Bell X1 (band)

The trio began life as members of the alternative rock band Juniper, along with former Bell X1 member Brian Crosby and singer-songwriter Damien Rice. The quintet had garnered a level of interest in the Irish music press and had built up a devoted live following.[9] In 1998, having signed a multi-album deal with PolyGram and releasing two top-20 singles, Rice quit the band just as Juniper were preparing to record their debut LP in France.[10]

With a body of songs already accumulated, the remaining four members decided to continue, with Noonan swapping drums for vocals and Paul "Binzer" Brennan coming in on percussion duties.[11] The name Bell X1 was adopted after Noonan had read Tom Wolfe’s 1979 non-fiction book The Right Stuff in which the aircraft of the same name makes history by breaking the sound barrier.[12]

Juniper's original contract with Polygram Ireland was moved to Island Records UK,[13] and the band released their debut LP, Neither Am I on 13 October 2000. It was preceded by the singles "Pinball Machine" and "Man On Mir", both of which would become live favourites. The album also featured two collaborations with Rice from the Juniper days, "Face" and "Volcano"[14] (Rice would release his solo version of the latter on his 2002 debut album, O). The album was produced by Nick Seymour of Crowded House in The Windings studio, Wales and mixed at Mute Records in London.[15] It achieved gold sales in Ireland despite mixed reviews.[6]

In late summer, 2001, the band decamped to Wexford to write songs for what would be their second LP.[16] They entered Ridge Farm Studio in Surrey, England in 2002 with producer Jamie Cullum[16] and released Music In Mouth in July 2003 in Ireland and then the UK on Island. Singles released from the album included "Snakes & Snakes", "White Water Song", "Tongue", "Next To You", "Alphabet Soup" and "Eve, The Apple of My Eye", four of which went top-40 in the Irish charts. The album went double platinum in Ireland.[6]

Taking its title from a line in the poem "The Planters Daughter" by Austin Clarke [c], the album received positive reviews and the band began attracting more attention in the UK music press. Major-label backing was also allowing the band to tour more extensively in the UK and Europe and perform high-profile support slots with Snow Patrol, Starsailor, Keane, Aqualung and Tom McRae.[17]

John Meagher of the Irish Independent named Music In Mouth the fourth best Irish album of the 2000s and the 30th best of all time,[18] while RTE’s Harry Guerin described it as a band "pushing themselves in different directions and coming up with a joy and sadness that prove as contagious as each other [...] a band thinking outside the a, b, c of guitar rock".[19] Hot Press magazine described the record as "more unified, distinctive and cohesive" offering than Neither Am I that showcased the band’s "multiple directions",[20] while Entertainment.ie claimed that the album should see Bell X1 at the forefront of a new Dublin rock movement.[21]

As their popularity in Ireland was rising on the back of Music In Mouth, the band began courting the US. Both "In Every Sunflower" and "Eve, The Apple of My Eye" had been used in hit TV drama The OC. The latter soundtracked a now infamous lesbian kiss between Olivia Wilde and Mischa Barton[22] and was selected for inclusion on the compilation The OC Mix 4. Looking to capitalise on this, the band played their first ever US shows in New York’s Mercury Lounge and the Viper Room in Los Angeles in 2003.[23] 2004 also saw Bell X1 open for former bandmate Damien Rice on one of the singer-songwriter’s New York dates.[24]

Summer 2004 saw Bell X1 return to Wexford on the South-east of Ireland to commence writing on what would become their third long-player, Flock. Following a headline show in Dublin’s Olympia Theatre in December 2004, the band entered Dublin’s Westland Studios in early 2005 to record with producer Roger Bechirian and engineer Phil Hayes. In June of that year, the band recorded a live session for Nic Harcourt's Morning Becomes Eclectic radio show on KCRW in Los Angeles.[25]

"Bigger Than Me" was the first single to be taken from the album and went to No.16 in Ireland in September 2005. It was followed on 14 October by the release of Flock itself. It went straight to No.1 in the album charts in Ireland where it would go on to sell five-times platinum.[6]

The album was met with largely positive reviews. It holds a metascore of 72 on review aggregate site Metacritic.[26] The Boston Globe deemed that the record displayed the group’s "musicality and charm",[27] while RTE’s Kate Moten described the album as "an accomplished collection from a clever and inventive band, whose talent deserves heapings of praise".[28]

Following a sold-out performance in Dublin’s 5,000-capacity RDS Main Hall on 31 January 2006,[29] the band released "Flame", which entered the Irish singles charts at No.12 that March. George Whyte of the Irish Independent reported that Bell X1 "received a more passionate welcome than anyone else" during their Main Stage appearance at Oxegen music festival that summer.[30] The third and final single to be lifted from Flock was "Rocky Took A Lover", the song having become a highlight of the Bell X1’s live setlist. Both songs remain on heavy rotation on Irish radio to this day.[15]

Flock was subsequently released in Europe and the US in Spring 2008, the latter territory given a rejigged tracklist that incorporated “Eve, The Apple Of My Eye” in order to springboard the band to wider attention stateside.[31]

In February 2007, Bell X1 parted company with Island Records after the UK label’s roster was affected by mergers and buyouts. Although Island offered the group a new deal after Flock, there was confidence in the air of Celtic Tiger Ireland, and Bell X1 opted to go independent and release records through their own BellyUp label.[33] In June 2007, to coincide with becoming the first Irish act to headline Dublin’s Malahide Castle,[34] the group put out Tour de Flock, a two-disc concert album and live DVD of Bell X1’s sold-out Point Theatre homecoming show the previous December.[35] The band rounded off 2007 by playing the Other Voices festival.[36]

On 15 March 2008, while on tour in the US, the band's tour bus burst into flames outside their hotel in Medford, Massachusetts. Noonan and Geraghty were on board the vehicle alongside their manager and a friend. Fire fighters were called to the scene shortly after 3:30am and spent 90 minutes fighting the blaze which had caused an estimated $50,000 worth of damage. The band and crew were able to get all equipment and instruments off the vehicle undamaged. After sourcing a replacement vehicle, the band travelled to New York City where they played a sell-out show in the Bowery Ballroom, followed by a performance of "Rocky Took A Lover" on the Late Show with David Letterman.[37] Other North American television appearances during that Spring 2008 tour included MTV Canada, The Late Late Show with Craig Ferguson and Late Night with Conan O'Brien.[38]

Bell X1 would return to North America for a fourth time in 2008 as special guests of Canadian indie act Stars on their September tour. Shortly afterwards, in October, founding member Brian Crosby announced that he was parting ways with the band to pursue a career as a producer and film composer. In a statement, Crosby said: "It's been an extraordinary privilege to be in a band with your mates for more than 15 years. I'm really grateful for everything I got to do with Bell X1, for all the adventures we had and for the great support of our fans. It's been particularly wonderful to have connected with so many people and to have got to meet people all over the world doing what I love. I look forward to continue making those connections. At the same time I'll be applauding the boys continued success." His final show with Bell X1 was the closing night of the Flock tour in October 2008.[39]

Having undergone such significant changes, the band wanted to regroup after coming out of a "speed wobble".[40] In late 2008, they decamped to Ballycumber House, Offaly in the midlands of Ireland for pre-production on what would be their fourth LP and their first studio release on their own independent label.[41] Touring drummer Tim O’Donovan accompanied them as did engineer Phil Hayes. Noonan and Geraghty set out to write traditionally on guitar and piano and then "dress" the songs in beats and electronic flourishes.[42] A digital guitar known as a Casio DG-20 was acquired prior to song-writing sessions for the album and Noonan attributes this to the album’s "playful" and "goofy" nature.[40] Self-produced by the band, Blue Lights On the Runway was recorded in Ballycumber House and mixed by Phil Hayes.[43]

Ahead of the LP hitting shelves, Bell X1 put out a lead single in the form of "The Great Defector" on 30 January 2009 (3 February in the US and UK). Peaking at No.3 in the Irish charts as well as going Top 10 in the US AAA Radio charts,[45] the song remains the band's most enduring radio hit to this day.

Blue Lights On the Runway was released in Ireland on 20 February 2009,[46] and in the US on 3 March.[47] It went straight to No.1 in the Irish album charts[48] and went Top 20 stateside in the Billboard Top Heatseekers Chart.[49] The record received generally favourable reviews both sides of the Atlantic and currently holds a Metacritic aggregate rating of 73/100.[50] Billboard described the album as having "cold, wonderous Radiohead-esque moments within a warmer sound all their own"[51] while NPR praised the record’s "artfully constructed songs and offbeat lyrics".[52] PopMatters described the album as "delicate", "expansive" and Bell X1’s best work to date.[53] The album was nominated for the Choice Music Prize that year.[54]

Within weeks of each other, the band had performed "The Great Defector" on two primetime late-night chat shows in both Ireland (Tubridy Tonight) and the US (a return visit to The Late Show With David Letterman). Letterman hailed the song as "fantastic" afterwards.[40] Irish Independent journalist Eamon Sweeney described the song as "the best thing on the airwaves at the moment".[55] "The Ribs of a Broken Umbrella", the second single to be taken from Blue Lights On The Runway, was later released.[56]

With Marc Aubele replacing Crosby on keys and Rory Doyle on drums, the band toured heavily in promotion of the new record, with arena shows at Summer festivals in Europe including Festival Internacional de Benicàssim, Spain,[57] Electric Picnic, Ireland[58] and Live at The Marquee, Cork, Ireland.[59][60] The band also supported U2 on the last show of their three-night residency in Dublin’s Croke Park.[61] After some dates in the US at the end of the Summer – including the Austin City Limits Festival[62] – the band returned to Ireland for two sell-out homecoming shows in Dublin’s Olympia Theatre[63] as well as a live session at Other Voices (broadcast in early 2010).[64]

In Summer 2010, the band went into a rehearsal room in preparation for recording their fifth studio album. Marc Aubele and Rory Doyle now completed the line-up, something the band has credited with making writing sessions more streamlined.[65] Bloodless Coup was recorded in Grouse Lodge studios in Ireland with Rob Kirwan (Depeche Mode, PJ Harvey, Hozier), a longtime friend of the band from the Juniper days. It was recorded mostly live with some minimal overdubbing.[15]

Noonan’s lyrics were once again a talking point of the new record. Members of the band had recently begun families while at the same time seeing friends losing their own parents, a theme touched upon in "Built To Last", "Nightwatchmen" and "74 swans".[66] Songs like "Sugar High" as well as the very album title itself, meanwhile, saw Noonan reflect on the perversities and injustices of the harsh economic downturn that had recently hit Ireland.[67] In his four-star review in the Irish Independent, John Meagher praised Bell X1 for being one of the few bands to lyrically tackle the "turbulent, uncertain times".[68]

The album was released on 1 April 2011. Ahead of its release, Bell X1 released the track "Hey Anna Lena" on 18 January before an official single, "Velcro", on 1 March. The album received mixed reviews with a Metacritic aggregate score of 58/100.[69] State called the LP "an emphatic return to form", commenting that the band sounded "rejuvenated".[70] Similarly, entertainment.ie noted that it felt as if the band were "hungering for something new" on the record, and that they deserved kudos for "refusing to make music for anyone but themselves".[71] The feeling was echoed by a review on Addict Music that felt the music on Bloodless Coup was "hinting at a new direction".[72] The Sunday Times named Bloodless Coup its CD of The Week in a 5 star review,[73] while the Boston Herald gave the record an "A" grading, calling the songwriting and playing "superb".[74]

On 5 April, NPR recorded a special live concert by the group at Dublin’s Guinness Storehouse before 27 May saw the band play a rooftop set at Facebook’s European HQ in Dublin in the presence of founder Mark Zuckerberg.[75]

Besides extensive touring in Europe and the US, Bell X1 played headline shows that year in Marlay Park, Galway Arts Festival and Cork’s Live At The Marquee.[65] The band added a date at Dublin’s Olympia Theatre to their winter tour in order to stage a benefit concert for homeless charity Capuchin Day Centre.[76] It was reported that the show raised €20,285 and that the centre received a further €225,000 due to the awareness raised.[77]

In early May 2012, Bell X1 announced that they would be releasing a two-disc collection of 21 live acoustic tracks and tour photographs entitled Field Recordings.[78] The audio-visual compendium was captured by the band's long-time engineer Phil Hayes, and taken from shows both in Europe as well as North America where the band had stripped their arrangements down to guitars, piano and an iPod.[79] The release, which featured tracks from across their entire catalogue,[80] was only made available via the group’s webstore.

Hot Press magazine praised the album, calling it "an essential purchase for both fans and newcomers alike… It reminds you once again just what a great songwriter Paul Noonan is, with his carefully crafted miniatures about love and life."[81] Like Hot Press, State awarded it four stars, calling it "a keeper for die-hard fans and a great introduction for the new ones".[82]

Summer of 2012 saw Bell X1 convene in Geraghty’s home studio to demo a new batch of songs for what would become the group’s sixth studio LP.[84] Unlike Bloodless Coup, there was no overarching thematic thread to Noonan’s lyrics this time but the song "A Thousand Little Downers" did touch on some of the social commentary themes found in the previous record.[75][67]

On 8 January 2013, RTÉ reported that the band had begun work on a new album at Tarquin Studios in Bridgeport, Connecticut with producer Peter Katis (The National) and composer and producer Thomas Bartlett (The Gloaming, Sufjan Stevens, Martha Wainwright).[85] The trio found themselves energised by the approach of Katis and Bartlett, resulting in a recording process that took just two weeks.[86]

Chop Chop was released on 28 June 2013 and premiered at a sell-out date at Dublin’s National Concert Hall the following night.[87] It became the third Bell X1 LP to enter the Irish charts at No.1 and is among the best reviewed studio album releases in the band’s career, holding a 76/100 score on review aggregate site Metacritic.[88] Writing in Mojo, James McNair praised the record’s "zest and focus",[89] while the Independent on Sunday deemed it "Funny, sad, perfect".[90] Q Magazine gave the album three stars, conceding that "the more you ignore Bell X1, it seems, the better they get".[91]

Back in Ireland, music journalist Tony Clayton Lea, reviewing in the Irish Times, said Chop Chop was the best album of Bell X1’s career to date.[92] Hot Press magazine said that the band’s back-to-basics approach on the new record had yielded "powerful results".[86] It was the fourth Bell X1 album to be nominated for the Choice Music Prize for album of the year.

To connect with their audience while promoting the release in Ireland, the band opened "Pop-up shops" at 10 different venues on the tour where fans could access vouchers to attend special acoustic sets. There was a special promotional chopping board issued to launch the album.[93] The band toured the new record extensively both in Europe and North America, as well as embarking on their first ever tour of Australia in summer 2014.[94] In 2015, Bell X1 supported Ed Sheeran on both nights at massive Croke Park Shows in Dublin.[95]

While Chop Chop took two weeks to record, making a follow-up record would take two years. In late 2014/early 2015, the band assembled in Geraghty’s home studio once more to write and demo new material before relocating to the Donegal studio of producer Tommy McLaughlin (Villagers, Soak) to record.[97] The trio, however, were not satisfied with the overall shape of the record and road testing the material on live dates revealed that some tracks needed to be re-approached.[98] The original release date of summer 2015 was scrapped.[99]

Seeking to make something "looser" in structure and more "unhinged" to their previous records, the band chose not to record to a click track for a lot of the songs, believing that the irregular tempos and imperfections would have more resonance with listeners.[100]

It would be 14 October 2016 before Arms, Bell X1’s seventh album, would be released and enter the Irish album charts at No.2.[101] The album received universal acclaim and holds a Metascore of 81/100 on the music aggregate site Metacritic.[102] Talia Schlangar of NPR called the record "bright, thoughtful and gracefully rough around the edges…".[100] Mojo said Arms was "a humane and typically eclectic affair with winning flashes of eccentricity".[102] The Grammy-nominated singer-songwriter Hozier, meanwhile, described lead single "The Upswing" as "new beautiful greatness".[103]

Some commentators picked up on a sense of solace and ease in Noonan’s lyrics, with Brynn Davies of The Music commenting that the album was "elegantly melancholy, reflecting the determination, optimism and bittersweet musings of a band finding wisdom in the next stages of their lives and careers".[104] In its review of the album, Hot Press magazine noted that "The Upswing" (released as single four months ahead of Arms) was "Bell X1 at their melancholic moodiest, but still optimistic and hopeful", while "I’ll Go Where You Go" was addressing the concerns of being a touring musician and parent at the same time.[105]

The band returned to Australia in December 2016 for a three-date mini-tour[106] before bringing Arms to the US for a string of live shows in February 2017.[107] Following a headline outdoor show in Dublin’s Trinity College in July, the band embarked on a 20-date European tour supporting Tori Amos.[108]

• Paul Noonan – vocals; guitar; drums; percussion; kazoo
• David Geraghty – vocals: guitar; drums: banjo; piano; keyboards: harmonica
• Dominic Philips – bass guitar; vocals

• Bill Blackmore – horns
• Marc Aubele[15] – guitar; keyboards (2008–present)
• Rory Doyle[15] – drums (2008–present)
• Glenn Keating – keyboards (2014–present)

• Brian Crosby – guitar; keyboards; vocals (1999–2008)
• Tim O'Donovan – drums

Bell X1's third album Flock was nominated for the 2005 Choice Music Prize. Although considered the favourite, it did not emerge as the winner on the night, with Julie Feeney's 13 Songs taking the award.[129]

Fourth album Blue Lights on the Runway was nominated for the 2009 Choice Music Prize.[130][131] It lost out to The Season of the Sparks by Irish singer-songwriter Adrian Crowley.

Bloodless Coup, Bell X1's fifth LP, was nominated for the 2011 prize, but was a runner-up to Ocean of Frequency by Jape.[132]

"Chop Chop" was nominated for the 2013 Choice Music Prize, the eventual prize for Album of the Year going to Villagers for Awayland. Villagers were a support act for Bell X1 on their 2009 UK tour.[133]

Bell X1 have been nominated for several Meteor Music Awards. They were nominated in the Best Irish Band category and Music in Mouth was nominated in the Best Irish Album category at the 2004 Meteor Awards.[134] They were again nominated in the Best Irish Band category at the 2005 Meteor Awards.[135][136]

They were nominated in three categories at the 2010 Meteor Awards: Best Irish Album, Best Irish Band and Best Irish Live Performance.[137]

In addition, the band have performed at the 2005 Meteor Awards on 24 February 2005 and at the 2006 Meteor Awards on 2 February 2006.[138][139][140][141]