this low-lying area, which causes the dwellers of this place to shed tears out of misery. Especially the potters suffer a lot. Because they cannot make, dry up, burn their products and even cannot store safely their earlier produced items during the rainy season. But they selected the place due to some economically viable factors like the availability of raw materials, cheaper transportation facility, important strategic location, etc. The soil HIRAMATI is the soul of this craft. There are huge reserves of HIRAMATI in surrounding areas and the potters use the cheapest means of transport like boat as the village is just on the bank of the river Gadadhar, a tributary of the mighty Brahmaputra. For the purpose of selling the products, both the surface transport and water transport are availed. The closeness of the village to Brahmaputra has given a great an advantage for shipping network with the major cities.

The village is situated at . It has an average elevation of 26 meters (85 feet). The river Gadadhar is flowing next to the village.[6]

Originally, in early 19th century, a cluster of families of pottery community migrated from East Bengal (now Bangladesh) to Asharikandi and maintained their profession with innovation. Thus the Assamese terracotta art and culture took its birth at Asharikandi through a few cluster of pottery families. Today more than 80% families of this village are engaged in this ethnic art (handicraft) and pass their life after selling the terracotta items in the national and international markets.[7] Traditionally most of these families belong to 'Paul' community of Bengali ethnicity. In Assam 'Paul' means Kumar (that is, potter). These days Dhubri district has acquired a pivotal position in the terracotta and pottery markets in India and abroad.

Among the numerous artisans of Asharikandi cluster, late Sarala Bala Devi, who bagged the national award on Terracotta craft in 1982 for her innovative masterpiece - HATIMA doll, a lovely female figure with a child on her lap - brought name and fame to the craft village. Dhirendra Nath Paul, a son of Sarala Bala Devi, is nationally and internationally acclaimed master craftsman on Terracotta. Mahadev Paul is one of the senior craftsmen of this cluster. He begged state award on Terracotta for his excellent masterpiece Ganesh. Gokul Paul and Ashwini Paul are some young upcoming talents of this cluster.[5]

Considering the tourism potential of this craft village, the Government of Assam has declared the village as a model village and brought under its rural tourism projects. NECARDO (North East Craft And Rural Development Organisation), an NGO, has been working for the revival of the craft and socio-economic development of the craftpersons. NECARDO is also implementing a United Nations Development Project (UNDP) for the promotion of terracotta art and culture since 2006.[2]

• A Booklet by NECARDO & DRDA Dhubri