Baron Wenckheim's Homecoming

In an interview with Asymptote, Krasznahorkai described the novel as a "cadenza" for his previous novels.[5] In an interview with The Paris Review, Krasznahorkai explained:[6]

I've said it a thousand times that I always wanted to write just one book. I wasn't satisfied with the first, and that's why I wrote the second. I wasn’t satisfied with the second, so I wrote the third, and so on. Now, with Baron, I can close this story. With this novel I can prove that I really wrote just one book in my life. This is the book—Satantango, Melancholy, War and War, and Baron. This is my one book.

As with Sátántangó, The Melancholy of Resistance, and War and War, Baron Wenckheim's Homecoming features a small Hungarian town which mirrors Krasznahorkai's hometown Gyula.[7]

Baron Béla Wenckheim, a 64-year-old Hungarian man, returns to his hometown after collecting a large gambling debt in Buenos Aires, Argentina, where he was living in exile. He hopes to reunite with his childhood sweetheart Marika. However, upon hearing of his coming arrival the townspeople believe Baron Wenckheim possesses great wealth which he will bequeath to the town.[7][8]

The novel employs an experimental structure, with pages-long sentences and unbroken paragraphs.[9]

The novel was published in Hungarian by Magvető in September 2016.[1] It was translated into English by Ottilie Mulzet and published on 24 September 2019 by New Directions Publishing.[10]

Publishers Weekly gave the novel a rave review, comparing it to Krasznahorkai's Sátántangó and writing, "This vortex of a novel compares neatly with Dostoevsky and shows Krasznahorkai at the absolute summit of his decades-long project."[11]

Kirkus Reviews gave the novel a positive review, writing, "A challenge for readers unused to endless sentences and unbroken paragraphs but worth the slog for its wealth of ideas."[9]

Writing for The Paris Review, Dustin Illingworth praised the novel, writing, "Baron Wenkcheim's Homecoming is a fitting capstone to Krasznahorkai's tetralogy, one of the supreme achievements of contemporary literature. Now seems as good a time as any to name him among our greatest living novelists."[6]

Andrew Singer of Trafika Europe, published in World Literature Today, gave the novel a mixed review, criticizing its prose structure and concluding, "there are even startlingly wise lessons hiding in this work—yet the overall execution feels lazy, like a draft."[12]