Bicentennial Man (film)

The NDR series robot "Andrew" is introduced in 2005 into the Martin family home to perform housekeeping and maintenance duties, and introduces himself by showing a presentation of the Three Laws of Robotics. Grace the eldest daughter despises Andrew but her younger sister Amanda is sympathetic to him, and Andrew discovers he feels emotions, and is drawn to spend more time with his "Little Miss". He accidentally breaks one of her glass figurines and is able to carve a new one out of wood, which surprises Richard, her father. Richard takes Andrew to NorthAm Robotics to inquire if Andrew's creativity was part of his programming. NorthAm's CEO Dennis Mansky claims this is a problem and offers to scrap Andrew, but instead Richard takes Andrew back home and encourages him to continue his creativity and explore other humanities. Andrew becomes a clockmaker and earns a sizable fortune managed by Richard after they find that robots have no rights under current laws.

Time passes, and Richard encourages Dennis to give Andrew the ability to present facial expressions to match his emotions. About two decades from being awoken, Andrew presents Richard with all the money he has made to ask for his freedom. Richard refuses to accept it but does grant Andrew his independence, on the condition he may no longer reside at the Martin home. Andrew builds his own home by the beach. In 2048, Richard is on his death bed, and apologizes to Andrew for banishing him before he dies.

Following Richard's death, Andrew goes on a quest to find other NDR robots that are like him, frequently communicating back to Amanda, who has since married and divorced, and has a son Lloyd and granddaughter Portia. Twenty years into Andrew's quest, he discovers Galatea, an NDR robot that has been modified with female personality and traits. Andrew becomes interested in how Galatea was modified by Rupert Burns, the son of the original NDR designer, and finds he has a number of potential ideas to help make robots appear more human-like. Andrew agrees to fund Rupert's work and to be a test subject, and is soon given a human-like appearance. Twenty years later, Andrew finally returns to the Martin home and finds that Amanda has grown old while Portia looks much like her grandmother at her age. Portia is initially cautious of Andrew, but soon accepts him as part of the Martin family.

Amanda eventually dies, and Andrew realizes that all those he cares for will also pass on. He presents ideas to Rupert to create artificial organs that not only can be used in humans to prolong their lives but also to replace Andrew's mechanical workings. Andrew gains the ability to eat, feel emotions and sensations, and even have sexual relationships, resulting in him and Portia falling in love. Andrew petitions the World Congress to recognize him as a human as to allow him to marry Portia, but the body expresses concern that an immortal human will cause jealousy from others. Andrew returns to Rupert for one last operation: to change the artificial fluids driving his body into a blood equivalent. Rupert cautions him that the blood will not last forever, causing his body to age, and Andrew will die in several more decades, a fate Andrew accepts.

Decades later, Andrew again approaches the World Congress to appeal their past decision, wanting to be able to die with dignity. Later, with Andrew's body deteriorating, he and Portia are both under life support monitored by Galatea, now with a human appearance. They hold hands and watch the World Congress as they recognize Andrew as a human being, the world's oldest at 200 years, and giving all rights confirmed by that, including validating his marriage to Portia. During the broadcast, Andrew dies, which is confirmed by Galatea. Portia asserts that Andrew already knew the answer to whether he was human and then, after ordering Galatea to turn off her life support, she soon dies, hand-in-hand with Andrew as she whispers to him "See you soon."

• Robin Williams as Andrew Martin, an NDR android servant of the Martin family that seeks to become human.
• Sam Neill as Richard "Sir" Martin, the patriarch of the Martin family.
• Embeth Davidtz as Amanda "Little Miss" Martin (adult) and Portia Charney; Amanda is a friend of Andrew, the mother of Lloyd and grandmother of Portia while Portia is the daughter of Lloyd, the granddaughter of Amanda and significant other of Andrew.
  • Hallie Kate Eisenberg as Amanda "Little Miss" Martin (age 7), the younger daughter of the Martin family.
• Wendy Crewson as Rachel "Ma'am" Martin, the matriarch of the Martin family.
• Oliver Platt as Rupert Burns, the son of the NDR creator that makes androids look more human-like.
• Kiersten Warren as Galatea, the NDR android servant of Rupert and later a servant of the Martin family.
• Stephen Root as Dennis Mansky
• Angela Landis as Grace "Miss" Martin (adult), the spoiled older daughter of the Martin family.
  • Lindze Letherman as Grace "Miss" Martin (age 9)
• Bradley Whitford as Lloyd Charney (adult)
  • Igor Hiller as Lloyd Charney (age 10)
• John Michael Higgins as Bill Feingold — Martin Family Attorney
• George D. Wallace as the President/Speaker of the World Congress
• Lynne Thigpen as Marjorie Bota, a later President/Speaker of the World Congress
• Jay Johnston as Charles

Walt Disney Studios was concerned about the cost of the film, estimated to be over $100 million, and even though pre-production was underway and sets were already being built they pulled the plug and halted production. Disney chairman Joe Roth came to an agreement with Sony Pictures Entertainment Chairman John Calley, to co-finance the film and agreed to split distribution responsibilities for the film between Touchstone Pictures in North America and Columbia Pictures internationally.[2]

Williams confirmed in a Las Vegas Sun interview that his character was not played by a body double and that he had actually worn the robot costume.[4]

Various scenes were shot inside San Francisco City Hall, including the ball scene. The city charged charged Disney from $5000 to $20000 per day, depending on the particular location used for filming. The heat from two 10,000-watt spotlights triggered the fire sprinkler system and which resulted in flooding which caused water damage. Renovations had only recently been completed after a previous flooding incident. Filming was only interrupted for a few hours, but water damage to the ceilings, carpets, and limestone was significant.[5]

On Rotten Tomatoes the film has an approval rating of 36% based on 97 reviews, with an average rating of 4.78/10. The website's critical consensus reads: "Bicentennial Man is ruined by a bad script and ends up being dull and mawkish."[6] On Metacritic it has a weighted average score of 42 out of 100, based on reviews from 31 critics, indicating "mixed or average reviews".[7] Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale.[8]

Roger Ebert gave it two out of four stars: Bicentennial Man begins with promise, proceeds in fits and starts, and finally sinks into a cornball drone of greeting-card sentiment. Robin Williams spends the first half of the film encased in a metallic robot suit, and when he emerges, the script turns robotic instead. What a letdown.[9] William Arnold of the Seattle Post-Intelligencer said: "[The film] becomes a somber, sentimental and rather profound romantic fantasy that is more true to the spirit of the Golden Age of science-fiction writing than possibly any other movie of the '90s." Todd McCarthy of Variety summed it up as "an ambitious tale handled in a dawdling, sentimental way."[10]

• Academy Awards — Best Makeup (lost to Topsy-Turvy)
• Blockbuster Entertainment Award — Favorite Actor — Comedy (Robin Williams) (lost to Adam Sandler in Big Daddy)[11]
• Blockbuster Entertainment Award — Favorite Actress — Comedy (Embeth Davidtz) (lost to Drew Barrymore in Never Been Kissed)[11]
• Hollywood Makeup Artist and Hair Stylist Guild Award — Best Character Makeup — Feature (lost to Sleepy Hollow)
• Nickelodeon Kids' Choice Awards — Favorite Movie Actor (Robin Williams) (lost to Adam Sandler in Big Daddy)
• Razzie Award — Worst Actor (Robin Williams) (lost to Adam Sandler in Big Daddy)
• Seiun Award — Best Dramatic Presentation (lost to Kōkidō Gensō Gunparade March)
• YoungStar Award — Best Young Actress/Performance in a Motion Picture Comedy (Hallie Kate Eisenberg) (lost to Natalie Portman in Where the Heart Is)

Wikiquote has quotations related to: Bicentennial Man (film)

• Bicentennial Man at D23.com
• Bicentennial Man at IMDb
• Bicentennial Man at the TCM Movie Database
• Bicentennial Man at AllMovie
• Bicentennial Man at the American Film Institute Catalog
• Bicentennial Man at Box Office Mojo