Bartolomeo Passante

Bartolomeo Passante or Bassante (1618 – 1648) was an Italian painter of the Baroque era active in Naples.

Bartolomeo Passante
Born1618
Brindisi
Died1648
Naples
NationalityItalian
OccupationPainter

Life

He was born in Brindisi. He reached Naples in 1629, where he probably studied under Jusepe de Ribera (according to Bernardo De Dominici), but according to other documents he frequently attended the studio of a certain Pietro Beato, marrying Beato's niece Angela Formichella in 1636. De Dominici saw his style as almost identical with that of Ribera, but modern critics find his style so different from Ribera's that it is thought to be close to that of Massimo Stanzione and Agostino Beltrano, whom he probably also studied under during his time with Beato. He died in Naples.

Works
The Adoration of the Shepherds by Passante, São Paulo Museum of Art

There are two signed works by Passante - The Adoration of the Shepherds at The Prado[1] and a Mystic Marriage of Saint Catherine in a private collection in Naples.

Saint Sebastian Tended by Pious Women (London), Holy Family with Saint Joseph Sleeping (private collection, Causa), a large Adoration of the Shepherds (in a Swedish church - perhaps the painting cited by De Dominici as being in the church of San Giacomo degli Spagnoli in Naples according to Giuliano Briganti), a Saint Catherine of Alexandria (Palazzo Madama, Turin[2]) and a Triumph (private collection in Rome) are all also attributed to him for stylistic reasons. At the São Paulo Museum of Art there's another Adoration of the Shepherds attributed to him.[3]

Spinosa[4] argued that Passante is to be identified with the Master of the Annunciation to the Shepherds - the latter was active in Naples in the mid 17th century. This is no longer held to be plausible given Passante's short lifespan and was based on an assumption that he survived until the mid 17th century, now disproved by a document dating his death to 1648.

References
  1. Bassante, Bartolomeo. "The Adoration of the Shepherds". Museo del Prado. Retrieved 5 April 2020.
  2. "Homepage | Palazzo Madama". palazzomadamatorino.it. Archived from the original on 2013-06-30. Retrieved 2015-12-01.
  3. Passante, Bartolomeo. "The Adoration of the Shepherds".
  4. Nicola Spinosa, Bartolomeo Bassante. Santa Caterina d'Alessandria, in Civiltà del Seicento a Napoli, exhibition catalogue, Napoli 1984, scheda n. 2.5, p. 189

Bibliography
  • Bernardo De Dominici, Vite dei Pittori, Scultori, ed Architetti Napolitani (3 volumes), Stamperia del Ricciardi, Napoli 1742
  • Raffaello Causa, La pittura del Seicento a Napoli dal naturalismo al barocco, in Storia di Napoli, Napoli 1972, pp. 974;
  • Nicola Spinosa, Bartolomeo Bassante. Santa Caterina d'Alessandria, in Civiltà del Seicento a Napoli, exhibition catalogue, Napoli 1984, scheda n. 2.5, p. 189;
  • Giuliano Briganti, Bartolomeo Bassante (?). Santa Caterina d'Alessandria, in G. Romano (ed.), Da Biduino ad Algardi. Pittura e scultura a confronto, Torino 1990, scheda n. 13, pp. 154–157;
  • Ferdinando Bologna, Battistello Caracciolo e il primo naturalismo a Napoli, Napoli 1991, scheda n. 2.90, pp. 321–322;
  • Francesco Abbate, Storia dell'arte nell'Italia meridionale, IV: Il secolo d'oro, Roma 2002, pp. 77–79.
  • Giuseppe Porzio, La Scuola di Ribera : Giovanni Dò, Bartolomeo Passante, Enrico Fiammingo, Napoli, Arte'm, 2014.
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