Ballet Hispanico

Ballet Hispánico is an American dance company based in Manhattan, New York. It was founded by the Puerto Rican/Mexican-American dancer and choreographer Tina Ramirez in 1970 and presents dances reflecting the experience of Hispanic and Latino Americans. It describes itself as "the foremost dance representative of Hispanic culture in the United States."[1]

The space is in the former Claremont Riding Academy stables on West 89th Street that is on the National Register of Historic Places

The company has performed for more than two million people in the United States, Europe, and South America, and has a repertoire of over 75 works.[2] The company has commissioned nearly 80 works and acquired 11 others, working with 45 choreographers from around the world.[3]

About

Tina Ramirez founded Ballet Hispánico in 1970. Ms. Ramirez, daughter of a Mexican bullfighter and grand-niece of a Puerto Rican educator, enjoyed a long professional dance career before establishing the organization. Its New York City headquarters include six dance studios.

In August 2009, Ballet Hispánico welcomed Eduardo Vilaro as its Artistic Director. A former member of the Ballet Hispánico Company, Vilaro founded and led Chicago’s Luna Negra Dance Theater for ten years.

The Company

Ramirez' vision for the Ballet Hispánico Company gave contemporary Hispanic culture its place in American dance, much as Alvin Ailey did for the Black community.[4] During her 39 years as Artistic Director, she invited 50 choreographers from diverse backgrounds to provide a modern-day interpretation of Spanish-speaking cultures, drawing on the versatility of her dancers in ballet, modern dance, jazz, ethnic and other dance techniques.[5] World-renowned artists responded to her vision, including ballet artists as Vicente Nebrada and Alberto Alonso; Talley Beatty and Anna Sokolow from modern dance; Paco Fernandez and Jose Coronado from ethnic dance; and Graciela Daniele and Ann Reinking from Broadway. "More than most artistic directors, she has consistently given exposure to fresh talent,"[6] nurturing artists early in their careers, including William Whitener, now Artistic Director of Kansas City Ballet; MacArthur Award-Winner Susan Marshall; Ramon Oller, head of Spain's Metros Danza; and Pedro Ruiz, then a member of the Company, now an independent choreographer.

School of Dance

The School of Dance offers a curriculum including flamenco and classic Spanish dance as well as ballet and contemporary techniques. The School offers pre-professional training, a general program, and classes for pre-schoolers and adults.

Location

In 1983, Ballet Hispánico purchased two carriage houses adjacent to the former Claremont Riding Academy building on West 89th Street listed on the National Register of Historic Places. The structures were built to designs by architect Frank A. Rooke in 1892. With architects Buck/Cane, Ballet Hispánico converted the two carriage houses into the company's headquarters in 1989.[7] A subsequent expansion in 2006 doubled the capacity of the organization's facilities.

References

"Home - Ballet Hispanico". www.ballethispanico.org. Archived from the original on 2009-03-22. Retrieved 2009-03-09.
"Danza Ballet - La danza y el ballet". Danza Ballet. Archived from the original on 2012-10-21. Retrieved 2009-03-09.
"Ballet Hispanico". www.ballethispanico.org.
Dunning, Jennifer. "Making the Spirit Go A-Leaping." The New York Times, December 8, 2000.
Kisselgoff, Anna. "Flying High, From Flamenco to Jazz." The New York Times, October 13, 1997.
Kisselgoff, Anna. "A Simpatico Connection for Two Genres." The New York Times, December 3, 1998.
Donald Martin Reynolds (1994). The Architecture of New York City: Histories and Views of Important Structures, Sites, and Symbols. (Rev. ed.). New York: John Wiley & Sons. p. 193. ISBN 0-471-36900-4. ISBN 0-471-01439-7.

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[1] "Home - Ballet Hispanico". www.ballethispanico.org. Archived from the original on 2009-03-22. Retrieved 2009-03-09.

[2] "Danza Ballet - La danza y el ballet". Danza Ballet. Archived from the original on 2012-10-21. Retrieved 2009-03-09.

[3] "Ballet Hispanico". www.ballethispanico.org.

[4] Dunning, Jennifer. "Making the Spirit Go A-Leaping." The New York Times, December 8, 2000.

[5] Kisselgoff, Anna. "Flying High, From Flamenco to Jazz." The New York Times, October 13, 1997.

[6] Kisselgoff, Anna. "A Simpatico Connection for Two Genres." The New York Times, December 3, 1998.

[7] Donald Martin Reynolds (1994). The Architecture of New York City: Histories and Views of Important Structures, Sites, and Symbols. (Rev. ed.). New York: John Wiley & Sons. p. 193. ISBN 0-471-36900-4. ISBN 0-471-01439-7.

Ballet companies
Africa	Cairo Opera Ballet Company Cape Town City Ballet
Asia	Ballet Manila Ballet Philippines Guangzhou Ballet Gwangju City Ballet Hong Kong Ballet Iranian National Ballet Company Israel Ballet K-ballet Korea National Ballet National Ballet of China New National Theatre Tokyo Philippine Ballet Theatre Seoul Ballet Theatre Shanghai Ballet Company Singapore Dance Theatre State Ballet of Georgia Tokyo Ballet Universal Ballet
Europe	Ballet Cymru Ballet Ireland Ballet Romand Ballet Zürich Les Ballets Persans Ballets Russes Barcelona Ballet Bayerisches Staatsballett Béjart Ballet Berlin State Ballet Birmingham Royal Ballet Bolshoi Ballet Cork City Ballet Royal Danish Ballet Donetsk Ballet Dutch National Ballet Eifman Ballet English National Ballet Finnish National Ballet Sukhishvili Georgian National Ballet Greek National Opera Hamburg Ballet Hungarian National Ballet Kiev Ballet La Scala Theatre Ballet Mariinsky Ballet Mikhailovsky Theatre Ballet National Opera and Ballet Theatre of Moldova The Monte-Carlo Ballet National Opera and Ballet of Bulgaria Northern Ballet Norwegian National Opera and Ballet Novosibirsk Theatre Ballet Original Ballet Russe Paris Opera Ballet Perm Theatre Ballet Polish National Ballet National Ballet of Portugal The Royal Ballet Rambert Dance Company Russian State Ballet of Siberia Saint Petersburg Ballet Theatre Scottish Ballet Spanish National Dance Company Stanislavski Ballet Stuttgart Ballet Royal Swedish Ballet Théâtre du Silence Turkish State Opera and Ballet Vienna State Ballet
North America	Alabama Ballet Alberta Ballet Company Alexandra Ballet Alonzo King LINES Ballet American Ballet Theatre American Midwest Ballet American Repertory Ballet Anaheim Ballet Aspen Santa Fe Ballet Atlanta Ballet Atlanta Festival Ballet Ballet Arizona Ballet Austin Ballet BC Ballet Des Moines Ballet Fantastique Ballet Hispanico Ballet Magnificat! Ballet Memphis BalletMet Ballet Minnesota Ballet Nouveau Colorado Ballet Quad Cities Ballet San Jose Ballet Theatre of Maryland Les Ballets Trockadero de Monte Carlo Ballet West Ballez Bay Pointe Ballet Boston Ballet Les Grands Ballets Canadiens California Riverside Ballet Carolina Ballet Charlotte Ballet Chicago Ballet Chicago Festival Ballet Cincinnati Ballet Cleveland Ballet (1935 · 1972 · 2014) Colorado Ballet Complexions Contemporary Ballet Cuban National Ballet Dance Theatre of Harlem Dayton Ballet Greensboro Ballet Houston Ballet Joffrey Ballet Kansas City Ballet Los Angeles Ballet Louisville Ballet Moscow Ballet (United States) National Ballet of Canada National Ballet Theater of Puerto Rico New Jersey Ballet New York City Ballet Oklahoma City Ballet Oregon Ballet Theatre Pacific Northwest Ballet Pennsylvania Ballet Pittsburgh Ballet Royal Winnipeg Ballet San Francisco Ballet The Washington Ballet Tulsa Ballet
Oceania	The Australian Ballet Ballet Theatre of Queensland Queensland Ballet Melbourne City Ballet Royal New Zealand Ballet West Australian Ballet
South America	Ballet Municipal de Lima Chilean National Ballet Colon Theater Ballet National Ballet of Uruguay

Dance companies in the United States
Ballet	Alabama Ballet Alameda Civic Ballet Alexandra Ballet Alonzo King LINES Ballet American Ballet Theatre American Repertory Ballet Anaheim Ballet Aspen Santa Fe Ballet Atlanta Ballet Atlanta Festival Ballet Ballet Arizona Ballet Austin Ballet Des Moines Ballet Fantastique Ballet Magnificat! Ballet Memphis BalletMet Ballet Minnesota Ballet Nouveau Colorado Ballet Quad Cities Ballet San Jose Ballet Theatre of Maryland Les Ballets Trockadero de Monte Carlo Ballet West Ballez Bay Area Houston Ballet and Theatre Bay Pointe Ballet Boston Ballet California Riverside Ballet Carolina Ballet Cedar Lake Charlotte Ballet Chicago Ballet Chicago Festival Ballet Cincinnati Ballet Cleveland Ballet Colorado Ballet Complexions Concert Ballet of Virginia Dance Theatre of Harlem Dayton Ballet Eugene Ballet Folsom Lake Civic Ballet Greensboro Ballet Gwinnett Ballet Theatre Houston Ballet James Sewell Ballet Joffrey Ballet Kansas City Ballet Los Angeles Ballet Louisville Ballet Miami City Ballet Morphoses Mystic Ballet National Ballet Theater of Puerto Rico New Jersey Ballet New York City Ballet Oklahoma City Ballet Oregon Ballet Theatre Pacific Northwest Ballet Pennsylvania Ballet Pittsburgh Ballet San Francisco Ballet Sarasota Ballet Suzanne Farrell Ballet Texas Ballet Theater Tulsa Ballet The Washington Ballet
Contemporary	Alvin Ailey American Dance Theater AXIS Dance Company Ballet Deviare Ballet Hispanico Bill T. Jones/Arnie Zane Dance Company Dayton Contemporary Dance Company Dominic Walsh Hubbard Street Lar Lubovitch Martha Graham Momix Paul Taylor The Philadelphia Dance Company Pilobolus Ririe-Woodbury sjDANCEco Urban Bush Women Whim W'Him
Other	Chicago Dance Crash Ensemble Español Spanish Dance Theater Ice Theatre of New York The LXD The Rockettes