Bhavni Bhavai

Bhavni Bhavai (Gujarati: ભવની ભવાઈ; The Tale of the Life) is a 1980 Gujarati film directed by Ketan Mehta, starring Naseeruddin Shah, Om Puri, Smita Patil, Mohan Gokhale, Benjamin Gilani. It tells the story of untouchability through folklore and Bhavai.

Bhavni Bhavai
Directed byKetan Mehta
Produced bySanchar Film Cooperative Society Ltd.
Written by
Based on
Starring
Music byGaurang Vyas
CinematographyPummy
Edited byRamesh Asher
Release date
  • 1980 (1980)
Running time
135 minutes
CountryIndia
LanguageGujarati
Budget₹3.5 lakh (equivalent to ₹65 lakh or US$91,000 in 2019)[1]

Bhavni Bhavai was Ketan Mehta's debut film and received a critical acclaim. Mehta won the prestigious Nargis Dutt Award for Best Feature Film on National Integration, while Meera Lakhia won National Film Award for Best Production Design at the 28th National Film Awards. The film was selected for a festival at the Museum of Modern Art and received UNESCO Club Human Rights award at the Three Continents Festival.[2]

Plot

The story begins with a group of Harijans migrating to a city and pausing for a night. An elderly (Om Puri) starts narrating the story of King Chakrasen.

King Chakrasen (Naseeruddin Shah) badly wants an heir, but neither of his two queens conceives a child.

One day Chakrasen smells a foul odor at his darbar. Upon investigating he is told the place is not cleaned because bhangis are on holiday for a wedding. Angrily, he summons them immediately and orders their flagellation as punishment. Meanwhile, his spy brings the information that his people are conspiring against the king. On the advice of his prime minister (Benjamin Gilani), he decides to declare a war against the neighbouring state, as a distraction. Unknown to the king, his prime minister is having an affair with his younger queen (Suhasini Mulay). Before the king can declare a war, the neighbouring king decides to attack for the similar reasons. Chakrasen's army wins the war but suffers major brutality. At the same time, the king receives the news that his elder queen is expecting a child. Hearing this news, the jealous young queen and prime minister conspires with the royal astrologer and tells the king that if the king sees the face of the newborn, he will die immediately. Fearing for his life, the king orders killing of the newborn. The soldiers, ordered to kill the child, have a change of heart. They put him in a wooden box and let go of him in the river. One of the bhangis, Malo Bhagat (Om Puri), finds the box and decides to raise 'Jeevo' with his wife, Dhuli (Dina Pathak), as his own. While in the kingdom, the royal astrologer suggests that if the king wants a child, he must build a stepwell and the king agrees to it.

Years pass by, the work on stepwell continues, but they can't find the water. Jeevo (Mohan Gokhale) grows up and falls in love with gypsy girl, Ujam (Smita Patil). The royal astrologer accidentally discovers that Jeevo is the son of the king and tells the king that the king must sacrifice 'Batress Lakshano Purush' (a man with 32 qualities), if he wants water in the stepwell and Jeevo is the only eligible man besides the king himself. The army sets out to capture Jeevo, but he runs away. Ranglo (jester) (Nimesh Desai) learns the truth and decides to inform the elder queen. Before that, the prime minister captures him and puts him in jail. Jeevo makes a plan with Ujam and tells the king that if he agrees to end the untouchability of his caste, then he'll surrender — else he'll kill himself and the king won't be able to complete the sacrifice. After consulting his ministers, Chakrasen reluctantly agrees to the demand. On the day of the sacrifice, Ranglo escapes from the prison and tells the king that Jeevo is his own son, to which king is delightful and aborts the execution. The stepwell suddenly starts filling up with water.

As the story approaches the end, one of the Harijans stops the elder and tells him not to lure the children with false 'happy endings' and narrates his own alternate ending. In the alternate ending, Ranglo doesn't arrive to tell the truth and sacrifice proceeds as planned, but there is still no water in the stepwell. Unable to bear the shock of their son's death, Jeevo's mother dies and Malo curses the king and commits suicide in the stepwell. Upon Malo's death, stepwell gets over-flooded, killing king and his ministers with him. The final sequence is interspersed with the footage of violent protests of Indian independence movement.

Production
Rani ki vav, where the final sequence was filmed.

Development

After graduating from the Film and Television Institute of India, Ketan Mehta was working for a satellite channel. Through his travels in villages, he came across the problems faced by rural population, specifically untouchability. He also came across Dhiruben Patel's play Bhavni Bhavai,[3] — which back then was performed as a Bhavai — and decided to turn it into a movie.[4] He was also inspired by Achhutno Vesh, a Bhavai performance.[5] For production, the people associated with had formed a cooperative, the Sanchal Film Cooperative Society.[5] The film was made on a meager budget of ₹3.5 lakh (equivalent to ₹65 lakh or US$91,000 in 2019), with funding from NFDC. Most of the actors, including Naseeruddin Shah, Om Puri and Smita Patil agreed to work without any compensation

Naseeruddin Shah initially declined the role, because of his previous experience of working with Ketan Mehta, when the latter directed Eugène Ionesco's play The Lesson for him. Ketan Mehta persisted and Naseeruddin finally agreed to do it because of his liking for the film, though he was hesitant about playing the role of a "Bumbling Raja".[6]

Filming

Ketan Mehta filmed Bhavni Bhavai with distancing effect and the use of comic characters. Hence, the film is dedicated to Bertolt Brecht and Goscinny, the creator of Astérix. It is also dedicated to the inventor of the Bhavai, Asaita Thakar, who was a Brahmin outcast and lived among the lower caste communities. The Bhavai evolved into one of India's most energetic folk music and dance-dramas. The final sequence of the stepwell and sacrifice was filmed at the World Heritage Site, Rani ki vav in Patan, Gujarat.[7]

The chief theme of the film is struggles of Harijans. The film also presents a medieval story in modern ways. Instead of linear story, it has a circular structure.[5]

Cast

Soundtrack
Bhavni Bhavai
Soundtrack album by
Gaurang Vyas
Released1980
GenreFeature film soundtrack
Length15:03

Bhavni Bhavai songs were composed by Gaurang Vyas and written by Dhiruben Patel.

Track list
No.TitleLyricsArtist(s)Length
1."Pachhun Vali Ne Joyun Na"Dhiruben PatelBhupinder Singh3:39
2."Hoon Mala No Dikro Jevo"Dhiruben PatelPraful Dave, Varsha Bhosle2:58
3."Ranglo Aave Raja Ranglo Aave"Dhiruben PatelPreeti Sagar, Praful Dave, Nimesh Desai5:56
4."Patal Pani Toye Niklya Nai"Dhiruben PatelPreeti Sagar2:30

Critical reception

Bhavni Bhavai received a wide critical acclaim and is considered one of the best Gujarati films of all time. It was considered path-breaking for dark humour and satire because most of films of the time were based on mythology and religious stories. The film was also praised for then-novel technique of 'breaking the fourth wall'.[7][8]

The New York Times described it as "Enhanced by interesting costumes and incisive dialogue, the fable combines comedy and social commentary as it moves through its classic tale."[9] Variety called it "A delightful didactic fable with sharp Brechtian influences that works on practically all levels." Khalid Mohamed of Times of India said, "like a lightening red Bhavni Bhavai, the Gujarati Film is very special – inventive, moving and fine grained – the film is so simple, song filled and entertaining that it is well along its way before you recognise it as a tour do farce it actually is." American film critic J. Hoberman called the movie "the finest film I saw in India" and described it as stunningly photographed and universally accessible.[10] Director Sudhir Mishra has said that Bhavni Bhavai was one of the films that inspired him to take up filmmaking.[1]

Accolades

Mehta won the prestigious Nargis Dutt Award for Best Feature Film on National Integration, while Meera Lakhia won National Film Award for Best Production Design at the 28th National Film Awards. The film was selected for a festival at the Museum of Modern Art and received UNESCO Club Human Rights award at the Three Continents Festival.[2][11] The film was presented at the New Indian Cinema festival held in London along with 22 other films.[5]

References
  1. Aditya Mani Jha (29 April 2013). "Bhavni Bhavai: Folk matters, and how to break the Fourth Wall". Archived from the original on 2 May 2013.
  2. Banerjee 2013, p. 49.
  3. "Dhiruben Patel". Muse India. Archived from the original on 15 June 2012. Retrieved 12 November 2011.
  4. Divyasha Doshi (10 November 2014). "હડકાયો કૂતરો કરડ્યો એટલે હું ફિલ્મ બનાવું છું. - કેતન મહેતા".
  5. Thaker, Dhirubhai; Desai, Kumarpal, eds. (2007). Gujarat: A Panorama of the Heritage of Gujarat. Prakashan: 2 (1st ed.). Ahmedabad: Smt. Hiralaxmi Navanitbhai Shah Dhanya Gurjari Kendra, Gujarat Vishwakosh Trust. pp. 531–532.
  6. Shah 2014, p. 256.
  7. Hiren Dave (4 October 2009). "Bhavni Bhavai (Gujarati) (1980)".
  8. Jai Arjun. "Dry well, foul smell - on Ketan Mehta's excellent Bhavni Bhavai".
  9. Eleanor Mannikka. "Bhavni Bhavai (1980)". The New York Times.
  10. "Bhavni Bhavai critics/reviews". Archived from the original on 20 December 2014. Retrieved 20 December 2014.
  11. Thaker, Dhirubhai; Desai, Kumarpal, eds. (2007). Gujarat: A Panorama of the Heritage of Gujarat. Prakashan: 2 (1st ed.). Ahmedabad: Smt. Hiralaxmi Navanitbhai Shah Dhanya Gurjari Kendra, Gujarat Vishwakosh Trust. pp. 529–530.

Bibliography
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